A noteworthy piece in our Important Summer Fine Art Sale is a serigraph by American Pop art pioneer, Roy Lichtenstein. Lichtenstein was one of the most prominent figures to come out of the Pop Art movement and is most known for his comic strip-inspired paintings, prints, and sculptures.

The print featured in the June sale is titled Reverie and dates to 1965. Pictured is a young woman with blonde hair and a melancholy expression, holding a microphone while a speech bubble over her head reads the lyrics, “The melody haunts my reverie.” This lyric — taken from the song Stardust by Tin Pan Alley musicians Hoagy Carmichael and Mitchell Parish — was written in 1927 and popularized during the 1930s big band era. The retro feel of the imagery is characteristic of Lichtenstein’s work, as is the comic-style dot work, bold color, and thick, black lines. Reverie was created for a portfolio, titled 11 Pop Artists published by Original Editions, that included 2 other prints by the artist as well as prints by Andy Warhol, Tom Wesselman, and other major names in the Pop Art movement.

In addition to the aforementioned work, we are also pleased to offer abstract sculptures by Claire Falkenstein, a life-size bronze gown by Karen LaMonte, a suite of six bullfighting paintings by LeRoy Neiman, an abstract expressionist oil by Tancredi Parmeggiani, and much more in our Important Summer Fine Art Sale on June 20th.

Clars in collaboration with exhibited.at is honored to present the visionary inaugural auction: Artists to Watch: California. This section will lead the Spring Modern + Contemporary Art + Design Auction held on March 21st, 2 PM PDT.

Founded by former Christie’s specialist Rodania Leong, exhibited.at focuses on art, community and innovation — empowering artists, curators, and galleries with the ability to archive their rich exhibition history while providing guidance on diverse art initiatives. Together with Clars — the exceptional art appraisers and auctioneers who have over fifty years of expertise in hosting Bay Area auctions — this collaboration harnesses the expertise of both exhibited.at and Clars whilst delving into the rich history and allure of California art.

California has long been a force for artistic innovation, and this auction aims to showcase the work of ten pioneering artists based in the Golden State. A few of the artists who will be featured in this inaugural sale are Gabe Weis and Alexa Arnold.

Gabe Weiss is a mixed media and NFT artist living in the Bay Area. The self-taught artist is inspired by street art and stoic philosophy and uses a stream-of-consciousness approach to his work to explore perceptions of reality. His physical and digital works are shown internationally. This past year, his work has been exhibited at the Venice Biennale, Picasso Museum, Seattle Art Fair, and various galleries throughout Asia and the United States. Gabe is committed to sustainability in his craft. By reusing older materials found around the house, such as cereal boxes, maps, and old dictionaries to create timeless works, he hopes his work inspires others to reuse materials as part of their art practice.

Alexis Arnold is a mixed media visual artist in Oakland, CA. Her artwork has been exhibited nationally and internationally, including at the Crystal Bridges Museum of American Art, Aspen Art Museum, Napa Valley Museum, Whatcom Museum, Beaux-Arts Mons Belgium, Atlanta Airport, Bergdorf Goodman, di Rosa, and The NY Hall of Science. Alexis’ work is included in the collections of SFMOMA, Meta, VCU, MediaMath, Costa Cruises, University of Pittsburgh, and others.

The history of art in California holds profound significance, reflecting a dynamic intersection of cultural, social, and environmental influences. As a beacon of creativity and innovation, California has been a canvas for diverse artistic movements — from the early 20th-century Bohemian enclaves to the rise of contemporary art hubs. The state’s artistic legacy truly encapsulates the spirit of experimentation and cultural diversity unique to California, its rich history nourishing the evolution of artistic expression and societal shifts, and the transformative power of the Californian landscape on the creative imagination.

