Clars Auctions is delighted to present a collection of Japanese and Western art from the esteemed Mitsui (Koishikawa) family, a prominent business dynasty with roots dating back to the Edo period, in our October 18th Auction.

The Mitsui family’s legacy began in 1673 as a kimono shop and evolved into the influential Mitsui Group, a zaibatsu (conglomerate) that has played a pivotal role in Japan’s economic development from the Edo period to present day.

Their impact on commerce and culture is well-documented, notably in the book Mitsui: Three Centuries of Japanese Business. A remarkable 1930 article in Fortune magazine noted, “There is no business enterprise anywhere which is at once so diverse as the house of Mitsui in Japan.” This diversity is beautifully reflected in the collection we are proud to offer.

Spanning the 20th century, the collection showcases a blend of traditional craftsmanship and contemporary innovation, allowing art enthusiasts to immerse themselves in the rich narrative of Japanese culture. Among its highlights are exquisite gifts exchanged during the marriage of Princess Hiroko (1897–1983), of the Shimazu Clan, and Mr. Takanaga Mitsui (1892– 1962), of the Mitsui Koishikawa clan, symbolizing the family’s appreciation for art and culture.

The collection features a diverse range of early 20th-century Western decorative arts, including Tiffany Studios glass and a bronze sculpture acquired directly from the renowned artist, Antoine Bourdelle, in Paris, reflecting the Mitsui family’s global perspective to fine art. Additionally, the collection proudly highlights works by contemporary Japanese artists Morino Taimei and Kyohei Fujita, showcasing their mastery of ceramics and glass.

The Genesis of Rolex

In 1905, Hans Wilsdorf, a young German entrepreneur, founded a watch distribution company in London with his brother-in-law Alfred Davis. Initially named Wilsdorf & Davis, the company imported Swiss watch movements and placed them in high-quality cases. Wilsdorf’s vision extended beyond mere functionality; he aimed to create a brand synonymous with precision and reliability. In 1908, he registered the trademark “Rolex,” a name he chose for its simplicity and universal appeal.

The Classic Oyster Perpetual

The Oyster Perpetual Wristwatch continues to be a symbol of Rolex’s commitment to quality and innovation. The Oyster Perpetual, introduced in the 1920s, was the world’s first waterproof wristwatch. The Oyster name comes from an oyster, sealed keeping the bivalves closed keeping ocean water in. Of course, for a Rolex Oyster, the opposite is the goal, sealing the movement keeping water and dust out. Its stainless steel variant represents a balance between durability and elegance, making it a staple in Rolex’s lineup and a favorite among watch enthusiasts.

Early Innovations

The Stainless Steel Oyster Perpetual Bubble Back Wristwatch was introduced in the 1930s and represented a significant advancement in watchmaking. The “Bubble Back” referred to the distinctive, protruding case back that housed the automatic movement, which was a notable innovation of the time. The Oyster Perpetual was celebrated for its robustness and water-resistant design, a leap forward in both functionality and durability.

The Datejust Era

The 18k Gold and Stainless Steel Oyster Perpetual Datejust Wristwatch represents a hallmark of Rolex’s innovation. Launched in 1945, the Datejust was the first self-winding waterproof chronometer wristwatch to feature an automatic date function displayed through a window at 3 o’clock. Its classic design, combining gold and stainless steel, made it a versatile choice for both formal and casual wear, solidifying its status as a timeless icon.

Speed & Precision

The Stainless Steel Speedking Wristwatch, introduced in the 1930s, was engineered for those who lived life in the fast lane. It was named after Sir Malcolm Campbell (British racing motorist), a Rolex enthusiast and nine-time world land speed record holder who set the record for fastest on land speed at 300 mph in 1935. Its sporty design and reliable performance made it a favorite among professionals and enthusiasts who demanded both functionality and style. The Speedking is also known as the “PoW watch.” During World War II, Rolex offered all British prisoners of war in Germany the ability to purchase a Rolex which would be delivered to their POW camp but could be paid for after the war was done. This was intended as a morale boost, and the affordable Speedking was without a doubt the most popular option.

