The Making of a Photographer

Born on October 2, 1949, in Waterbury, Connecticut, Annie Leibovitz grew up in a military family that moved frequently across the United States. It was this itinerant upbringing, and an early habit of recording places and faces she feared losing, that first drew her to image-making. She enrolled at the San Francisco Art Institute in the late 1960s, intending to study painting, but a darkroom class changed everything. Within a short time, photography had become her primary language.

In 1970, at 21, Leibovitz walked into the offices of Rolling Stone magazine in San Francisco with a portfolio of photographs. Jann Wenner, the magazine’s founding editor, was struck by what he saw and gave her an assignment immediately. Her first published photograph ran on the cover of Rolling Stone in January 1971: a portrait of John Lennon taken during a session that would become one of the defining moments of her early career. She was hired as a staff photographer, and by 1973 had been named the magazine’s chief photographer, a title she held until 1983, during which time she produced some of the most memorable celebrity portraiture of the era.

The thirteen years she spent at Rolling Stone established the visual grammar that would define her reputation. She photographed musicians, actors, athletes, and politicians with an intimacy that felt genuinely earned rather than performed. Her subjects included the Rolling Stones on tour, Patti Smith, Bruce Springsteen, Arnold Schwarzenegger, and Bette Midler. Her approach was immersive: she would spend extended time with subjects, often traveling with them, building enough trust that the camera seemed to disappear. The resulting photographs felt less like posed portraits and more like brief, honest glimpses into private lives.

Vanity Fair, Vogue, & the Portrait at Scale

In 1983, Leibovitz transitioned to Vanity Fair, where she would spend the next several decades producing work that would extend and deepen her reputation. The editorial budgets and production scale available at Vanity Fair allowed her to realize increasingly ambitious visual concepts. Her portraits from this period are among the most widely reproduced magazine images in American publishing history: Demi Moore, visibly pregnant, photographed nude on the August 1991 cover; Whoopi Goldberg submerged in a bath of milk; a reclining Keith Haring covered in body paint. These images were not simply photographs; they were cultural events.

Alongside her editorial work for Vanity Fair, Leibovitz has contributed extensively to Vogue, photographing fashion campaigns and portraits for both the American and international editions. Her advertising clients have included American Express, Honda, and Louis Vuitton. The latter campaign, which featured major cultural figures, including Mikhail Gorbachev, Catherine Deneuve, and Keith Richards, in travel settings, became one of the most celebrated advertising series of the 2000s.

December 8, 1980, produced what many consider the most significant single photograph of her career. In the hours before John Lennon’s assassination, Leibovitz photographed him curled around Yoko Ono in their Dakota apartment. The image, a nude Lennon in fetal embrace around a fully clothed Ono, ran on the cover of Rolling Stone following his death and has since become one of the most iconic photographs of the twentieth century. Leibovitz was the last professional photographer to photograph Lennon alive.

Museum Recognition & Institutional Legacy

In 1991, Leibovitz became the first woman to stage a solo exhibition at the National Portrait Gallery in London. The show, drawn from two decades of portraiture work, established her within a tradition of formal portraiture that extended well beyond magazine photography. The accompanying monograph, Photographs: Annie Leibovitz 1970–1990, remains a key reference for collectors and researchers.

Subsequent exhibitions have included Women (1999), a collaboration with writer Susan Sontag featuring portraits of women from diverse backgrounds and professions; American Music (2003), which documented musicians across genres; and A Photographer’s Life: 1990–2005, which originated at the Brooklyn Museum before traveling internationally. That exhibition was significant for its candor; it interwove professional editorial work with deeply personal photographs documenting the final years of Susan Sontag’s life and the early childhood of Leibovitz’s daughters.

Her work is held in the permanent collections of major institutions, including the Museum of Modern Art in New York, the Art Institute of Chicago, the National Portrait Gallery in London, and the Smithsonian American Art Museum. In 2006, she was named a Living Legend by the Library of Congress. She is currently represented by Hauser & Wirth, one of the world’s leading contemporary art galleries, a relationship that situates her work firmly within the contemporary fine art market rather than solely within the world of editorial photography.