With this inaugural auction, we take great pride in introducing ten esteemed artists who persistently enrich the tapestry of California art. Their work resonates with audiences and collectors worldwide, serving as pioneers in the evolution of artistic expression. We invite you to immerse yourself in this presentation, offering an opportunity to discover, connect, and support those instrumental in shaping the lasting legacy of California’s art history.

Join us in celebrating their creativity, innovation, and enduring impact! For more information or any questions, please reach out to [email protected] and [email protected].

This March we are excited to present several very special works in our Spring Modern + Contemporary Art + Design Auction.

We are privileged and honored to present a very important work by 1991 National Artist of the Philippines, Hernando Ruiz Ocampo. Ocampo stands as an iconic artist in the Philippines, being a leader of modernist painting in the country during the first half of the twentieth century. The monumental work by Ocampo in our March sale, one of only two made by the artist in this size, is titled Mga Kiti, which can be taken as a reference to either duck embryos or mosquito larvae. Dating to 1978, the scroll-like painting, done in acrylic paint on Tetoron fabric, showcases a repeating pattern of similar forms that echo human figures, the bodies of birds, lotus pods, and cellular structures.

Another featured work is a life-size ceramic kimono by American sculptor, Karen LaMonte. LaMonte is known for her sculptures of garments which appear to be draped over a human form but stand alone as if moving on their own. LaMonte works in glass, bronze, and ceramic, and the child’s kimono in our March sale is made of ceramic with a light blue celadon glaze.

Another sculpture highlight in the March sale is a bronze by Eric Goulder, titled The Woman. This figural piece depicts a nude woman seated while raising a hand to her mouth — a look of surprise on her face. The nearly life-size sculpture is formed in a highly realistic style displaying musculature and hair texture, as well as emotion and body language.

Moving on to our selection of paintings this March, we are pleased to offer two works by Bay Area Figurative Movement member, Henrietta Berk. Berk is celebrated for her emotive use of color and the strong element of movement in her painting. She often utilizes an impasto painting technique, which we see in both pieces in the March auction. One painting, titled Spanish Landscape, depicts a starkly lit town with a blazing orange sky over green fields and scattered buildings. The second piece, an untitled figurative painting, shows a young woman and man seated and talking in the grass. Speculation of this work and other similar pieces by Berk alleges that the couple is modeled after President John F. Kennedy and his wife, Jacqueline Kennedy Onassis.

Another standout in the March auction is a large oil on canvas by Latvian-American painter, Raimonds Staprans. Staprans built a large following while practicing in San Francisco during the second half of the 20th century. He is known for bold color and painterly brushwork, often focusing on architectural landscapes and still lifes. The painting at Clars this month is a rare figural work depicting a female nude. Staprans maintains his signature bold color and audacious painting technique in his exploration of the human figure.

Also included this March are large paintings by Enrico Donati and Hunt Slonem, a work on paper and print by Bay Area artist Joan Brown, and much more.

This March at Clars, we are privileged and honored to present a very important work by 1991 National Artist of the Philippines, Hernando Ruiz Ocampo.

Ocampo stands as an iconic artist in the Philippines, being a leader of modernist painting in the country during the first half of the twentieth century. As a painter who ushered in an era of creative exploration in the country, Ocampo developed a singular style that expressed the Filipino experience through emotive color, form, and abstraction.

Ocampo was born and raised in greater Manila in 1911 and studied both law and writing — becoming an accomplished poet and fiction writer before approaching the visual arts. His early painting career is marked by experimentation with modes of expression, including a series titled Luetica, for which his visceral depictions of human mortality earned him strong reactions upon exhibition.

After the devastation of World War II in the Philippines, progressive artists worked to reflect the hardships and realities of life. Ocampo and his colleagues, including fellow National Artists Vicente S. Manansala and Cesar Legaspi, inaugurated a movement of distinctly Filipino Neo-Realism, combining modernist abstraction with figurative subject matter.

