This May 15th, Clars is excited to offer an outstanding oil on canvas painting by Latvian American artist Raimonds Staprans (b. 1926) in our Modern + Contemporary Fine Art Auction.

Upon moving to the San Francisco Bay Area in the 1950s, Staprans was quickly adopted by the art community in his chosen home and remains one of the foremost representatives of post-war California painting nationwide. Staprans is known for his large swaths of bright color, often playing with natural light and the perception of shape and texture, and his understated treatment of subject.

Current trends in the market show that the highly saturated paintings that Staprans perfected in the late 1980s and 1990s are increasingly popular with collectors. Clars has been successful with several of these pieces in the last five years, including a 1987 oil on canvas titled, Still Life with Red Piano Stool, which sold well over its estimate at $147,600 in 2020, and Blue Boats, a 1990 painting that sold for $187,500 in 2022. Still life depictions of food are among the most recognizable of Staprans’ motifs. Staprans’ highest record price was realized in 2023 for a 1995 still life depicting oranges, done in a vibrantly warm palette that is strikingly similar to the piece up for auction at Clars this May.

The scene takes place in a space unmarked by identifying objects, furnished with a stool-like drop-leaf table. The table’s edges and sides are traced with prismatic colors in a manner that leaves the viewer questioning if the color is painted on the posts and boards, or if the unseen sun is playing tricks on our eyes. The top of the table appears to be doused with direct sunlight, bright white and glowing against the orange background. To the viewer’s right, the sides of the table’s legs are cast in a sunset glow the same tangerine shade as the background. Sitting atop the table is a peeled apple, its sides angled and smoothed with a paring knife. The fruit casts a half-moon shadow that points toward the open leaf of the table and is echoed on each stretcher below.

This work, titled The Mid Summer Drop-Leaf Table (estimated at $60,000–$90,000), showcases Staprans’ skill in using color to portray light, perspective, and a specific atmosphere. The tones chosen in this composition evoke the warmth of the summer months, and the slant of the dazzling sunshine on the table and fruit leave us wondering if this is the end of a late-evening garden party, where a table full of fresh fruit has dwindled to a lone apple and the leaves are dropped one by one. This outstanding example of Staprans’ later work is a celebration of color and light, an ode to atmosphere, and will be a significant addition to any collection.

This April we are honored to present the extraordinary art collection of Lila Mae “Peggy” Azad — a woman whose lifelong devotion to the arts lives on through her legacy.

Peggy once wrote: “I am the temporary custodian. In exchange for the privilege of living with and caring for my objects I am leaving them all for a museum or art gallery for the ‘public’ to enjoy after Manouch and I are no longer alive.” Her wish was to ensure that her collection would one day be shared with the world.

This significant collection includes over 90 Chinese and Japanese ivory sculptures and more than 114 diverse works from around the globe — spanning American, Chinese, French, Iranian, Italian, Japanese, Korean, Native American, Russian, Thai, and Vietnamese origins. The pieces vary in form and material, including porcelain, cloisonné, glass vases, plates, bowls, bronze and carved alabaster sculptures, a Russian brass samovar, Japanese woodblock prints, and hand-woven Iranian silk tapestry panels threaded with gold and silver.

Notably, the collection features works by renowned Iranian artists Parviz Tanavoli and Sia Armajani, reflecting Peggy’s deep connection to both international and Iranian art and culture.

Born on May 5, 1933, in her family’s home in St. Paul, Minnesota, to Jesse Joseph Schneider and Laura Harriette Ronning Schneider, Peggy — known to many simply as Peggy Azad — lived a life filled with purpose, passion, and artistic appreciation.

Consignments are now invited for our upcoming Modern + Contemporary Fine Art Auction on Thursday, May 15th.

Schedule an appointment today with one of our Fine Art Specialists. The deadline to consign is Friday, April 25th. To schedule your appointment, call (510) 428-0100 x 130 OR email [email protected].

This March 21st at Clars Auctions, we will be featuring a curated assortment of artwork from a wide range of periods and locales.

Starting in our own state of California, we have an oil on canvas by plein air painter Marion Kavanaugh Wachtel (American, 1876–1954). Wachtel was born in Milwaukee, Wisconsin and studied in Chicago before moving to California, where she studied under Scottish American master landscapist William Keith.

Keith’s influence coupled with her new surroundings inspired Wachtel to move away from portraiture and embrace landscape painting, focusing her attention on the mountains, coasts, and foliage of southern California. The painting in this month’s sale is titled Autumn, Trabuco Mountains, California, (estimate: $8,000–$12,000) and depicts the leaves changing color amidst the peak on the border of Orange and Riverside Counties.

