While attending the Nihon Bijutsuin art school in Tokyo, Japan, Okayama-born artist, Chiura Obata, was trained in both Japanese and Western painting techniques — a unique education that would influence his style over the years.

As a young man entering the United States, Obata settled in California and focused his talents on depicting the landscapes he saw, ranging from deserts and treeless plains to the cliffs and lakes of Yosemite. Obata found success with these subjects, working in both painting and woodblock printing, and began his teaching career at the University of California, Berkeley in 1932. During the second World War, Obata experienced discrimination due to his Japanese identity and was interned at the Topaz War Relocation Center in Utah, where he painted some of his darkest and most emotionally resounding works.

Throughout his career, the marriage of Japanese and Western approaches to visual language set Obata apart from his peers both in Japan and in the United States. Using Japanese techniques, like woodblock printing and sumi ink-and-brush painting, while portraying distinctly American landscapes earned him a glowing reputation in and around his chosen home of California. Obata’s work resonates within the blended cultures of the San Francisco Bay Area, where his art, whether in subject or technique, feels familiar to so many residents. Obata’s resiliency during and after confronting the horrors of war, with his continued commitment to cultural collaboration, feels just as inspirational and relevant today as it surely was during his lifetime.

Jaime Zacarias, also known as “GERMS,” is an artist native to South Los Angeles who names his Chicano heritage and predecessors among his influences.

Mentored by Chicano painter, Gilbert “Magú” Lujan, and taking inspiration from the Surrealists as well as Avant Garde and street artists like Jean-Michel Basquiat and Keith Haring, Zacarias paints otherworldly creatures that draw reference from familiar imagery while creating strikingly original forms.

Zacarias says, “I find myself mesmerized by the seemingly infinite details and borderline infectious behaviors of each character I create, while striving to transform and challenge the traditional interpretations of the icons we all know so well.” The marriage of nostalgia and innovation in the work of GERMS creates a visual language that transcends barriers, both cultural and temporal.

“How do I know when I’ve finished a painting? It’s when that element of surprise is there” (Joan Brown).

Born on February 13, 1938, she was a San Francisco native. Brown studied at the California School of Fine Art and was a prominent member of the second generation Bay Area Figurative movement. In 1960, at the age of 22, Brown had her first museum show occur at the Whitney Biennial in New York, showcasing her abstract expressionist paintings. After divorcing her first husband, Bill Brown, she was married to Bay Area Figurative sculptor, Manuel Neri, from 1962 to 1966.

Brown taught introductory painting and drawing classes at the California School of Fine Arts and University of California, Berkeley. Later in her career, Brown became increasingly interested in public sculpture. On October 26, 1990, Brown travelled to India to help with the installation of one of her obelisks. Brown died along with others, when a concrete turret from the floor above collapsed while they were installing the mosaic obelisk.

The September 16 Modern + Contemporary Art + Design sale at Clars, totaled over $1.3M across 230 lots.

Clars’ Fall Modern + Contemporary Art + Design sale on September 16th started off the season with impressive results having 230 lots achieve a little over $1.3 million in sales. Fine Art led the way with $1.1 million in sales with the highlight being Andy Warhol’s complete set of ten screenprints, Cowboys and Indians, selling for $503,750. Rick Unruh, Clars CEO, remarked, “Clars is definitely ‘moving up the ladder’ in being recognized internationally as one of the premier auction houses for Modern and Contemporary works. This past auction was our 3rd complete set of Warhols to be offered in the last 2 years — all with outstanding results.”

Another stellar performance was several Pumpkin screenprints by Yayoi Kusama (Japanese, b. 1929) selling for a combined price of $108,750.

Clars Auction Gallery had a nearly 100% sell through rate for the Fall Design sale, with just above 100 lots selling for over $210,000 total.

Clients from across the country were vying for Design lots, with many items selling at or above the high estimate. Cristina Campion, Associate Director of 20th Century Design at Clars commented, “strong sales like this one really demonstrate that Clars is a recognized name among Design collectors across the United States.”

Top picks included an Angelo Mangiarotti ‘Eros’ Dining Table sold for $18,750, with a $6,000–$9,000 estimate. Other auction highlights include a suite of eight Mario Bellini Cab Chairs, Model 413, that brought $10,625, a set of Christian Liaigre Bazane Stools that sold for $9,375, a Charles and Ray Eames 670 and 671 chair and ottoman that realized $8,125, and a Vladimir Kagan Ondine Chair that commanded $8,125.

Clars is gearing up for it’s next Design auction on December 18th, and is hopeful that the department will continue to see an upward trajectory in sales.

Clars is excited to kick off the Fall Season with an exceptional Modern + Contemporary Fine Art sale on Friday, September 16th, 10AM PST.

