This May at Clars we are excited to feature a selection of modern and contemporary artwork that will undoubtably appeal to each and every collector. For fans of the Bay Area Figurative Movement, we are highlighting two works on paper by celebrated multimedia artist Joan Brown (American, 1938–1990).

Brown was born in San Francisco and continued to work in the area for her entire life, creating paintings, sculptures, and works on paper that celebrated the Bay Area as much as her own inner life. During her prolific career, Brown evolved stylistically from abstract expressionism to folk art inspired figurative painting and became involved in the highly influential Bay Area Figurative Movement. Brown was married for a period to a fellow member of the movement, Manuel Neri, who introduced her to the model Mary Julia Klimenko, Brown’s muse for the series that includes the two pieces at Clars this month. These two acrylic and charcoal compositions are titled Mary Julia #32, estimated at $8,000–$12,000, and Mary Julia #33, estimated at $8,000–$12,000, and each depicts the subject in two strikingly different settings.

Mary Julia #32 is shown alone in an austere space, likely a chapel, with two narrow stained-glass windows behind her. Her dark hair is topped with a veil that recalls medieval tastes, and her white gown indicates that it is the day of her wedding. She stares wide-eyed at the viewer, holding a champagne glass. Mary Julia #33 is dressed in a green military uniform with her arms behind her back. Next to her is a headless white sculpture, perhaps depicting herself, and a picture of two blackened figures sitting on an easel. Each work is done in Brown’s instantly recognizable faux-naif style, with her signature splashes of color. The two pair themselves with the use of lavender on the wall and windows.

An outstanding piece in the May auction is an oil on canvas painting by Iraqi artist Dia Al-Azzawi (b. 1939). Al-Azzawi studied art in Baghdad, taking inspiration from ancient Middle Eastern mythology as well as Islam and Arabic culture, and worked in the city throughout the mid-20th century.

Al-Azzawi eventually moved out of Iraq in the 1970s and began working abroad, using painting as an outlet for feelings of despair he felt seeing the destruction of his homeland during the wars that plagued the country during the later 20th century. Now living between London and Dubai, Al-Azzawi maintains his status as one of the foremost globally successful Arab artists, and an influential icon in his home country.

The painting in our May Modern + Contemporary Fine Art Auction is titled Sleeping Bird, estimated at $15,000–$20,000. In its abstraction, the hovering head of a beaked bird appears above an assortment of interpretive shapes below, faithful to distinctive Cubist style and vibrant color palette.

This May 15th, Clars is excited to offer an outstanding oil on canvas painting by Latvian American artist Raimonds Staprans (b. 1926) in our Modern + Contemporary Fine Art Auction.

Upon moving to the San Francisco Bay Area in the 1950s, Staprans was quickly adopted by the art community in his chosen home and remains one of the foremost representatives of post-war California painting nationwide. Staprans is known for his large swaths of bright color, often playing with natural light and the perception of shape and texture, and his understated treatment of subject.

Current trends in the market show that the highly saturated paintings that Staprans perfected in the late 1980s and 1990s are increasingly popular with collectors. Clars has been successful with several of these pieces in the last five years, including a 1987 oil on canvas titled, Still Life with Red Piano Stool, which sold well over its estimate at $147,600 in 2020, and Blue Boats, a 1990 painting that sold for $187,500 in 2022. Still life depictions of food are among the most recognizable of Staprans’ motifs. Staprans’ highest record price was realized in 2023 for a 1995 still life depicting oranges, done in a vibrantly warm palette that is strikingly similar to the piece up for auction at Clars this May.

The scene takes place in a space unmarked by identifying objects, furnished with a stool-like drop-leaf table. The table’s edges and sides are traced with prismatic colors in a manner that leaves the viewer questioning if the color is painted on the posts and boards, or if the unseen sun is playing tricks on our eyes. The top of the table appears to be doused with direct sunlight, bright white and glowing against the orange background. To the viewer’s right, the sides of the table’s legs are cast in a sunset glow the same tangerine shade as the background. Sitting atop the table is a peeled apple, its sides angled and smoothed with a paring knife. The fruit casts a half-moon shadow that points toward the open leaf of the table and is echoed on each stretcher below.

