Norman Rockwell was a prolific American painter and illustrator, best known for depicting everyday American life.

He was commissioned to illustrate over 40 books, including Tom Sawyer and Huckleberry Finn. Rockwell is probably best known for his cover illustration for the Saturday Evening Post.

Rockwell’s career with the Saturday Evening Post spanned 47 years, from his first cover illustration in 1916, to his last in 1963 — a Portrait of John F. Kennedy.

Clars is starting Spring with our Design Auction, to be held on March 16, 2023. Highlights include pieces by Hans Wegner, Stan Bitters, Toshiko Takaezu, Gertrud and Otto Natzler, George Nakashima, Charles and Ray Eames, among others. There will also be a selection of silver including Christofle and Tiffany.

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The Spring Design Auction will have numerous highlights across genres and countries. On offer will be a fine selection of pottery and ceramics including a Stan Bitters medallion, 3’2″dia., estimated at $12,000–$15,000. Bitters is renowned for his influence on the Californian arts and crafts scene since the 1960s.

Another prominent lot in the auction is a large Gertud and Otto Natzler bowl, which has a fine blue-grey mat glaze and measures 12.75″w. The bowl is valued conservatively at $5,000–$7,000. Other ceramicists in the sale include Toshiko Takaezu, Ka-Kwong Hui, Annabeth Rosen, Richard Hirsch, Brother Thomas Bezanson, etc.

There will be numerous furniture highlights in the auction, including a Michel Buffet floor lamp, expected to sell for $7,000–$10,000. Also, to be offered are several lots by designer Hans J. Wegner such as a set of eight ‘Heart’ Chairs estimated at $4,200–$5,200, a rare pair of JH-101 Lounge chairs and JH-103 Sofa, among others. In addition, there will be a pair of Finn Juhl NV-45’s offered, with an estimate of $20,000–$30,000.

For American furniture, there will be a Philip and Kelvin Laverne Fantasia coffee table, estimated at $5,000–$7,000, a Charles and Ray Eames 670 and 671 lounge chair and ottoman, and an Ettore Sottsass Westside lounge chair, just to name a few.

As for early 20th Century items, a Tiffany Studios table lamp, with Vine Border (Acorn) shade, will be estimated at $7,000–$9,000.

Several sterling silver lots will be offered such as a Tiffany & Co. Audubon flatware set, valued at $7,000–$9,000, and a Christofle, Sceaux flatware set, expected to sell for $6,000–$9,000.

Toshiko Takaezu, renowned abstract Hawaiian ceramicist from the twentieth century, drew inspiration from her own cultural background as well as contemporary painting and sculpture.

Toshiko Takaezu (American/Japanese, 1922–2011) is best know for her ‘Closed forms’ which can be described as both sculptures and paintings all in one. Each form is unique and varies in shape, size, color and texture and captures a spirit that mirrors work of other postwar expressionist artists, like Joan Mitchell and Mark Rothko.

Born in 1929 in Matsumoto, Japan, Yayoi Kusama is well known for her sculptures, installations, paintings, performances and fashion. Kusama is the highest-selling living female artist and has a body of work that spans over the past 70 years.

A preeminent figure in the art world, Kusama emerged onto the art scene in the 1960s in New York, collaborating with Andy Warhol, Claes Oldenberg, and Robert Morris and contributed to the rise of feminist and pop art.

Throughout her work, Kusama has explored such themes as her own obsessive-compulsive disorder, hallucinations, sexuality and freedom. Various Kusama prints that were sold at Clars exhibit her signature style, featuring polka dots and nets in dense patterns with obsessive repetition.

In 1993, Kusama represented Japan at the Venice Biennale. She has been the subject of major exhibitions at the Museum of Modern Art, Centre Pompidou, Tate Modern, and the National Museum of Modern Art in Tokyo as well as a major retrospective at the Whitney Museum of American Art in 2012. In 2017, she opened the Yoyoi Kusama Museum in Tokyo near her studio and the psychiatric hospital where she has voluntarily lived since 1977.

Pablo Picasso, known globally as one of the most important artists of the 20th century, was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer.

In our February 2023 Important Modern + Contemporary Art Auction, Clars offered a rare ceramic plate by Picasso which caught the attention of many phone bidders.