Her Most Iconic Photographs

A handful of images have come to define Leibovitz’s public identity as a photographer:

• John Lennon and Yoko Ono (1980) — Taken hours before Lennon’s assassination, this gelatin silver print is among the most reproduced photographs of the twentieth century.
• Demi Moore, Pregnant (1991) — The Vanity Fair cover that redefined how pregnancy was represented in mainstream media and generated international debate.
• Whoopi Goldberg in a Milk Bath (1984) — A conceptually daring image that remains among her most discussed early works.
• Keith Haring with Body Paint (1986) — A collaboration that merged the visual languages of two distinct artistic practices.
• Queen Elizabeth II (2007) — Commissioned portraits taken at Buckingham Palace, which generated significant press coverage and became landmarks of official royal portraiture.
• Caitlyn Jenner (2015) — The Vanity Fair cover that generated the magazine’s highest newsstand sales in decades.

These images are not simply well-known. They occupy a specific place in the broader history of photography as a medium capable of shaping public perception, reframing cultural narratives, and functioning as historical documents of their moment.

Collecting Leibovitz: What to Know

For collectors interested in acquiring work by Annie Leibovitz, understanding the structure of her market is essential. Her photographs exist in several distinct formats, and the format, print date, and edition size all have a direct bearing on value.

Print Formats & Media

Leibovitz’s photographs are produced in three primary media:

• Gelatin silver prints: The traditional photographic medium used for her black-and-white work from the Rolling Stone era and beyond. Vintage gelatin silver prints — those produced at or near the time the photograph was taken — are the most sought after by serious collectors and carry a premium over later editions.
• Chromogenic (C-print) prints: Used for her color photography, particularly the Vanity Fair and Vogue work. These are typically available in limited editions and represent the most accessible tier of her market for collectors entering at a mid-range price point.
• Digital inkjet (pigment) prints: Used for more recent work and large-format editions. These prints are often produced in very small editions and are associated with her gallery representation through Hauser & Wirth.

Edition Size & Print Date

Edition size matters significantly in Leibovitz’s market. Smaller editions command higher prices; a print issued in an edition of five will typically outperform one issued in an edition of fifty, all else being equal. Print date is equally important: vintage prints, those produced close to the time the photograph was taken, consistently achieve stronger results at auction than later reprints, even of the same image. Collector preference for vintage prints reflects the historical and material authenticity of the object rather than the image alone.

Provenance also plays a meaningful role. Prints that can be documented to private sales through Hauser & Wirth or major photography galleries, or that carry exhibition history, are generally more desirable to institutional buyers and serious private collectors.

Price Ranges at Auction

The market for Leibovitz photographs spans a wide range. At the entry level, signed prints from later editions, particularly color work from the 1990s and 2000s, have sold at auction for low thousands. Mid-tier examples, particularly vintage gelatin silver prints of iconic subjects, typically realize between $5,000 and $30,000. Major works — large-format prints, unique or near-unique vintage examples, and images with significant cultural resonance — have reached six figures at major auction houses. The John Lennon and Yoko Ono gelatin silver print from 1970 is among the most actively traded of her works, with realized prices at auction varying based on print date, size, and condition.

Collectors new to photography will find useful context in Clars’ fine art photography department, which handles a range of vintage and contemporary photographic works across price points.

Annie Leibovitz at Clars Auctions

Clars Auctions has handled Annie Leibovitz’s work at auction, including a gelatin silver print of John Lennon and Yoko Ono (1970), measuring 11″ × 7.5″ and signed, which sold for $6,300. The print originated from the same session in which Leibovitz captured Lennon for what would become the January 1971 cover of Rolling Stone, one of the pivotal early milestones of her career.

Works by Leibovitz appear at auction infrequently relative to collector demand, particularly vintage prints of her most recognized subjects. When they do come to market, they tend to attract sustained interest from collectors building collections in American photography, modern portraiture, and twentieth-century cultural history.

For Buyers

If you are building a collection in American photography or fine art portraiture, we recommend reviewing our auction calendar and live catalogs to stay informed when a Leibovitz work enters one of our sales. Our team of fine art specialists is also available to assist with research and pre-sale inquiries.

New to the auction process? Our guide for first-time bidders walks you through registration, bidding options, and what to expect on sale day. You can also explore ways to buy, including absentee and telephone bidding.