This work, titled The Mid Summer Drop-Leaf Table (estimated at $60,000–$90,000), showcases Staprans’ skill in using color to portray light, perspective, and a specific atmosphere. The tones chosen in this composition evoke the warmth of the summer months, and the slant of the dazzling sunshine on the table and fruit leave us wondering if this is the end of a late-evening garden party, where a table full of fresh fruit has dwindled to a lone apple and the leaves are dropped one by one. This outstanding example of Staprans’ later work is a celebration of color and light, an ode to atmosphere, and will be a significant addition to any collection.

This March 21st at Clars Auctions, we will be featuring a curated assortment of artwork from a wide range of periods and locales.

From our own state of California, we have an oil on canvas by plein air painter Marion Kavanaugh Wachtel (American, 1876–1954). Wachtel was born in Milwaukee, Wisconsin and studied in Chicago before moving to California, where she studied under Scottish American master landscapist William Keith.

Keith’s influence coupled with her new surroundings inspired Wachtel to move away from portraiture and embrace landscape painting, focusing her attention on the mountains, coasts, and foliage of southern California. The painting in this month’s sale is titled Autumn, Trabuco Mountains, California, (estimate: $8,000–$12,000) and depicts the leaves changing color amidst the peak on the border of Orange and Riverside Counties.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is Vote McGovern (1972), an iconic screenprint by Andy Warhol, estimated $30,000–$50,000.

This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000.

Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Marc Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art.

Chagall‘s vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.

This January at Clars we are excited to offer unique works by the fascinating artist, Cady Wells, whose style was inspired by Southwestern desert landscapes and topography.

Wells was born in Massachusetts in 1904 and was raised in a household that valued arts education, taking music, literature, and fine arts classes in his youth. Despite his interest in cultural education, Wells did not fare well in the boarding schools he attended, and after dropping out of several New England academies, he was sent to Arizona in 1992 where he fell in love with the desert landscape. By 1932, Wells had decided on painting as his artistic path forward and was invited to stay at the artist’s colony in Santa Fe, New Mexico, which was also home to Georgia O’Keeffe, Andrew Dasburg, and a host of poets and writers at the time.

Wells began exhibiting alongside artists including Mark Tobey, Morris Graves, and Jackson Pollack while living between Taos and Santa Fe, and during this time the painter came to terms with his sexuality, entering a committed relationship with author and poet Myron Brinig. Wells’ relationship and career were interrupted by his service in World War II. While serving in Germany during the last nine months of the war, Wells worked with topographic maps, the influence of which is apparent in his subsequent work. Upon returning to New Mexico in 1945, Wells remained deeply affected by what he had seen in Europe, and by his own home’s proximity to the nuclear testing site at Los Alamos. He spent his final years traveling the world while remaining anchored in New Mexico, and finally finding national recognition with exhibitions in New York City, Chicago, and San Francisco, before his premature death from heart failure in 1953 at the age of 49.

Wells stands out among his peers for being a truly original artist whose abstract compositions emulate only the curves and colors of the Southwestern landscape and avoid recalling the techniques and styles of any other painter. His work remains a hidden gem among the swaths of artists who have flocked to Taos and Santa Fe over the years, never quite gaining the same reputation as his local contemporaries who favored traditional landscapes and figural painting over emotive and avant garde abstraction. The works in this month’s auction show a range of Wells’ stylistic variety, with examples displaying his interest in topographic maps as well as his prowess in color, form, and movement.

Two of our modern and contemporary highlights this November come from American artists who draw inspiration from their surroundings in very different ways.

First is Jim Dine (American, b. 1935), an Ohio-born multimedia artist who has been associated over the years with Neo-Dada, Pop Art, and Abstract Expressionism. Dine has often utilized found objects in his work, including sculptures influenced by classical Greece and a well-known collection of Pinocchio statues, and continued to take inspiration from the everyday in his two-dimensional pieces. Dine’s 1962 exhibition at the Pasadena Art Museum, titled New Painting of Common Objects, celebrated the ordinary with depictions of neckties, tools, and hats, displayed not as they so commonly were as background objects, but front and center, the star of the painting.