During the 1940s, Picasso attended a pottery exhibition in the commune of Vallauris in the south of France. He was inspired by his experience to stay in the area, working at the Galerie Madoura as a prolific potter, creating over three thousand vases, plates, tiles, and other objects. Common themes in these ceramics are animals including bulls, birds, and fish, Roman and Greek mythology, and the human form.

The plate sold at Clars follows Picasso’s tradition of working with simplified lines and shapes to create a human face, or Visage as the ceramics are known, similar to the paintings made during his synthetic cubism and African-inspired periods. Picasso’s Madoura ceramics continue to grow in popularity due to their accessibility as well as their versatility as decorative objects.

Other Picasso Madoura ceramics that Clars has offered include two ceramic pitchers, titled Visage and Quatre Visage. Both pieces were both produced at the Madoura de Vallauris workshop in the 1950’s and have Picasso and Madoura stamped beneath.

The second highest selling lot from Clars’ March 2022 Modern + Contemporary Art + Design Auction, selling at $150,000, was a rare drawing by Picasso titled, Études VII (d’après Manet), from 1961. Well-documented in the artist’s catalogue raisonné, the lot had multiple international bidders, but in the end sold to a buyer in San Francisco.

At the same sale, a linocut by Picasso, titled Le Déjeuner Sur l’Herbe, d’après Manet II, achieved $16,250.

Clars’ February 9th Important Winter Modern + Contemporary Art Auction will feature a selection of artwork from an array of international artists.

A featured highlight this month is a watercolor on paper by influential German-Swiss artist Paul Klee. This piece, titled Fragment of a Mural (Fragment einer Wandmalerei), shows an abstract image that is left to the viewer to decipher. Klee is known for the use of geometric forms in his work — often building his arrangements with triangles and rectangles — but here we see an unrecognizable object, made more mysterious by the title identifying it as just one section from a larger composition. Klee is perhaps even better known for his innovative take on color theory. The blending of purple into red into gray tones seen in this work illustrates Klee’s opinion that small sections of color could be unified to create a harmonious visual. Furthermore, during his time as an instructor at the Bauhaus, Klee taught as a master of stained glass, often using smoking techniques to color pieces of glass. The muted tones in this watercolor echo the hazy, blended hues that would result from smoking glass. The work on paper is estimated at $100,000–$150,000.

Also included in the sale this month is a work on paper, titled Green Hill, by American artist, Mark Tobey. As a founder of the Northwest School in Seattle, Washington, Tobey imbued in his peers an appreciation of East Asian culture — the effects of which are visible in Green Hill, with its muted color palette echoing Shan Shui landscapes, and an expressionist style that mimics calligraphy. The misty atmosphere of the Pacific Northwest was a driving influence on Tobey, who used earthy tones to illustrate Green Hill, with the green of the hill obscured almost completely by a heavy fog against a sepia sky. Green Hill is dated 1957, the year before Tobey became the second American artist to win the International Grand Prize at the 1958 Venice Biennale. The work is estimated at $30,000–$50,000.

Another important work in the February sale is a steel sculpture by acclaimed Mexican artist, Rufino Tamayo. The piece depicts two figures, likely one male and one female based on their clothing, standing with hands overlapped in an uncomplicated embrace. The stylized figures are reminiscent of the simplified figures seen in well-known Tamayo paintings like Tres Personajes, with dominant geometric lines replacing the naturalistic curves of the human body. The sculpture shows the figures’ bodies as rectangles, with semicircle arms and circular hands. The male figure’s legs and female figure’s skirt are triangular, and the base is a narrow rectangular platform. The gray patina of the metallic material is consistent throughout and recalls the stone and clay sculptures of the Zapotec, an indigenous Pre-Colombian culture from whom Tamayo claimed both heritage and inspiration. The work is estimated at $70,000–$100,000.

Next featured in the February sale is the Makemono lithograph scroll by Catalan painter and sculptor, Joan Miró, created circa 1956. Considered a major figure in the Surrealist family, Miró uses this color-printed Chanton silk scroll to marry a traditional East Asian medium with his “automatism” technique, a method of revealing an individual’s psyche through spontaneous drawing and painting. Makemono presents form and color before narrative, showing abstract human figures interspersed with birds, eyes, and nonobjective forms derived purely from the artist’s imagination. From an edition of only 50, the vibrant scroll is anchored by wooden batons on each of the two ends and includes its original carved and painted wood box. The scroll is estimated at $20,000–$30,000.

