Joseph Raphael, a California native, studied at the California School of Design.
He saved money during the 1890s, first as a newspaper illustrator and later as a sign painter, to continue his artistic studies overseas. He spent most of his life aboard, living 36 years in Paris and the Netherlands.
Joseph Raphael (American, 1869–1950), Portrait of a Young Lady, oil on canvas (laid down on board), 16″ x 12.25″. Sold: $3,780
Keeping strong ties to San Francisco, he exhibited his paintings regularly in local shows and through Albert Bender, a patron of early works of Ansel Adams and Diego Rivera. Before World War II, he returned to San Francisco and maintained a studio on 345 Sutter Street until his death on December 11, 1950.
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Artist Spotlight: Anthony Liggins
Artist Spotlight
Modern + Contemporary
This May at Clars, we are pleased to offer two acrylic on canvas paintings by Atlanta-Miami-based artist, Anthony Liggins.
Liggins, born in 1965, is a leading figure in the American abstract expressionist resurgence, as well as a prominent African American artist with an international presence.
Anthony Liggins (American, b. 1965), Blue Angel, acrylic on canvas, 36″ x 36″. Estimate $4,000–$6,000
Liggins names music and dance as two of his major inspirations. In the two pieces offered at Clars this month, titled Blue Angel and Sacred Oasis, the impacts of rhythm and movement are apparent. Melting streaks of color echo sonic waves, which are interspersed with repetitive, grid-like dot work, and bold swaths of color play between rigid lines to create a dynamic interaction of the geometric and organic. The two paintings by Anthony Liggins are each estimated at $4,000–$6,000.
Anthony Liggins (American, b. 1965), Sacred Oasis, acrylic on canvas, 36″ x 36″. Estimate: $4,000–$6,000
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Artist Spotlight: Red Grooms
Artist Spotlight
Modern + Contemporary
Known for the absurdist humor in his Pop Art compositions, Red Grooms has worked as a painter, sculptor, and printmaker, taking the latter method to a new level in the work being offered in Clars’ Fine Interiors & Design Auction.
Red (Charles Rogers) Grooms (American, b. 1937), De Kooning Breaks Out, 1986, three-dimensional lithograph and collage in colors, 43″ x 28.75″ x 7″. Sold: $2,520
The collaged lithograph, titled De Kooning Breaks Out, depicts famed Dutch-American artist Willem de Kooning pedaling a bicycle with a female figure, taken from one of his many Woman paintings, riding on the handlebars. The figures quite literally “break out” in this instance, with the printed paper folding and layered to create a three-dimensional composition. This piece is estimated at $4,000–$6,000.
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Artist Spotlight: Joan Miró
Artist Spotlight
Modern + Contemporary
“You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life,” Joan Miro (Spanish, 1893–1983).
Joan Miró (Spanish, 1893–1983), Makemono, 1956, color lithographic scroll in colors on silk with wooden batons (accompanied with original carved and painted wood box), 16.13″ x 382″ (41 x 970 cm). Sold: $16,250
Disrupting the visual elements of established style, Joan Miró was a painter who combined abstract art with surrealist fantasy. He was a leading light of the Surrealist movement, and his work had a significant impact on a wide range of artists — earning Miró recognition as one of the most influential artists of the 20th century.
Joan Miró (Spanish, 1893–1983), Sculptures (M. 950), 1974, lithograph in colors on BFK Rives France, 20″ x 29.5″. Sold: $441
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Artist Spotlight: Norman Rockwell
Artist Spotlight
Modern + Contemporary
Norman Rockwell was a prolific American painter and illustrator, best known for depicting everyday American life.
Norman Rockwell (American, 1894–1978), The Conniosseur, color collotype, 27″h x 21.5″w. Sold: $2,000
He was commissioned to illustrate over 40 books, including Tom Sawyer and Huckleberry Finn. Rockwell is probably best known for his cover illustration for the Saturday Evening Post.