Neo-Realists took their inspiration from the struggles of workers, family life, poverty, and the local landscape. Although one can detect the influence of prior and concurrent movements in Europe and the United States — including Cubism and Vorticism as well as Social Realism — the Neo-Realists’ work was categorically unique in its blend of the Filipino experience with modernist aesthetics. Out of the many talented artists in his circle, Ocampo favored the freedom that abstraction afforded him in his work; and as he gained confidence in his practice, it became more symbolic and less objective in nature.

Ocampo continued to delve further into abstraction as his career progressed. His close peer, Cesar Legaspi, was quoted speaking about Ocampo’s creative evolution, stating, “I think the impact of those paintings was needed then as the controversy between the moderns and the conservatives was going full blast and we had to have some kind of exemplar as to how far and how powerful a new kind of art could be.”

While Ocampo did create paintings that used abstraction while still forming a recognizable scene, such as the landscape Reaching for the Moon and the mother and child figures in Break of Day, his most well-known pieces are those that allow for open interpretation and push viewers to investigate their own subconscious. Here, the painter relies on formal elements to create a sensory experience. The principles of color and shape were fundamental to Ocampo’s work in the later years of his career. One can identify his personal connection to the color orange in many of his works, and he uses amorphous and organic shapes like tiles to form imposing structures — painstakingly faceted with vivid tones to achieve depth and form.

The monumental work by Ocampo in our March sale, one of only two made by the artist in this size, is titled Mga Kiti, which can be taken as a reference to either duck embryos or mosquito larvae. Dating to 1978, the scroll-like painting, done in acrylic paint on Tetoron fabric, showcases a repeating pattern of similar forms that echo human figures, the bodies of birds, lotus pods, and cellular structures. The background — painted a deep red that graduates into lighter crimson — recalls blood, with the small circles sprinkled throughout suggesting blood cells. Yellow linework traces throughout the length of the painting in a style reminiscent of batik, a medium originating in the neighboring country of Indonesia, and further separates the areas of red, black, and orange like cells dividing.

The lines and colors seem to undulate, expand, and contract — like compartments of breathing lungs. Like in much of his previous work, Ocampo utilizes color, specifically in the spectrum of orange, and creates a mosaic-like composition. Although the piece was commissioned by patron, Ginny Jacinto, the idea of regeneration may have been close to Ocampo’s own heart during its creation; the artist was in his late sixties and dealing with multiple health issues. Mga Kiti was Ocampo’s final painting before his death in December of 1978. Its themes of renewal, movement, and creation seem to be a summation of his work — the balance between figuration and abstraction, and a pure expression of life itself. Mga Kiti serves as a grand testament to Ocampo’s talents as a master of his craft both in formal composition, with his uncanny ability to evoke tactility and sensoriality, and as a translator of ideas, emotion, and the creative force from which all art originates.

A standout piece in our March Modern + Contemporary sale is this large acrylic on canvas painting by Los Angeles-based artist, Matt Gondek.

Gondek is known for colorful canvases with thick, bold lines depicting cartoon and comic book characters from the late 20th century, often exploding, melting, or in some way deconstructed through a darkly humorous lens.

The painting at Clars this month will look familiar to millennial collectors; the scene shows the characters from the Nickelodeon cartoon show Rugrats in a state of fragmentation. Followers of Clars will remember the Gondek painting in our November 2023 sale depicting 1990s Warner Brothers characters, Pinky and the Brain, which sold at auction for $12,600.

Clars is pleased to be offering over 70 works of art from the Collection of Allan Stone (by descent) on Thursday, March 21st in our Spring Modern + Contemporary Art + Design Auction.

From 1960 to 2020, Stone had a prominent New York City gallery that was known for showing artists such as: Wayne Thiebaud, Eva Hesse, Jack Whitten, as well as, Barnett Newman, Richard Estes, Yasuhide Kobashi, Robert Arneson, Cesar and Dorothy Grebenak among many others.

“How do I know when I’ve finished a painting? It’s when that element of surprise is there” (Joan Brown). This March at Clars we are proud to feature a work on paper and a print by one of the most well-loved modern artists of Bay Area origin.