The star lot will be the complete portfolio of Andy Warhol’s 1986 Cowboys and Indians. The ten screenprint series portrays a range of imagery representing both historical and mythical lore of the American West. They will be offered with an estimate of $500,000–$700,000. Additional highlights will include important works by Bay Area Figurative artists including Nathan Oliveira, Raimonds Staprans and Joan Brown, as well as works by KAWS, M.F Husain, Yayoi Kusama, and Richard Pettibone.

California has a long-standing tradition for metalwork. One of the most renowned metalworkers was a San Franciscan, Dirk Van Erp, who was prominent during the Arts and Crafts Period.

While he is most well-known for his table lamps, Van Erp also designed a variety of decorative arts including vases, humidors, jadinieres, and tea kettles, among others. Dirk Van Erp table lamps were typically executed in hand-hammered copper with a mica shade.

Also prized are Van Erps hammered copper vases. “Warty” vases are particularly collectible. They feature a hammered warty body, and often have a fine original red patina.

What makes a Dirk Van Erp piece more collectible? Collectors often prize the original patina, or finish. Another important factor is the date of the piece — which can be determined by taking a look at the stamped mark on the underside. Dirk Van Erp pieces are typically marked with an impressed windmill signature with text below (Van Erp was a Dutch American artisan).

The earliest signature reads, “D’ARCY GAW DIRK VAN ERP.” In 1909, Dirk joined forces with D’Arcy Gaw, an interior designer. In 1910, the duo began to use an impressed mark bearing both of their names. This mark was used until 1911. Many collectors consider works from this period to be of the best and most desirable quality.

In 1911, when their partnership dissolved, D’ARCY’s name was removed (chiseled off) from the stamp. At this stage, the stamp became known as a “closed-box” mark, with Dirk Van Erp’s name only. This was used between the years of 1911–1912, and the box was inadvertently damaged due to chiseling, to become an “open-box” mark.

In addition to the open box, it is thought that during and after the 1915 World’s Fair, Dirk Van Erp added “San Francisco,” which usually appears below the box. Van Erp exhibited at the Panama-Pacific International Exposition — the San Francisco World’s Fair that demonstrated to the world that the city had risen from the ashes, a mere nine years after the Great Fire. It was a world class exhibition that brought many of the world’s finest artists to California, and served as evidence that the San Francisco Bay Area was (and is) a world class destination bursting with talent.

This mark was used from 1915 through the death of Dirk Van Erp’s son, William, in 1977.

Clars’ upcoming Modern + Contemporary Art + Design Auction will be held Friday, September 16th, featuring an array of mid-century San Francisco Bay Area figurative works.

Highlights include the complete portfolio of Andy Warhol’s Cowboys and Indians — one of his last major works before his death — estimated at $500,000–$700,000. In this portfolio, Warhol portrays a range of images that represent both the history and constructed lore of the American West, pulled from reality and fiction. Warhol interspersed portraits of world-famous Americans with those of anonymous Native Americans in his ironic commentary on America’s collective mythology of the historic West.

Another exceptional highlight is an oil on panel from 1965 by Joan Brown (American, 1938–1990) titled Cucumber and Lemon estimated at $40,000–$60,000. This charming still life was gifted to fellow artist and friend, Ira Yeager (1938–2022), on his birthday.

Two later paintings by Nathan Oliveira (American, 1928–2010) from his Windhover series (commissioned by Stanford University in 1991) will be also offered at $12,000–$18,000 each.

The auction will feature a fine selection of Design items including a set of Mario Bellini Cab Chairs estimated at $10,000–$15,000, an Angelo Mangiarotti Eros Dining Table estimated at $6,000–$9,000, and a Vladimir Kagan Couture Sloane II sofa estimated at $6,000–$9,000.

There will be other noteworthy Designers in the auction including ceramicists such as James Lovera, Antonio Prieto and Lagardo Tackett, as well as Danish Modern including Eric Hansen, Arne Iversen, Johannes Andersen, Peter Hvidt, and American and Italian Modern such as Charles and Ray Eames, Christian Liaigre, among others.

Andy Warhol’s Cowboys and Indians series was one of his last major works before his death in 1987.

In 1986, Andy Warhol created the Cowboys and Indians series. In this portfolio, Warhol portrays a range of images that represent both the history and constructed lore of the American West, pulled from reality and fiction. Warhol interspersed portraits of world-famous Americans with those of anonymous Native Americans in his ironic commentary on America’s collective mythology of the historic West.

Rather than portraying Native Americans within their historical landscape, or cowboys in their veritable forms, Warhol went with a stylized and romanticized version of the American West — already a favored lens in novels, films, and various television series popular during the 20th century.

Included in the composition are Native Americans and their authentic emblems — a mask, Kachina dolls, and a shield — alongside John Wayne, Annie Oakley, Teddy Roosevelt and General George Custer, the latter group exemplifying Warhol’s preoccupation with stardom.