During this period, Dine landed on bathrobes while searching for a way to reinvent the self-portrait. Dine sought to depict the self without a face, and thus adopted an object most intimate and familiar with which to experiment, using different styles and methods to manipulate the mundane robe. The piece in this month’s auction is titled Kindergarten Robes and dated to 1983. This large-scale woodcut print shows two coarsely rendered robes, tied at the waist with sleeves positioned toward the hips, in large swaths of yellow, blue, red, and green. The absence of a body within the robes is notable, but their well-worn wrinkles imply that it does have a history, and its positioning (which is the most frequently seen in Dine’s robes) imbues the empty articles with their own personality. Kindergarten Robes is being offered with an estimate of $6,000–$9,000.

Brian Alfred is a contemporary artist and musician originally from Pittsburgh, Pennsylvania. After earning a fine arts degrees from Penn State and Yale and attending an artist’s residency at the Skohegan School of Painting and Sculpture, Alfred held successful solo shows at galleries in Tokyo, London, and New York City. Alfred’s interest in blending mediums includes a career in music that overlaps with the visual arts, and many of his animation videos feature soundtracks from sonic collaborators.

Alfred’s paintings often depict stagnant cityscapes, skylines, and landscapes devoid of people. The precise, flat method with which Alfred applies color to canvas creates a surreal atmosphere in which the world around us is reduced to form atmosphere. The acrylic on canvas, titled Overpass, in our November sale depicts a large freeway overpass with gray bridges crisscrossing one another over a pale blue sky. Patches of grass are visible below, and tall signs hover on the right side, advertising gas, food, and lodging to the invisible passers-by. The starkness of the canvas is punctuated by the absence of even one car on the road, hovering in a place between peace and unease. Overpass will be offered with an estimate of $8,000–$12,000.

This November at Clars we are highlighting artwork by two artists active in the Low Countries during the Baroque period, Rembrandt van Rijn and Jacob Ignatius Roore.

Firstly, an etching by Dutch Golden Age master, Rembrandt van Rijn (Dutch, 1606–1669), titled Woman Reading. Most often known solely by his first name, Rembrandt found success during his own lifetime within the Dutch Republic (now the Netherlands) as both a commissioned artist and a teacher of up-and-coming young painters. In the present day, Rembrandt is known as one of the most celebrated painters of the Dutch Golden Age and one of the greatest visual artists of all time. Rembrandt was a standout among his contemporaries in the Dutch Republic at the time because of his eclectic and wide-ranging embrace of varied subject matter and styles.

Some of his most famous scenes include The Night Watch, The Anatomy Lesson of Dr. Nicolaes Tulp, and Syndics of the Draper’s Guild, but Rembrandt is perhaps best known for his self-portraits, both paintings and prints. The etching in our November sale is an earlier example of Rembrandt’s printmaking, many of which were printed by the artist’s own hand with his personal printing press. The etching in this month’s auction depicts a woman, wearing a scarf over her hair and pressing one hand to her chest, hunched over an open book. The simple and intimate scene is typical of Rembrandt’s etchings, which are often genre scenes or portraits that convey a sense of warmth and familiarity. Woman Reading is being offered with an estimate of $10,000–$15,000.

Another artist active in the Low Countries, Jacob Ignatius Roore (Flemish/Belgian, 1686–1747), also known as Jacques Ignace de Roore, was born in Antwerp in the midst of the Baroque period in Flanders. Both his mother and father were involved in the arts themselves, and during his teenage years, Roore trained with the internationally respected painter and engraver, Abraham Genoels II. After studying in several other academies and under the tutelage of well-regarded artists, Roore honed his drawing and painting skills. Rather than channeling his own creative imagination, he first found work as a copyist of popular painters at time, including Peter Paul Rubens and David Teniers II. Roore also worked for much of his career as a restorer and a painter of decorative interior works for wealthy patrons in Belgium and the Dutch Republic.

Roore’s own original works often depict scenes from mythology and history, most frequently Christian and Ancient Greek stories. The oil on canvas painting in this month’s auction is titled Bacchanalia and shows a scene filled with satyrs, putti, food, nudity, and revelry within a forested landscape. The subject matter is taken from stories of the Greek god Dionysus, renamed in Roman mythology as Bacchus, who is most well-known today as the god of winemaking and fruit. Roore’s portrayal is distinctly Baroque in form, with clear inspiration from his Flemish Renaissance predecessors in the jewel tones and detailed anatomy of the figures, alongside the classical overtones of the painting’s theme. Bacchanalia will be offered with an estimate of $6,000–$9,000.