Joan Brown was born in San Francisco in 1938 and continued to work in the area for her entire life, creating paintings, sculptures, and works on paper that celebrated the city of San Francisco and its surroundings. Brown began her art education at the California School of Fine Arts (now the San Francisco Art Institute) where she began working with her mentor — fellow Bay Area icon, Elmer Bischoff — who she credited with encouraging her to focus on her own creative instincts and less on academic rules.

During her prolific career, Brown evolved stylistically from abstract expressionism to folk art-inspired figurative painting and became involved in the highly influential Bay Area Figurative Movement. Brown was married for a period to a fellow member of the movement, Manuel Neri, with whom she had a son who inspired much of her work during the 1960s. Brown also taught at several California universities during the 1960s, including the California School of Fine Arts, Mills College, and UC Berkeley.

As she matured in her practiced, Brown included more symbolism in her paintings, including spiritual and New Age ideas. This interest led her to travel the world and gather inspiration from various religions and cultures — installing mosaic obelisks honoring these new influences. Brown tragically passed away while installing one of these obelisks at Sai Baba’s Eternal Heritage Museum in Puttaparthi, India. The works included in the March auction are a gouache and pencil on paper piece, titled Running at Ocean Beach, which depicts the artist jogging at the famous San Francisco seaside, and a woodcut/lithograph, titled Golden Gate, depicting the renowned bridge at sunset with a swimmer and boater in the blue bay waters.

This November we are excited to present several very special works in our Modern + Contemporary Art + Design sale.

For the first time at auction, we present a work by Austrian painter, Goetz Valien. Valien worked for much of his adult life as a movie poster artist and is also known for winning a lawsuit against the estate of German painter, Martin Kippenberger. This win allowed him to take credit for his role in the painting of the Paris Bar series, previously credited solely to Kippenberger. Valien’s work in this month’s sale, titled Ego, is a monumental acrylic on canvas painting of a dream-like scenario in which a figure walks through a maze of metal bars at twilight, evoking influences from Edward Hopper and Giorgio de Chirico.

Also coming in our November sale is a large screenprint by American Pop Art icon, Andy Warhol. This piece, titled Letter to the World (The Kick) from Martha Graham, depicts American dancer and choreographer Graham performing in a full-skirted dress in tones of blue. Graham is known for her unique technique, emphasizing “contraction and release,” and having a major influence on American dance since the 1920s. This print is one in a series of three that Warhol made featuring Graham, and it features his trademark screen-printing style that is comprised of solid blocks of monochromatic tones with a strong outline and lined detail — like the pink seen here in the folds of Graham’s dress.

Another highlight this November is an oil on canvas painting by Latvian-American artist, Raimonds Staprans. Staprans is known for his large swaths of bright color, often oranges and blues, and his understated treatment of subject. This piece, titled Red Sun, depicts a stylized landscape rendered primarily in saturated tones of red and orange with patches of bright green and blue. The sky dominates the image, taking up more than half of the canvas with its red and pink hues surrounding the pale orange dot of the sun hovering over the horizon. Staprans moved from his native Latvia in the early 20th century and settled in the San Francisco Bay Area, where he has remained active since. Staprans hosted a 60 year retrospective exhibit at the Crocker Art Museum in Sacramento and the San Jose Museum of Art in 2018.

One of the many highlights of the Design portion of the sale will be a Paul Frankl (1886–1958) Speed chair — the form originally designed in 1935. The iconic form is a testament to Frankl’s streamlined and architectural designs of the period, which took Design to the next level. Paul T. Frankl was one of the most important and influential designers working in the United States during the first half of the twentieth century. Clars is pleased to offer an example from 1946 that was a fixture of Charlton Heston’s office at his custom Mid Century Modern 3.5 acre hilltop mansion in Beverly Hills, CA. Heston used to refer to the mansion as “The house that Ben-Hur built,” as this project was undertaken after the filming of the legendary motion picture.