Other notable artworks to be offered in the sale include prints by Yayoi Kusama, a ceramic plate by Pablo Picasso, and a painting by Guy Anderson.

American artist Tom Wesselmann began his career in his hometown of Cincinnati, Ohio, later moving to New York City to teach art, where his creativity blossomed, and he began his Great American Nude series.

For over a decade, Wesselmann added to the series, which consisted of works both small and large depicting the nude female form in a variety of poses, and always surrounded by objects familiar to his American audience, including ice cream sundaes, radiators, and Camel cigarettes, to name a few. These elements in Wesselmann’s work, which were sometimes collaged from photographs or painted by the artist himself, led many to include him in the burgeoning Pop Art movement of the 1960s.

Wesselmann himself rejected this label, saying he utilized the objects in his compositions not to make a statement on consumerism, but because of his interest in the aesthetics of the everyday. Indeed, the works in Wesselmann’s Great American Nude series show Coca-Cola bottles, presidential portraits, and rotary telephones decorating the background of each room; objects of American mundanity, juxtaposed with the playful and dynamic nude figures for which the artist is known.

While attending the Nihon Bijutsuin art school in Tokyo, Japan, Okayama-born artist, Chiura Obata, was trained in both Japanese and Western painting techniques — a unique education that would influence his style over the years.

As a young man entering the United States, Obata settled in California and focused his talents on depicting the landscapes he saw, ranging from deserts and treeless plains to the cliffs and lakes of Yosemite. Obata found success with these subjects, working in both painting and woodblock printing, and began his teaching career at the University of California, Berkeley in 1932. During the second World War, Obata experienced discrimination due to his Japanese identity and was interned at the Topaz War Relocation Center in Utah, where he painted some of his darkest and most emotionally resounding works.

Throughout his career, the marriage of Japanese and Western approaches to visual language set Obata apart from his peers both in Japan and in the United States. Using Japanese techniques, like woodblock printing and sumi ink-and-brush painting, while portraying distinctly American landscapes earned him a glowing reputation in and around his chosen home of California. Obata’s work resonates within the blended cultures of the San Francisco Bay Area, where his art, whether in subject or technique, feels familiar to so many residents. Obata’s resiliency during and after confronting the horrors of war, with his continued commitment to cultural collaboration, feels just as inspirational and relevant today as it surely was during his lifetime.

Jaime Zacarias, also known as “GERMS,” is an artist native to South Los Angeles who names his Chicano heritage and predecessors among his influences.

Mentored by Chicano painter, Gilbert “Magú” Lujan, and taking inspiration from the Surrealists as well as Avant Garde and street artists like Jean-Michel Basquiat and Keith Haring, Zacarias paints otherworldly creatures that draw reference from familiar imagery while creating strikingly original forms.

Zacarias says, “I find myself mesmerized by the seemingly infinite details and borderline infectious behaviors of each character I create, while striving to transform and challenge the traditional interpretations of the icons we all know so well.” The marriage of nostalgia and innovation in the work of GERMS creates a visual language that transcends barriers, both cultural and temporal.

“How do I know when I’ve finished a painting? It’s when that element of surprise is there” (Joan Brown).

Born on February 13, 1938, she was a San Francisco native. Brown studied at the California School of Fine Art and was a prominent member of the second generation Bay Area Figurative movement. In 1960, at the age of 22, Brown had her first museum show occur at the Whitney Biennial in New York, showcasing her abstract expressionist paintings. After divorcing her first husband, Bill Brown, she was married to Bay Area Figurative sculptor, Manuel Neri, from 1962 to 1966.

Brown taught introductory painting and drawing classes at the California School of Fine Arts and University of California, Berkeley. Later in her career, Brown became increasingly interested in public sculpture. On October 26, 1990, Brown travelled to India to help with the installation of one of her obelisks. Brown died along with others, when a concrete turret from the floor above collapsed while they were installing the mosaic obelisk.