The Submariner’s Depths

The Stainless Steel Submariner Wristwatch is perhaps one of Rolex’s most iconic models. Introduced in 1953, the Submariner was designed for professional divers and became renowned for its water resistance and robustness. Its features, including a rotating bezel for tracking dive times and a luminous dial, have made it a symbol of adventure and exploration. The Submariner is highly coveted by collectors and adventurers alike.

The Elegance of Gold

The Rolex Diamond and 18k Gold Dress Watch reflects Rolex’s foray into luxury and elegance. In the 1950s and 1960s, Rolex expanded its range to include more opulent designs. This particular model showcases Rolex’s ability to blend precision with aesthetic grandeur, using diamonds and 18k gold to create a timepiece suitable for formal occasions and high society.

Epilogue: A Legacy of Excellence

Rolex’s story is one of continuous innovation and timeless design. From its early beginnings in London to its status as a global icon, Rolex has remained at the forefront of watchmaking. Each model — whether the sturdy Bubble Back, the elegant diamond and gold dress watch, the sporty Speedking, the classic Datejust, the versatile Oyster Perpetual, or the adventurous Submariner — represents a chapter in Rolex’s legacy of precision, luxury, and craftsmanship.

As you explore these timepieces and their historical significance, you are not just witnessing the evolution of a brand but also the story of a visionary commitment to excellence that has transcended time.

Domaine de la Romanée-Conti (DRC) is renowned for producing some of the world’s most sought-after and prestigious wines. The estate consists of several vineyards, each with its own unique characteristics and appellations within the Burgundy region. Here are the different types of wines produced by Domaine de la Romanée-Conti:

Romanée-Conti

Romanée-Conti is the flagship wine of the domaine and is considered one of the most exclusive and expensive wines globally. The vineyard is a Grand Cru located in Vosne-Romanée and is just over 1.8 hectares in size. The wine is predominantly made from Pinot Noir and is known for its depth, complexity, and ability to age gracefully. The average age of vines is 53 years. The average production is 450 cases.

La Tâche

La Tâche is another highly regarded Grand Cru vineyard owned by DRC, located in the Vosne-Romanée appellation. It is slightly larger than Romanée Conti, spanning around 6.06 hectares. La Tâche wines are known for their intense and seductive character, showcasing the distinctive terroir of the vineyard. The average age of vines is 47 years. The average production is 1,870 cases.

Richebourg

Richebourg is a Grand Cru vineyard situated in Vosne-Romaneée, neighboring La Tâche. The wines from Richebourg are powerful and robust, with a rich and velvety texture. This vineyard covers approximately 3.51 hectares. The average age of vines is 42 years. The average production is 1,000 cases.

Romaneé-Sant-Vivan

Romanée-Saint-Vivant is a Grand Cru vineyard located in Vosne-Romanée. The wines from this vineyard are known for their elegance, finesse, and floral aromatics. Romanée-Saint-Vivant has an area of about 9.44 hectares. The average age of vines is 34 years. The average production is 1,500 cases.

Grands-Échezeaux

Grands-Échezeaux is a Grand Cru vineyard situated in Flagey-Échezeaux. The wines from this vineyard are characterized by their depth, structure, and spicynotes. Grands-Échezeaux covers around 9.14 hectares. The average age of vines is 52 years. The average production is 1,150 cases.

Échezeaux

Échezeaux is a Grand Cru vineyard located in Flagey-Échezeaux. The wines from Échezeaux are often more approachable in their youth compared to some other DRC wines, yet they still possess aging potential. The vineyard spans approximately 35.51 hectares. The average age of vines is 32 years. The average production is 1,340 cases.

Montrachet

Domaine de la Romanée-Conti also produces white wine from the Montrachet Grand Cru vineyard. Montrachet is renowned for its Chardonnay grapes, producing wines of exceptional complexity, richness, and longevity. The average age of vines is 62 years. The average production is 250 cases.

Each of these wines reflects the distinct terroir of its respective vineyard, and together they contribute to the unparalleled reputation of Domaine de la Romanée-Conti in the world of fine wines. The limited production and exceptional quality of these wines make them highly coveted by collectors and wine enthusiasts worldwide.