For Sellers

If you own a work by Annie Leibovitz — whether a vintage print, a signed later edition, or a large-format gallery work — Clars Auctions is well-positioned to help you understand its current market value and bring it to the right buyers. Our specialists provide professional appraisals for fair market, insurance, and estate purposes, and our established presence in fine art and photography auctions means your consignment reaches a targeted, qualified collector base.

We work with individual sellers, estate executors, fiduciaries, and institutions. To begin, you can request a complimentary valuation online, contact our team directly, or visit us at our auction house in Oakland, California.

Clars is excited to present The Collectors Auction on September 15th. This spectacular collection is overflowing with an impressive variety of art, jewelry, and furniture.

Asian Art

Asian Art will feature various distinguished private collections of Chinese, Himalayan, South Indian, and Southeast Asian religious works of art. One of the highlights is a Chinese Daoist painting of various religious figures.

Also, to be presented in this auction is an extensive collection of Chinese mixed metal ink boxes, silver accessories, and miniature decorative objects.

Furniture & Decorative Arts

The Furniture & Decorative Arts portion of the sale will be offering an extensive selection of fine objects, including contemporary furniture from an exclusive St. Helena winery, antique furniture and decorative arts from the 17th through 20th centuries, American carousel animals from Gustav Dentzel, Native American blankets and beadwork, and Indian and Middle Eastern decorative arts.

Fine Jewelry & Timepieces

The Fine Jewelry & Timepieces department is excited to offer a selection of diamond, colored gemstone and gold jewelry, in their upcoming September 15th sale. This sale features a variety of wardrobe staples to build up the foundation of your jewelry collection at accessible price points. To be featured in the sale are a nice selection of diamond jewelry, including a diamond and 14k white gold band, estimated at $1,200–$1,800, and a pair of diamond stud earrings, estimated at $1,200–$1,800.

The sale will also include a colorful gemstone selection, including a tanzanite, diamond and silver necklace, estimated at $2,000–$3,000, and a pair of emerald, diamond and platinum-topped 18k gold ear clips, estimated at $1,000–$1,500.

Other wearable pieces that will highlight your everyday life include items from makers Seaman Schepps, in a gem-set and 18k gold, ‘Chessman,’ brooch, estimated at $1,500–$2,500, and an enamel and 18k gold bracelet, by Buccellati, estimated at $10,000–$15,000.

Fine Art

This September at Clars we are excited to offer an original print by French-American naturalist, John James Audubon. Audubon is well known for his illustrations of the birds of North America. The featured engraving is titled Canvas Backed Ducks and dates to 1836.

Also included in our sale are an oil on canvas painting by Thomas Virgil Troyon Hill Jr., depicting California’s Yosemite Valley, and a still-life oil on canvas painting by Luigi Lucioni.

Our Design + Art + Fine Asian Art Auction on August 11th will showcase a wide range of treasures, including Design pieces by T.H. Robsjohn-Gibbings, artwork by renowned artists such as Henrietta Berk and William Laven, and fine Asian jade, porcelain, glazed pottery, and paintings.

Design

The August 11th auction will include a nice selection of Design items. Highlights include a pair of T.H. Robsjohn-Gibbings Slipper Lounge Chairs and Ottoman, estimated at $4,000–$6,000, and a T.H. Robsjohn-Gibbings Sofa, Model 1711, estimated at $4,000–$6,000. This rare sofa has the original upholstery and retains the Widdicomb label.

Robsjohn-Gibbings is perhaps most well-known for his work for Widdicomb, where he worked as a designer from 1943–1956. The softness and shapeliness of his designs for the company were a stark contrast to the rigidness of the Bauhaus aesthetic that was popular at the time. Largely inspired by the Classical world, Robsjohn-Gibbings was also recognized for his Klismos furniture (designed in collaboration with Susan and Eleftherios Saridis). He was largely inspired by Greek furniture and design.

Also on offer will be a set of four Mario Bellini Cab Chairs, valued conservatively at $2,000–$4,000, and a Charles and Ray Eames 670 and 671 lounge chair and ottoman, estimated at $3,000–$5,000.

The sale will feature a collection of pottery items, including examples by Marguerite Wildenhain. The collection belonged to Lorelei Brede who studied at Pond Farm with Wildenhain from 1960–1962. Afterwards, Brede opened a pottery studio and became a pottery instructor in her own right. Several pieces by Brede will be included in the auction alongside Windenhain’s works.