Next in our selection of highlights this month is an oil on panel painting by contemporary Canadian artist Ambera Wellmann (Canadian, b. 1982). Wellmann is known for her surreal, collage-like painting techniques that evoke the work of earlier experimental painters like Francis Bacon and Max Ernst, often depicting hybrid bodies and intensely pigmented bacchanal-like scenes. These works regularly bring over $100,000 at auction, and Wellmann is currently represented by major contemporary art gallery Hauser & Wirth. In Wellmann’s early work, her mastery of blending color is apparent, as is her ability to access emotion in unexpected imagery. The piece featured at Clars this month is titled Cloud #7 (estimate: $8,000–$12,000) and dates to 2009. Wellmann presents a mass of gray and white clouds in varied tones moving against a cerulean sky while a hint of peachy, warm sun glows from behind the vapor.

A third feature in our March auction is a large-scale sculpture by German artist Wolfgang Stiller (German, b. 1961) titled Matchsticks (estimate: $5,000–$7,000). Stiller, whose first solo gallery show was in 1986, focuses his practice on objects and installations, often transforming familiar and ordinary items into uncanny and unsettling facsimiles. Among his ouvre are cast wax geodes, a recreation of a scientific laboratory inside a disused train car, and bronze baby heads fashioned into ginseng roots. The human head is a common point of inspiration for Stiller, and this is apparent in Matchsticks, in which three wood matchsticks are topped with hairless, male heads, burnt black and resembling medieval death masks in a kind of postmodern memento mori.

Also among the featured highlights in our March auction are works by Thomas Hill, Maurice Braun, John Frederick Kensett, Tavakol Esmaili and much more.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is Vote McGovern (1972), an iconic screenprint by Andy Warhol, estimated $30,000–$50,000.

This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000.

Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Marc Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art.

Chagall‘s vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.

On February 20th in our Modern + Contemporary Fine Art Auction, we are thrilled to showcase an exceptional array of artwork from masters like Marc Chagall, Wayne Thiebaud, John Alexander, Andy Warhol, and much more. The auction will begin at 10 AM PST. Preview February 19th, 1–5 PM PST.

Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art. His vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.

In addition to Chagall, this auction will feature other exceptional works by renowned modern and contemporary artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000. Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Also featured is Vote McGovern, an iconic screenprint by Andy Warhol, estimated $30,000–$50,000. This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Additionally, Siddhartha’s Contemplation No. 2, an oil painting by Sri Lankan artist Senaka Senanayake, will also be featured with an estimate of $18,000–$24,000. Known for his lush depictions of the rainforest and his signature translucent layering technique, Senanayake’s works often explore Buddhist themes of impermanence and interconnectedness. This particular piece, inspired by the meditation of Siddhartha Gautama (the historical Buddha), reflects Senanayake’s serene, colorful approach to spirituality.

Other notable works in this month’s auction include pieces by Wayne Thiebaud, Roy Lichtenstein, John McCracken, Robert Arneson, and Hunt Slonem — making it a must-attend event for collectors and art enthusiasts alike.

This January at Clars we are excited to offer unique works by the fascinating artist, Cady Wells, whose style was inspired by Southwestern desert landscapes and topography.

Wells was born in Massachusetts in 1904 and was raised in a household that valued arts education, taking music, literature, and fine arts classes in his youth. Despite his interest in cultural education, Wells did not fare well in the boarding schools he attended, and after dropping out of several New England academies, he was sent to Arizona in 1992 where he fell in love with the desert landscape. By 1932, Wells had decided on painting as his artistic path forward and was invited to stay at the artist’s colony in Santa Fe, New Mexico, which was also home to Georgia O’Keeffe, Andrew Dasburg, and a host of poets and writers at the time.

Wells began exhibiting alongside artists including Mark Tobey, Morris Graves, and Jackson Pollack while living between Taos and Santa Fe, and during this time the painter came to terms with his sexuality, entering a committed relationship with author and poet Myron Brinig. Wells’ relationship and career were interrupted by his service in World War II. While serving in Germany during the last nine months of the war, Wells worked with topographic maps, the influence of which is apparent in his subsequent work. Upon returning to New Mexico in 1945, Wells remained deeply affected by what he had seen in Europe, and by his own home’s proximity to the nuclear testing site at Los Alamos. He spent his final years traveling the world while remaining anchored in New Mexico, and finally finding national recognition with exhibitions in New York City, Chicago, and San Francisco, before his premature death from heart failure in 1953 at the age of 49.

Wells stands out among his peers for being a truly original artist whose abstract compositions emulate only the curves and colors of the Southwestern landscape and avoid recalling the techniques and styles of any other painter. His work remains a hidden gem among the swaths of artists who have flocked to Taos and Santa Fe over the years, never quite gaining the same reputation as his local contemporaries who favored traditional landscapes and figural painting over emotive and avant garde abstraction. The works in this month’s auction show a range of Wells’ stylistic variety, with examples displaying his interest in topographic maps as well as his prowess in color, form, and movement.