Clars is delighted to be offering the Collection of Vanna and N. Lee Lacy on Friday, July 14th in our Tribal Arts, Interiors, Art & Jewelry Auction.

In the 1960s, the wunderkind Hollywood producer, N. Lee Lacy, fell in love with the African, Oceanic, Pre-Columbian, and other Tribal Arts that he was seeing in galleries and auction houses in Paris, Brussels, and London (he had a home in London as a base). His uncommon creativity, writing for and producing TV series and iconic TV ads (winning Best Of The Film Festival awards in Cannes, Venice, London, and NYC), led to him have international offices with 40 writers working for his production company, which he headquartered in Hollywood.

Lacy always collected tribal art, with Hollywood presenting buying opportunities in Pre-Columbian works in the 1960s and African works in the late 1960s and early 1970s. In the 1960s and 1970s, Lacy also bought from auctions in London, NY, and Paris and at galleries in those cities and Brussels, San Francisco, and Los Angeles.

Lee married Vanna Warmack Lacy 35 years ago. Together they fell in love with Oceanic Art, spurred by several voyages to the South Seas accompanying their friend, Caroline Yacoe. Yacoe is an Oceanic scholar, lecturer, author, art collector/dealer, and documentary filmmaker specializing in recording traditional ceremonies and cultures on remote Pacific Islands. This was also a prime period for acquiring authentic, old Indonesian pieces being brought to California by prescient dealers.

Lastly, while producing and creating films in Hollywood and investing in property and living in Beverly Hills, the Lacy’s opened a gallery on the famed Melrose Place (which became the name of a hugely popular TV series) showing paintings and sculptures of modern and contemporary artists. Vanna was the Lacy Gallery’s Director. After a successful run of more than a decade, the Lacy’s retired their gallery. The paintings and sculptures they had most loved personally, plus their mostly decades-old tribal collections, resided with them in their Beverly Hills and then their Palm Springs home until June when it was time to move themselves and their art collections along.

The Han Dynasty was known for its exquisite craftsmanship and artistic design. Today, surviving examples of Han Dynasty vases, vessels, and figures are highly prized and collected for their historical importance and artistic value.

Typically Ding vessels feature a round body and a lid, creating a covered container. They are often adorned with intricate relief decorations depicting various motifs such as mythical creatures, dragons, birds, animals, or geometric patterns. These decorative elements were meticulously cast into the bronze surface and sometimes embellished with additional details using techniques like engraving or inlay.

The above vessel was produced during the Han Dynasty, 206 BCE to 220 CE in China. This type of vessel was made using the technique of bronze casting, which involved pouring molten bronze into molds.

Ding vessels were highly valued for their ceremonial and ritual significance. They were used for a variety of purposes, including storing and presenting offerings, as well as serving as burial objects or prestigious gifts. They are considered to be symbols of status and wealth, reflecting the sophisticated artistic taste of the Han Dynasty.

Han Dynasty works provide valuable insights into the ancient Chinese civilization and the advanced metalworking techniques of the time.

Clars’ Summer Modern + Contemporary Art + Design Auction brought in active bidders from across the globe vying for artwork from world famous artists and design from master woodworkers.

The sale began with modern and contemporary art. A featured highlight was Wayne Thiebaud’s (American, 1920–2011) Portrait of Jean Lee Porter, 1951/52, whose provenance was strong and led to a hammer of $31,500. The subject, Jean Lee Porter, was a big band singer in San Francisco and her own notoriety certainly contributed to the interest in the piece.

Another featured highlight was March Avery’s (American, b. 1932), Resting Nude, 1989, oil on canvas. Her stark style of painting, with bold colors and simple linework, appeals to the 21st century minimalist aesthetic. This particular work depicts a female nude — a subject that is highly sought after — and sold for $28,980.

This sale also included a fine example of Alecos Fassianos’ (Greek, 1935–2022) work, Figure in Blue, 1963, oil on canvas, which sold for $20,160. The piece features a quite graphic and color-saturated palette. Several phone bidders fed the competitive bidding.