Other designers in the sale include Clyde Burt, Betty Feves, Paolo Soleri, Julian Watts, Ward Bennett, Daum, Burgun, and Schverer & Cie, among others.

Fine Art

Clars is pleased to be offering a painting by influential California artist, Henrietta Berk. A member of the Bay Area Figurative Movement, Berk and her peers dedicated much of their practice to restoring focus on human form and experience in an artistic landscape that was primarily concerned with modern abstraction and conceptual art.

As a student of Richard Diebenkorn, whose own work had shifted from abstract expressionism to figurative painting, Berk was introduced to his wife, psychologist Phyllis Deibenkorn, of whom she painted a portrait. Berk’s technique in painting this portrait does not completely eschew abstraction; Diebenkorn is rendered in broad, painterly brushstrokes with an impressionistic feel, bold color choices and a somewhat geometrical approach to the play of light and shadow on her face and hair. Berk’s portrait embodies the concurrence of traditional figurative art with innovative abstraction during the mid-20th century, creating an emotive and dynamic depiction of her subject.

Asian Art

The Fine Asian Art Auction will feature the following items sourced from various distinguished estates and private collection: a 17th century Chinese cloisonné enamel meiping vase, a Kangix period Chinese famille verte phoenix-tail vase, a collection of Chinese embroidered robes, various Tang dynasty sancai glazed pottery, a group of four Qing dynasty imperial edicts, and various archaic and later period jade carvings.

Jade, porcelain, glazed pottery, antique textiles, scrolls and paintings sourced from various distinguished estates and private collections will headline the Fine Asian Art Auction to be held on Friday, August 11th. Our inaugural Timed Asian Decorative Arts Auction will feature Chinese jade and hardstone carvings, Chinese ceramics, furniture items, Chinese scrolls, Japanese woodblocks, and works of art. Bids will be accepted 8/5–8/14.

One of the August 11th sale highlights is a Chinese cloisonné enameled gilt bronze meiping vase from the 17th century, with an estimate of $6,000–$9,000. The exterior is decorated with two registers of flower blossoms amidst leafy scrolls, all against a blue enameled ground and between vertical lappets. The upper section is further decorated with large ribbon roundels.

Another highlight in the auction is a large Chinese iron-red decorated ‘dragon’ charger. This charger has two energetic five-clawed dragons, amongst ruyi-clouds, which are chasing a precious flaming pearl heightened in gold. Two additional dragons are on the exterior walls engaged in the same pursuit. The charger has a Guangxu six-character mark in regular script and is of the Guangxu period. This lot is estimated at $2,000–$4,000.

A Chinese famille verte phoenix-tail vase, depicting an auspicious bird perching on wutong and flowering plum trees over a lotus pond with Mandarin ducks, will be featured in the sale as well. This lot is estimated at $5,000–$7,000.

Another interesting item in the sale is a large Chinese grisaille-decorated ‘figural’ vase, with a globular body that was skillfully painted with a fictional scene. The scene depicts a figure bowing to a seated official figure, surrounded by an additional nine figures. One side of the vase has an inscription echoing the painted scene, dated ‘renshen,’ corresponding to 1932. There are three painted seals and the slightly waisted long neck is decorated with geometric bands, ruyi-heads, and stylized lappets. The rim and some of the painted details are highlighted in gilt, and the recessed base bears an apocryphal ‘Kangxi yu zhi’ mark. The vase will be offered at an estimate of $4,000–$6,000.

Also up for auction is a Chinese embroidered lady’s turquoise-ground silk robe, estimated at $2,000–$4,000. The slender robe has a right side opening and a turquoise-green ground made of brightly colored silk floss. The robe is embroidered with pleasant flowering branches and butterflies. It’s lined with purple floral ribbon and wide black bands that are embroidered with a similar flower and butterfly theme.

Additional highlights of the sale include a Tang dynasty sancai glazed pottery horse, amphora vase, a group of four Qing dynasty imperial edicts, work by Zhu Qizhan, and various archaic and later period jade carvings.