Finally, we are pleased to offer a sculpture by contemporary Portuguese multimedia artist, Joana Vasconcelos. This sculpture, titled Cesar, was formed by covering a ceramic statue of a dog in a net of colorful, hand-woven crochet detail. A quote from the National Museum of Women in the Arts reads that in this series, Vasconcelos brings to light the “dissonance between handcrafted and manufactured” by covering a mass-produced dog statue with a painstakingly crafted textile. The juxtaposition is both jarring and aesthetically appealing; the colorful yarn seamlessly fits the dog’s body, while at the same time, the life-size animal appears lifelike enough to become uncanny.

This exciting work, along with others from Raymond Pettibon, Christopher Brown, Matt Gondek, and more will be available to bid on in our carefully curated November sale. Plus, we are delighted to offer Design items crafted by Tiffany Studios, Michael Taylor, John Cederquist, Dirk Van Erp, and more. This sale truly has something for every collector!

A notable work in our October Collections Auction is a large print by funk artist, William T. Wiley. Wiley began his artistic studies at the California School of Fine Arts (now the San Francisco Art Institute), and later taught at U.C. Davis alongside artists Roy DeForest and Robert Arneson.

As an associate of the Funk Art movement, Wiley was a purveyor of using unconventional materials, eschewing the Minimalist trend and embracing chaos. He often described himself as a sort of spiritual descendent of Marcel Duchamp, building upon the Dadaist tradition of absurdity. One of Wiley’s graduate students was Bruce Nauman, who would go on to become one of the biggest names in American Conceptual art. Nauman remembered Wiley as keeping his studio open at all hours for students. In doing this, young artists could practice their craft and work through creative blocks.

Wiley’s work has been the subject of major exhibitions, including showings at the 1980 Venice Biennial, the de Young Museum, and a retrospective at the Smithsonian American Art Museum in Washington, D.C. The monumental woodcut print featured this month is titled Mr. Bones, and features hand coloring by the artist.

The piece demonstrates Wiley’s eclectic visual style, including sketchy, movement-heavy lines and text interspersed throughout, with a humorous, surrealist-inspired subject. Wiley was known for wearing blue jeans and cowboy boots around his Marin County home, a look that is replicated on the aforementioned character of Mr. Bones. His peers and neighbors lovingly referred to the artist as a frontiersman for his choices in wardrobe, but within the artistic community of the San Francisco Bay Area he was exactly that — a pioneer of experimentation.

“I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind, and the enigma of the horizon,” George Morrison (American, 1919–2000).

George Morrison was a Native American artist well known for his abstract paintings and landscapes. Morrison captured the American landscape and environment in vibrant multicolored paintings through the lens of the Chippewa tribe’s culture.

Morrison was born Wah Wah Teh Go Nay Ga Bo (Standing in the Northern Lights) in 1919 on the Grand Portage Indian Reservation, MN, a rural fishing village on the north shore of Lake Superior. He began drawing as a child while he was confined to a full-body cast after a surgery. He later attended the Minneapolis College of Art and Design, graduating in 1938.

After graduation, Morrison associated himself with a group of Abstract Expressionist painters in New York City. He graduated from New York’s Art Students League in 1946. There he would find critical acclaim, and eventually, as a Fulbright scholar, he studied and worked in Paris and Aix-en-Provence.

He began a teaching career at Cape Ann Art School in Massachusetts and continued to teach art and Native American studies at various institutions, such as the Rhode Island School of Design and University of Minnesota, throughout his life. While teaching Morrison also produced art and showed his work — primarily in the Midwestern United States.

Later in life, he would go on to receive several important commissions and continue his work on the Grand Portage Indian Reservation — creating prolifically assembled totemic sculptures and making horizon-line paintings. In 2022, a selection of five of his paintings were commemorated by the United States Postal Service as Forever Stamps.