Clars in collaboration with exhibited.at is honored to host the discussion: Craftsmanship in the Realm of Analog and Digital on November 20th, which takes a closer look at the works of contemporary artists featured in our Artists to Watch Auction, Katie McCann and Carolina de Bartolo.

This event will take place on November 20th and run from 1–1:40 PM PST with Q&A to follow. The engaging panel, celebrating the Artists to Watch Auction on November 21st, brings together artists Katie McCann and Carolina de Bartolo, whose artworks featuring botanicals blend both tradition with innovation. Through contrasting approaches — McCann’s intricate, hand-cut collage work and de Bartolo’s AI-assisted compositions — the artists reveal how nature can be interpreted and reimagined within both analog and digital realms. The discussion will delve into the unique process of each artist as they walk us through their art, illuminating the varied landscapes of craftsmanship, creativity, and nature.

The discussion will be moderated by Rodania Leong, founder exhibited.at The Artists to Watch section (lots 2980–2993) will lead the Fine Art Collectors Auction on November 21st, starting at 10 AM PST.

Katie McCann is an English artist currently living in Berkeley, California who works primarily in collage and mixed media. Her work has been exhibited and sold across the USA, Europe and Asia and she has illustrated book and album covers. McCann’s artwork is also a part of the 60 Box Public Art Project in the City of Berkeley and she recently designed two labels for La Cidrerie du Condroz. McCann is one of 50 female collage artists to appear in the book Collage by Women: 50 Essential Contemporary Artists (Promopress Editions, 2019).

McCann creates intricate, hand cut collages which reflect her Victorian obsession with faeries, flora and fauna. From her extensive collection of books, prints and pages that are antique, forgotten and foxed with age, she cuts out images, categorizes them and then eventually pieces them together like a complex paper jigsaw puzzle. McCann’s collages are places where beauty is strange, creatures are curious and a sense of wonder prevails. At times they can be like tiny cabinets of curiosity reflecting the variety of the natural world and its peculiar beauty or they can become a wallpaper pattern, lush and dense, with hidden meanings and metaphors.

McCann shares, “Frost Flowers are a rare winter phenomenon where frozen air causes ice formations to bloom from plant stems, each unique and fleeting. Inspired by their delicate beauty and Giuseppe Arcimboldo’s floral portraits, I created a collage reflecting nature’s secrets.” The portrait is made of hundreds of hand-cut pieces of paper, featuring a headpiece of pearls, jewels, and flowers in shades of grey and white. Her face is crafted from tiny flowers, her dress from paper beads, and she wears a botanical sash, evoking a regal figure from an icy, magical realm. This piece celebrates the connection between humanity and the extraordinary occurrences in nature.

For California-based visual artist Carolina de Bartolo, generative AI is both a tool and an object of investigation. In her artistic practice, de Bartolo fuses old media and styles with new technologies to ask whether image-generating software is merely an extension of the collective memory, or can it truly create novel art? Central to her work are notions of remix and iteration influenced by her decades of experience in the fields of graphic design and typography. With the belief that images with universality better encourage spectator imagination and participation, de Bartolo seeks to create artworks that evoke familiarity over uncanniness as she explores intersections of human and machine creativity by considering the aesthetics of the past through contemporary contexts. In addition to her sought after expertise on AI art, Carolina de Bartolo is the author of the acclaimed book, Explorations in Typography and she was formerly the Creative Director at Art Blocks and taught at Academy of Art for over 20 years.

The piece in our November auction highlights a recurring motif in de Bartolo’s artwork—dandelions! These delicate flowers, often disdained as mere weeds, symbolize resilience, transformation, and the ephemeral nature of life. A gaggle of dandelions, bathed in the warm glow of a fiery vermillion sunrise, are presented in a style that blurs the lines between drawing and photography. Exhibited at the Sausalito Public Library in early 2024, this piece is presented as a hanging scroll, printed on archival paper and hung with wooden rods top and bottom. Both the central image of the dandelions and the surrounding “fabric” pattern are AI-generated, reflecting the artist’s ongoing exploration of the fusion between traditional artistic practices and cutting-edge technology.

The creation process begins with a prompt that defines the composition, color palette, and style, drawing inspiration from historical traditions and references to vintage artworks. These prompts are then iteratively refined and processed through various AI models, including image-to-image models, which are used to refine details, adjust lighting, color balance, and optimize the overall visual quality.

Founded by former Christie’s specialist Rodania Leong, exhibited.at focuses on art, community and innovation — empowering artists, curators, and galleries with the ability to archive their rich exhibition history while providing guidance on diverse art initiatives. Together with Clars — the exceptional art appraisers and auctioneers who have over fifty years of expertise in hosting Bay Area auctions — this collaboration harnesses the expertise of both exhibited.at and Clars.

Join us in celebrating the featured artists’ innovation and enduring impact! For more information or any questions, please reach out to [email protected] and [email protected].