Exploring Intimacy and Connection: Henrietta Berk’s Oil on Canvas Portrait of Phyllis Diebenkorn

In the illustrious realm of the Bay Area Figurative Movement, where artists sought to rekindle a connection with the human form, Henrietta Berk’s artistic prowess stood out as she delved into the intricacies of human emotion and intimacy. One of her most enigmatic works was an oil on canvas portrait of Phyllis Diebenkorn, the wife and muse of acclaimed artist Richard Diebenkorn. This captivating portrait not only immortalizes Phyllis but also offers a glimpse into the personal connections within the artistic community of the mid-20th century Bay Area.

In the 1950’s, the Bay Area Figurative Movement emerged as a reaction against the prevailing abstract expressionism. The movement emphasized figurative and representational art, and it sought to reconnect with the human form, exploring a more tangible and recognizable approach to artistic expression. Fueled by the desire to break away from abstract expressionism, artists like David Park, Wayne Thiebaud, Raimonds Staprans, James Weeks, and Richard Diebenkorn sought to reintroduce representational art — infusing it with an emotive and personal touch.

Henrietta Berk was an American painter known for her significant contributions to the Bay Area Figurative Movement. She was born in the San Francisco Bay Area and pursued her passion for art from an early age. Berk’s artistic journey was deeply intertwined with the movement and the artists who shaped it. She studied under the tutelage of Richard Diebenkorn at the California College of the Arts. She was a part of the “Bridge Generation” of the Bay Area Figurative movement, which included the artists: Nathan Oliveira, Theophilus Brown, Paul Wonner, and Frank Lobdell.

Phyllis Diebenkorn played an essential role in Richard’s life and work. As a muse and a pillar of support, she provided invaluable insight into Richard’s creative process. A frequent model in Richard’s work, she appears in many of his paintings and drawings. Through Berk’s lens, we get a glimpse of Phyllis as more than just a subject — her portrait reveals a woman of depth, grace, and secretive allure.

In Berk’s oil on canvas portrait of Phyllis, she captures an intimate and tender moment. The deft brushstrokes emphasize Phyllis’ ethereal presence. The interplay of light and shadow add a sense of mystery, inviting the viewer to delve deeper into the subject’s thoughts and emotions.

Berk’s portrait of Phyllis Diebenkorn not only serves as a testament to her artistic skill but also as a window into the lives of influential figures within the Bay Area Figurative Movement. The painting stands as a poignant reminder of the connection between art and personal relationships. Through this portrait, we are invited to explore the intimacy and emotions that underpin the relationships between artists and their muses, weaving a captivating tale of people who defined the Bay Area Figurative Movement.

Percy Gray was an American artist known for his landscape and still life paintings. Born 1869 in San Francisco, California, Gray became a prominent figure in the California plein air movement. He studied at the California School of Design and later taught there as well.

Gray’s artwork often depicted the natural beauty of California, particularly its coastal and mountainous landscapes. He had a keen eye for capturing the interplay of light and shadow in his paintings, showcasing a strong sense of atmosphere and mood. Gray’s brushwork was characterized by loose, impressionistic strokes that conveyed a sense of spontaneity and vitality.

Path to the Foothills captures the serene beauty of nature with its delicate brushstrokes and vibrant hues. The way Gray skillfully portrays the winding path leading through the foothills is simply mesmerizing. Gray’s mastery of watercolor shines through in this piece, as he effortlessly captures the essence of the Californian landscape with lush foliage and distant mountains.

Throughout his career, Gray exhibited his works extensively — both locally and nationally. He was a member of various art societies, including the Bohemian Club and the California Art Club. Today, Percy Gray’s paintings can be found in private collections and museums, contributing to the legacy of California Impressionism.

Born in Germany, William Wendt started his artistic practice making furniture in his home country. Upon emigrating to the United States, he turned his focus to painting.

Wendt was among the landscapists who comprised the Eucalyptus School of painters, named for the trees commonly seen in California. These artists applied the looseness of French Impressionism to renderings of the unique geography of California. Wendt was also associated with the Arts and Crafts movement in the state, which espoused a belief in making art in harmony with nature. Among his peers, Wendt was known as the “Dean of Southern California landscape painters,” and his commitment to celebrating the natural beauty of his surroundings continues to inspire generations of West Coast painters.

An exciting addition to our July 14th sale is an oil on canvas painting by California artist William Wendt. Largely self-taught, Wendt often employed a plein-air method while painting his naturalistic landscapes. For the piece in our sale, Wendt traveled north of his Laguna Beach studio to capture an overcast day at the beach in Monterey. The image includes his trademark painterly brushstrokes and prominent use of green tones. Along with his wife, sculptor Julia Bracken Wendt, and a host of other prominent artists, Wendt founded the California Art Club in 1909, which remains an active fine arts organization in the state.