At this point in his life, Warhol was forming bonds with a number of younger artists in the New York art scene including Jean-Michel Basquiat, David Salle, Keith Haring and Julian Schnabel.

The June 17th Modern + Contemporary Art + Design sale at Clars totaled $1,070,250 across 239 lots.

Clars was pleased to establish the new, world auction record for Raimonds Staprans (American/Latvian, b. 1926) with the painting Blue Boats selling for $187,500. This beats the previous record held by Clars from September 2020 of $147,600. As Rick Unruh, CEO of Clars, stated, “Staprans has incredible upward momentum at auction at the moment. There is a scarcity issue with his exceptional works currently. Blue Boats was one of those exceptional works. Reaching a new price level and ‘raising the bar’ is challenging but rewarding when it occurs.”

Also of note was a rare collection of four works by Leonor Fini (French/Argentine, 1908–1996) that were offered at Clars Modern + Contemporary sale on June 17th. This combined collection sold for an astounding $250,625 with one particular painting, Zorniga, selling for $187,500.

Highlights for Design included a set of Mario Bellini Cab chairs that sold for $17,500, and a Phillip Lloyd Powell New Hope Chair that brought $15,000. Cristina Campion, Associate Director of 20th Century Design at Clars noted, “There’s always a strong market for good Design. We’re currently seeing bidders vying for the top lots, and as a result Clars is achieving strong auction records across the board.”

Clars’ Modern Art Sale Sets Loie Hollowell Record. Review by Madelia Hickman Ring, Antiques And The Arts Weekly.

OAKLAND, CALIF. – On Friday, March 25, Clars Auction Gallery set a new record for Loie Hollowell (American, b 1983), when Point of Entry (Blood-Orange Moon Over Orange Sac), a mixed media work measuring 48 by 36 inches achieved $1,050,000 from a buyer in the United States who was a new client for Clars. The price was not only the artist’s highest price realized in a sale in the United States (the current overall record for Hollowell stands at $2,126,095 for Linked Lingams [yellow, green, blue, purple, pink], set in June 2021 in Hong Kong) but it was the first time in Clars’ 50-year history that a lot has surpassed the million dollar mark. It was far and away the top lot of 1,579 lots of modern and contemporary art, design, furniture, decorative and fine art, Asian art and jewelry offered March 25–27; the tally for the three days of sales was about $3 million, a total that ranks in the top three in the firms’ history and the highest sale since the company changed ownership in 2019.

Rick Unruh, chief executive officer and director of fine art at Clars, said, “Clars showed the global art world that when one has an exceptional, contemporary piece, such as our Loie Hollowell, they (the bidders) will come – and they did. We went all out with marketing, we even marketed it in Asian newspapers to get to the Hong Kong market. We had clients from all over the world interested. Many of the bidders on it were new to Clars.”

The second highest price of the sale at $150,000 was a rare drawing by Pablo Picasso (Spanish, 1881–1973) titled, Etudes VII (d’apres Manet) from 1961. Well-documented in the artist’s catalogue raisonné, the lot had multiple international bidders but in the end sold to a buyer in San Francisco. Rounding out the top three at $106,250 was the double-sided oil on canvas work titled Fishing Town with Women on Beach/Seascape with Trees by Maria-Mela Muter (Polish French, 1876–1967). It received serious international attention, including from Poland and Israel and sold to a buyer in Poland.

Works by such iconic artists as Roy Lichtenstein, David Hockney, Wayne Thiebaud, Salvador Dali, Sol Lewitt and Richard Diebenkorn peppered the sale and brought strong results too. Particularly noteworthy was Roy Lichtenstein’s Shipboard Girl offset lithograph from 1965, which made $53,125, a price that is an improvement over the $20,000 hammer price the Napa Valley, Calif., seller paid for it when they acquired it from Clars in 2013. The seller of the Litchtenstein also sold a portfolio of 39 prints – etchings, aquatints, drypoints and soft ground etchings – by British artist David Hockney (b 1937), which nearly doubled its low estimate to finish at $34,925. Six Fairy Tales from the Brothers Grimm had been acquired at Sotheby’s New York in 2011 for $8,125.

Cristina Campion, Clars’ associate director of Twentieth Century design, was thrilled with the international response to works by American master woodworkers, like George Nakashima and Vladimir Kagan. A 1971 wall hanging cabinet by Nakashima that retained its original work card from the George Nakashima Studio topped off at $62,500, more than twice its high estimate and sold to an international buyer bidding on the phone. A contour rocking armchair from the Vladimir Kagan collection, circa 1999, had provenance to Dennis Miller Associates of New York City and found a new home with an online bidder for $16,900, more than three times its high estimate.

Another favorite among bidders was Danish designer Hans Wegner, who was represented in the sale with six lots. Leading the group at $17,500 was a valet chair, followed by a Papa Bear lounge chair that realized $13,700.