Squeak Carnwath’s (American, b. 1947), Not Fact, 1996, oil and alkyd on canvas, sold for $18,900 — achieving the 4th highest record price for the artist. Squeak Carnwath, like Thiebaud, is another Bay Area figure. She lives in Oakland and taught art at both UC Davis and UC Berkeley, so her name is notable in Northern California. Her paintings are playful and youthful, appealing to the younger audience buying contemporary art.

Jasper Johns’ (American, b. 1930), Flag (Moratorium), 1969, offset lithograph in colors, edition 97/300, sold for $17,640. This piece was made as a political and anti-war expression, and in the highly politicized climate we live in now, powerful imagery and strong statements feel pertinent and valuable to collectors.

The Design department had strong prices realized across various categories in the Summer Modern + Contemporary Art + Design Auction. Leading the show was an Arthur Espenet Carpenter dining suite, consisting of eight Wishbone dining chairs and a dining table. The chairs and table realized a combined $40,950, with numerous bidders vying for the lots. Also, a Philip and Kelvin LaVerne ‘Marriage Whirl’ table realized $12,600.

Cristina Campion, Associate Director of 20th Century Design, noted, “we’re certainly seeing strong results for American master woodworkers, including Espenet — as well as other American icons like the design duo, Philip and Kelvin LaVerne.”

The sale included master craftsmanship from across genres and cultures. A highlight was a Tony Hunt totem pole dating to 1990, measuring at a mighty 8′11″. There were several telephone bidders on the totem pole that brought the final sale price to $20,160.

Danish Modern furniture preformed quite well, with a pair of Finn Juhl NV-45 lounge chairs selling for $25,200, and a single Finn Juhl NV-45 lounge chair realizing $16,380. “There’s always a market for noteworthy and iconic Danish Design at auction,” commented Ms. Campion.

Clars’ next auctions will be held on July 14th & 15th. Consignments are always invited. Schedule a private or virtual valuation appointment by emailing [email protected].

Specialists from Clars Auction Gallery recently stopped by the PBS KVIE studio to film interviews with Rob Stewart for this year’s Antique Valuation Day which is set for October 28!

Be on the lookout for how to get tickets starting in June.

Two Croatian paintings sold rather well at Clars’ Fine Interiors & Design Auction on April 14th, 2023.

Vladimir Varlaj’s piece, Mountain of Klek, topped the sale, bringing in $50,400. A close second was Vladimir Becic’s work, Landscape Bosnia, II, which realized $47,250. With these sales, a new world record was set for Varlaj, while the Becic sale was the second highest auction total to date for the artist.

The paintings were both from the same seller and provenance: Mr. and Mrs. Milton D. Redford, the Carl Hamilton Collection and the Collection of the Anglo & London Paris National Bank in San Francisco. International internet bidders were the majority on both but a telephone bidder from Croatia came in last — and best — on both as the winning bidder.

Clars is celebrating International Women’s Day by highlighting the career of Greta Grossman, one of the leading female designers of the mid-20th Century.

Not only was Grossman a furniture designer, but she was also an architect and interior designer. Her career spanned forty years and her reach was global. Although originally based in Sweden, Greta’s work became incredibly popular in the United States, and in the 1940s she opened a shop in Beverly Hills. It was there that she worked for celebrity clients, such as Greta Garbo.

The Junior League of San Francisco, Inc. (JLSF) is an organization of women whose mission is to advance women’s leadership for meaningful community impact through volunteer action, collaboration, and training.

The Junior League of SF held its Annual Tea, a cherished annual tradition, which took place on Sunday, March 5th at the Top of the Mark at the Intercontinental Mark Hopkins Hotel.

This event recognized and celebrated past Junior League Presidents as well as Sustainer Emeritus members with a fun Breakfast at Tiffany’s theme!

Clars Auction Gallery was invited to showcase and discuss pieces from the 1960’s relating to the Breakfast at Tiffany’s theme. The Fine Jewelry & Timepieces department team, Yao and Campbell, delighted the group with a little history from cultured pearls to retro jewelry. Clars is honored to have been a part of this event and is proud to support The Junior League of SF.