William Keith was born in Scotland and emigrated to the United States as a child, eventually settling in San Francisco. After studying watercolor techniques, he began painting with oils, and by 1870, he was working as a full-time fine artist.

Keith is known for his dramatic California landscapes, particularly his depictions of Yosemite National Park and other locations in the Sierra Nevada mountains. His work combines realism with romanticism, capturing the detailed topography of California intimately and monumentally.

Keith’s artistic prowess shines through in his captivating depiction of the Yosemite Valley, featuring majestic horses that add an extra touch of dynamism and wonder to the scene. With meticulous brushstrokes and a keen eye for detail, Keith transports us into the heart of Yosemite’s natural splendor.

Through his artwork, Keith not only immortalizes the raw beauty of Yosemite but also invites us to appreciate the symbiotic relationship between nature and the human spirit. Keith’s paintings played a significant role in shaping public perception of the Sierra Nevada mountains and the serene beauty of Yosemite. Along with those of other artists, his paintings helped inspire the conservation movement and ultimately contributed to the establishment of Yosemite as a national park in 1890.

Clars’ July 14th and 15th auctions will offer an important collection of ethnographic art, ancient Chinese pottery, abstract paintings from artists such as Herb Jackson and James Franco, and beautiful diamond, colored gemstone and gold jewelry that is perfect for any Summer event.

Furniture & Decorative Arts

The sale will be led by a major and important collection of ethnographic art from Vanna and N. Lee Lacy (Palm Springs, California). Mr. Lacy was a prominent Hollywood producer of films, creative golden-era TV series, and iconic commercials. His collecting has spanned six decades. Highlights include a Bakota reliquary, Gabon, estimated at $15,000–$20,000, and an Olmec figure of a baby, valued at $12,000–$18,000.

In addition to the ethnographic collection, the sale with feature a fine selection of sterling silver and objects of vertu, including a Cartier 14k gold cigarette case, estimated at $6,000–$9,000. There will also be an array of traditional decorative arts on offer, including a large collection of samplers, an English bracket clock, and a Swiss orchestral music box, among other items.

Asian Art

The Asian Art department will feature a curated group of ancient Chinese pottery and bronze objects from a Palm Springs, CA collection. Leading the group is a finely cast bronze tripod ding ritual vessel, with original lid dated to the Han dynasty. Another noteworthy item from the Han dynasty is an elegant pottery goose-form bottle vase, which still retains some of its original hand painted pigments. Rounding out the collection are two painted pottery jars from the Neolithic period. Both have classic geometric designs and are still in remarkably good condition.

Fine Art

This July at Clars, we are pleased to offer an acrylic on canvas painting by American artist, Herb Jackson. Known for abstract and non-objective paintings, Jackson’s colorful compositions are in collections throughout the world, including in the Brooklyn Museum in New York and the British Museum in London. The work up for auction this month, titled Ancient Cycles, features bright earth tones and has a heavily textured appearance. This piece by Herb Jackson is estimated at $8,000–$12,000.

Also to be featured in the July sale is a bronze sculpture by contemporary French artist, Christophe Charbonnel. Titled Homme à la Pierre, this statue depicts a male figure modeled in a style influenced by antique Greek and Roman sculpture. Charbonnel’s figures often echo Classical statuary but are modernized with heavily textured elements and a degree of abstraction alongside emotive expressions on each sculpted face. The bronze in this month’s sale is estimated at $5,000–$7,000.

Lastly, we present an acrylic on canvas painting by well-known American actor and artist, James Franco. Franco’s artwork appears to be influenced by street art and urban scenery, while also paying homage to Neo-Expressionist artists, like Jean-Michel Basquiat, with bright colors and an energetic feel. The painting will be offered at $4,000–$6,000.

Fine Jewelry & Timepieces

The Fine Jewelry & Timepieces department is excited to offer a selection of diamond, colored gemstone, and gold jewelry in their upcoming July 14th sale. This sale features a variety of wardrobe staples to build up the foundation of your jewelry collection at accessible price points. To be featured in the sale are a nice selection of diamond jewelry in time for bridal season, including a pair of diamond and eighteen karat gold stud earrings, estimated at $1,000–$1,500, and a diamond and fourteen karat white gold bracelet, estimated at $3,000–$5,000.