Norman Rockwell (American, 1894–1978), Study – Crestwood Commuter Station (for Cover Illustration, Saturday Evening Post, November 16, 1946) & Portrait of an Equestrian Gentleman (verso), circa 1946, charcoal on paper (double-sided), 21.5″ x 20″. Sold: $242,000
Rockwell’s career with the Saturday Evening Post spanned 47 years, from his first cover illustration in 1916, to his last in 1963 — a Portrait of John F. Kennedy.
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Artist Spotlight: Andy Warhol
Artist Spotlight
Modern + Contemporary
Published in 1979, Andy Warhol’s bizarre take on the classic traditional subject of fruit still lifes, titled Space Fruit: Still Life Series, underscores his evolving interest in abstract art in the late 1970s.
He placed many pieces of fruit against a white background and cast harsh light upon them to create exaggerated shadows and light-based contrast.
Andy Warhol (American, 1928–1987), Peaches from Space Fruit: Still Life Series, 1979, screenprint, 30″ x 40″. Sold: $17,500
Peaches, a work from the series, gives Warhol space to experiment with colors and compositions, showcasing his interest in vibrant unrealistic colors and exaggerated shadows. Presenting an original view of a peach, this work pushed boundaries between the depiction of nature and consumer products. This series is highly sought after by the collectors and Peaches will be offered on March 18th at Clars Auction Gallery.
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Designer Spotlight: Toshiko Takaezu
Designer Spotlight
Modern + Contemporary
Toshiko Takaezu, renowned abstract Hawaiian ceramicist from the twentieth century, drew inspiration from her own cultural background as well as contemporary painting and sculpture.
Toshiko Takaezu, Closed Forms. Sold: $24,250
Toshiko Takaezu (American/Japanese, 1922–2011) is best know for her ‘Closed forms’ which can be described as both sculptures and paintings all in one. Each form is unique and varies in shape, size, color and texture and captures a spirit that mirrors work of other postwar expressionist artists, like Joan Mitchell and Mark Rothko.
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
This March at Clars we are proud to feature a work on paper and a print by one of the most well-loved modern artists of Bay Area origin.
Artist Spotlight
Modern + Contemporary
Artist Spotlight: Pablo Picasso
Artist Spotlight
Modern + Contemporary
Pablo Picasso, known globally as one of the most important artists of the 20th century, was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer.
In our February 2023 Important Modern + Contemporary Art Auction, Clars offered a rare ceramic plate by Picasso which caught the attention of many phone bidders.
Pablo Picasso (Spanish, 1881–1973), Visage Masque, 1947, ceramic plate, 12.5″ x 15″ (31.75 x 38.1 cm). Sold: $68,750
During the 1940s, Picasso attended a pottery exhibition in the commune of Vallauris in the south of France. He was inspired by his experience to stay in the area, working at the Galerie Madoura as a prolific potter, creating over three thousand vases, plates, tiles, and other objects. Common themes in these ceramics are animals including bulls, birds, and fish, Roman and Greek mythology, and the human form.
The plate sold at Clars follows Picasso’s tradition of working with simplified lines and shapes to create a human face, or Visage as the ceramics are known, similar to the paintings made during his synthetic cubism and African-inspired periods. Picasso’s Madoura ceramics continue to grow in popularity due to their accessibility as well as their versatility as decorative objects.
Left: Pablo Picasso (Spanish, 1881–1973), Visage (A. R. 288), 1955, terre de faience pitcher, painted in colors and partially glazed, 12″ x 4″ x 5″. Right: Pablo Picasso (Spanish, 1881–1973), Quatre visages (A.R. 436), 1959, white terre de faience pitcher with colored engobe and glaze, 9″ x 5.5″ x 7.5″. Sold: $14,437.50
Other Picasso Madoura ceramics that Clars has offered include two ceramic pitchers, titled Visage and Quatre Visage. Both pieces were both produced at the Madoura de Vallauris workshop in the 1950’s and have Picasso and Madoura stamped beneath.
Pablo Picasso (Spanish, 1881–1973), Études VII (d’après Manet), 1961, graphite on les Annonay (watermarked) paper, 17.75″ x 23.5″. Provenance: Alex Maguy, Paris; Estate of Liselotte Weber (Burlingame, CA). Exhibited: Alex Maguy Galerie de L’Élysée, Hommage à Picasso, November 19–December 25, 1966. Reference: Zervos XX:50. Sold: $150,000.