The sale will also include a colorful gemstone selection, including a pair of coral, diamond, and fourteen karat gold earrings, estimated at $3,500–$4,500; a ruby, diamond, and fourteen karat white gold pendant necklace, estimated at $2,500–$3,500; and an emerald, diamond, and eighteen karat white gold bypass ring, estimated at $2,000–$4,000.

Other wearable pieces that will highlight your everyday life include a David Yurman diamond and sterling silver bracelet, estimated at $500–$700, and a John Hardy sterling silver and eighteen karat gold necklace and ear clips suite, estimated at $400–$600.

Clars’ June 16th and 17th auctions will offer an extensive collection of Japanese woodblock prints, important artwork from artists such as William Keith and Albrecht Durer, a selection of fine Native American baskets, and beautiful diamond, colored gemstone and gold jewelry that will stun at any event.

Asian Art

The Asian Art department will offer an extensive collection of Japanese woodblock prints by Kawase Hasui (Japanese, 1883–1957). Hasui is a prominent Japanese artist who was known for his exquisite woodblock prints, particularly his landscapes. He was a key figure in the shin-hanga (“new prints”) movement, which revived traditional Japanese woodblock printmaking techniques in the early 20th century. Highlighting the collection of over twenty woodblock prints, Hasui’s Winter Moon at Toyama, is estimated at $2,000–$4,000. Hasui’s works continue to be highly sought after by collectors and art enthusiasts. His contributions to the shin-hanga movement and his skill in capturing the essence of Japan’s natural beauty have made him one of the most celebrated Japanese printmakers of the 20th century.

Fine Art

Clars is pleased to offer a monumental painting by William Keith (American, 1838–1911) titled, Into the Yosemite Valley, circa 1895–1906, on Friday, June 16th. Estimated at $100,000–$120,000, this 36″ x 60″ canvas has remained in the same family for well over 100 years since it was originally commissioned by Robert C. and Francesca Hall (Pittsburgh, PA) from the artist. Mr. Hall is referenced as such in the book, Keith, Old Master of California, Volume I, by Brother Cornelius (1942) on page 451. This is one of the most important works by Keith to have come to auction in well over ten years.

Clars is also excited to offer a striking example of Albrecht Durer’s (German, 1471–1528) Sea Monster in the Friday June 16th sale. This 1498 engraving depicts a nude female beside a scaled and bearded merman, thought by many to represent the abduction of Scylla by the sea demon Glaucus of Greek Mythology. This printing is on laid paper with a High Crown with Flourish watermark, categorized as a Meder a printing, and was purchased from Christie’s Old Master Prints auction in 2011. The engraving is estimated at $25,000–$30,000.

Furniture & Decorative Arts

The Furniture & Decorative Arts department will offer a selection of fine Native American baskets in the Friday, June 16th auction, as well as other European decor in the June 17th auction.

Fine Jewelry & Timepieces

The Fine Jewelry & Timepieces department is excited to offer a selection of diamond, colored gemstone and gold jewelry in their upcoming June 16th sale. This sale features a variety of wardrobe staples to build up the foundation of your jewelry collection at accessible price points. To be featured in the sale are a nice selection of diamond jewelry in time for bridal season, including lot 7000: a yellow diamond, diamond and fourteen karat white gold ring, estimated at $4,000–$6,000; and lot 7003: a pair of diamond and eighteen karat white gold earrings, estimated $3,500–$4,500.

The sale will also include a colorful gemstone selection, including lot 7066: a pair of emerald, diamond and fourteen karat gold earrings and necklace suite, estimated $5,000–$7,000; lot 7004: a Mozambique, diamond and platinum ring, estimated $3,500–$4,500; and lot 7106: a coral, seed pearl and fourteen karat gold convertible necklace, estimated $3,000–$5,000. Other wearable pieces in the sale that will highlight your everyday life include lot 7110: A pair of eighteen karat gold earrings, Tiffany & Co, estimated $1,500–$2,500; and lot 7123: a stainless steel wristwatch, Superocean, Breitling, estimated at $1,200–$1,800.