The second highest selling lot from Clars’ March 2022 Modern + Contemporary Art + Design Auction, selling at $150,000, was a rare drawing by Picasso titled, Études VII (d’après Manet), from 1961. Well-documented in the artist’s catalogue raisonné, the lot had multiple international bidders, but in the end sold to a buyer in San Francisco.
At the same sale, a linocut by Picasso, titled Le Déjeuner Sur l’Herbe, d’après Manet II, achieved $16,250.
Pablo Picasso (Spanish, 1881–1973), Le Déjeuner Sur l’Herbe, d’après Manet II, 1962, linocut in black and white, 20.75” x 25”. Sold: $16,250
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Artist Spotlight: Chiura Obata
Artist Spotlight
Modern + Contemporary
While attending the Nihon Bijutsuin art school in Tokyo, Japan, Okayama-born artist, Chiura Obata, was trained in both Japanese and Western painting techniques — a unique education that would influence his style over the years.
Chiura Obata (American/Japanese, 1885–1975), Storm on Lyell Mountain (from the World Landscape Series), 1930, woodcut print in colors, 10.75″ x 15.5″. Sold: $13,000
As a young man entering the United States, Obata settled in California and focused his talents on depicting the landscapes he saw, ranging from deserts and treeless plains to the cliffs and lakes of Yosemite. Obata found success with these subjects, working in both painting and woodblock printing, and began his teaching career at the University of California, Berkeley in 1932. During the second World War, Obata experienced discrimination due to his Japanese identity and was interned at the Topaz War Relocation Center in Utah, where he painted some of his darkest and most emotionally resounding works.
Left: Chiura Obata (American/Japanese, 1885–1975), Evening at Clark Inn (from the World Landscape Series), 1930, woodcut print in colors, 15.5″ x 10.75″. Sold: $7,150 Right: Chiura Obata (American/Japanese, 1885–1975), Upper Lyell Fork (from the World Landscape Series), 1930, woodcut print in colors 15.5″ x 10.75″. Sold: $9,100
Throughout his career, the marriage of Japanese and Western approaches to visual language set Obata apart from his peers both in Japan and in the United States. Using Japanese techniques, like woodblock printing and sumi ink-and-brush painting, while portraying distinctly American landscapes earned him a glowing reputation in and around his chosen home of California. Obata’s work resonates within the blended cultures of the San Francisco Bay Area, where his art, whether in subject or technique, feels familiar to so many residents. Obata’s resiliency during and after confronting the horrors of war, with his continued commitment to cultural collaboration, feels just as inspirational and relevant today as it surely was during his lifetime.
Left: Chiura Obata (American/Japanese, 1885–1975), Shower, Point Lobos, 1933, watercolor and gouache on silk, 19.5″ x 14″. Sold: $15,000 Right: Chiura Obata (Japanese/American, 1885–1975), Deer Dance (Folk Dance), Scare Crow, Northeastern Prefecture, Japan, circa 1960, watercolor, gouache, and gold leaf on silk, 33.5″ x 21″. Sold: $18,750
From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, and more.
Estate Spotlight
Modern + Contemporary
Important Winter Modern + Contemporary Art Highlights
Auction
Modern + Contemporary
Clars’ February 9th Important Winter Modern + Contemporary Art Auction will feature a selection of artwork from an array of international artists.
A featured highlight this month is a watercolor on paper by influential German-Swiss artist Paul Klee. This piece, titled Fragment of a Mural (Fragment einer Wandmalerei), shows an abstract image that is left to the viewer to decipher. Klee is known for the use of geometric forms in his work — often building his arrangements with triangles and rectangles — but here we see an unrecognizable object, made more mysterious by the title identifying it as just one section from a larger composition. Klee is perhaps even better known for his innovative take on color theory. The blending of purple into red into gray tones seen in this work illustrates Klee’s opinion that small sections of color could be unified to create a harmonious visual. Furthermore, during his time as an instructor at the Bauhaus, Klee taught as a master of stained glass, often using smoking techniques to color pieces of glass. The muted tones in this watercolor echo the hazy, blended hues that would result from smoking glass. The work on paper is estimated at $100,000–$150,000.
Paul Klee (German, 1879–1940), Fragment einer Wandmalerei, 1933, gouache, 7.5″ x 9.75″ (19.05 x 24.8 cm). Estimate: $100,000–$150,000
Also included in the sale this month is a work on paper, titled Green Hill, by American artist, Mark Tobey. As a founder of the Northwest School in Seattle, Washington, Tobey imbued in his peers an appreciation of East Asian culture — the effects of which are visible in Green Hill, with its muted color palette echoing Shan Shui landscapes, and an expressionist style that mimics calligraphy. The misty atmosphere of the Pacific Northwest was a driving influence on Tobey, who used earthy tones to illustrate Green Hill, with the green of the hill obscured almost completely by a heavy fog against a sepia sky. Green Hill is dated 1957, the year before Tobey became the second American artist to win the International Grand Prize at the 1958 Venice Biennale. The work is estimated at $30,000–$50,000.
Mark Tobey (American, 1890–1976), Green Hill, 1957, tempera, 12.25″ x 18″ (30.8 x 45.4 cm). Estimate: $30,000–$50,000
Another important work in the February sale is a steel sculpture by acclaimed Mexican artist, Rufino Tamayo. The piece depicts two figures, likely one male and one female based on their clothing, standing with hands overlapped in an uncomplicated embrace. The stylized figures are reminiscent of the simplified figures seen in well-known Tamayo paintings like Tres Personajes, with dominant geometric lines replacing the naturalistic curves of the human body. The sculpture shows the figures’ bodies as rectangles, with semicircle arms and circular hands. The male figure’s legs and female figure’s skirt are triangular, and the base is a narrow rectangular platform. The gray patina of the metallic material is consistent throughout and recalls the stone and clay sculptures of the Zapotec, an indigenous Pre-Colombian culture from whom Tamayo claimed both heritage and inspiration. The work is estimated at $70,000–$100,000.
Next featured in the February sale is the Makemono lithograph scroll by Catalan painter and sculptor, Joan Miró, created circa 1956. Considered a major figure in the Surrealist family, Miró uses this color-printed Chanton silk scroll to marry a traditional East Asian medium with his “automatism” technique, a method of revealing an individual’s psyche through spontaneous drawing and painting. Makemono presents form and color before narrative, showing abstract human figures interspersed with birds, eyes, and nonobjective forms derived purely from the artist’s imagination. From an edition of only 50, the vibrant scroll is anchored by wooden batons on each of the two ends and includes its original carved and painted wood box. The scroll is estimated at $20,000–$30,000.
Joan Miró (Spanish, 1893–1983), Makemono, 1956, color lithographic scroll in colors on silk with wooden batons (accompanied with original carved and painted wood box), 16.13″ x 382″ (41 x 970 cm). Estimate: $20,000–$30,000
Other notable artworks to be offered in the sale include prints by Yayoi Kusama, a ceramic plate by Pablo Picasso, and a painting by Guy Anderson.
Yayoi Kusama (Japanese, b. 1929), Pumpkin, 1982, lithograph in colors with collage, 22.75″h x 18.75w″. Estimate: $30,000–$50,000
Pablo Picasso (Spanish, 1881–1973), Visage Masque, 1947, ceramic plate, 12.5″ x 15″ (31.75 x 38.1 cm). Estimate: $20,000–$30,000
Fernand Léger (French, 1881–1955), Deux Personnages, 1947, watercolor, 12.5″ x 16.25″ (32 x 41 cm). Estimate: $60,000–$90,000
Enrico Donati (American/Italian, 1909–2008), Luxor VIII, 1979, oil and sand on canvas, 50″ x 48″ (127 x 122 cm). Estimate: $10,000–$15,000
Clars is excited to present The Maritime Sale on April 18th, our Furniture, Art, Jewelry & Asian Auction on April 19th, and our Warehouse Auction on April 20th.
