Clars in collaboration with exhibited.at is honored to host the discussion: Craftsmanship in the Realm of Analog and Digital on November 20th, which takes a closer look at the works of contemporary artists featured in our Artists to Watch Auction, Katie McCann and Carolina de Bartolo.

This event will take place on November 20th and run from 1–1:40 PM PST with Q&A to follow. The engaging panel, celebrating the Artists to Watch Auction on November 21st, brings together artists Katie McCann and Carolina de Bartolo, whose artworks featuring botanicals blend both tradition with innovation. Through contrasting approaches — McCann’s intricate, hand-cut collage work and de Bartolo’s AI-assisted compositions — the artists reveal how nature can be interpreted and reimagined within both analog and digital realms. The discussion will delve into the unique process of each artist as they walk us through their art, illuminating the varied landscapes of craftsmanship, creativity, and nature.

The discussion will be moderated by Rodania Leong, founder exhibited.at The Artists to Watch section (lots 2980–2993) will lead the Fine Art Collectors Auction on November 21st, starting at 10 AM PST.

Katie McCann is an English artist currently living in Berkeley, California who works primarily in collage and mixed media. Her work has been exhibited and sold across the USA, Europe and Asia and she has illustrated book and album covers. McCann’s artwork is also a part of the 60 Box Public Art Project in the City of Berkeley and she recently designed two labels for La Cidrerie du Condroz. McCann is one of 50 female collage artists to appear in the book Collage by Women: 50 Essential Contemporary Artists (Promopress Editions, 2019).

McCann creates intricate, hand cut collages which reflect her Victorian obsession with faeries, flora and fauna. From her extensive collection of books, prints and pages that are antique, forgotten and foxed with age, she cuts out images, categorizes them and then eventually pieces them together like a complex paper jigsaw puzzle. McCann’s collages are places where beauty is strange, creatures are curious and a sense of wonder prevails. At times they can be like tiny cabinets of curiosity reflecting the variety of the natural world and its peculiar beauty or they can become a wallpaper pattern, lush and dense, with hidden meanings and metaphors.

McCann shares, “Frost Flowers are a rare winter phenomenon where frozen air causes ice formations to bloom from plant stems, each unique and fleeting. Inspired by their delicate beauty and Giuseppe Arcimboldo’s floral portraits, I created a collage reflecting nature’s secrets.” The portrait is made of hundreds of hand-cut pieces of paper, featuring a headpiece of pearls, jewels, and flowers in shades of grey and white. Her face is crafted from tiny flowers, her dress from paper beads, and she wears a botanical sash, evoking a regal figure from an icy, magical realm. This piece celebrates the connection between humanity and the extraordinary occurrences in nature.

For California-based visual artist Carolina de Bartolo, generative AI is both a tool and an object of investigation. In her artistic practice, de Bartolo fuses old media and styles with new technologies to ask whether image-generating software is merely an extension of the collective memory, or can it truly create novel art? Central to her work are notions of remix and iteration influenced by her decades of experience in the fields of graphic design and typography. With the belief that images with universality better encourage spectator imagination and participation, de Bartolo seeks to create artworks that evoke familiarity over uncanniness as she explores intersections of human and machine creativity by considering the aesthetics of the past through contemporary contexts. In addition to her sought after expertise on AI art, Carolina de Bartolo is the author of the acclaimed book, Explorations in Typography and she was formerly the Creative Director at Art Blocks and taught at Academy of Art for over 20 years.

The piece in our November auction highlights a recurring motif in de Bartolo’s artwork—dandelions! These delicate flowers, often disdained as mere weeds, symbolize resilience, transformation, and the ephemeral nature of life. A gaggle of dandelions, bathed in the warm glow of a fiery vermillion sunrise, are presented in a style that blurs the lines between drawing and photography. Exhibited at the Sausalito Public Library in early 2024, this piece is presented as a hanging scroll, printed on archival paper and hung with wooden rods top and bottom. Both the central image of the dandelions and the surrounding “fabric” pattern are AI-generated, reflecting the artist’s ongoing exploration of the fusion between traditional artistic practices and cutting-edge technology.

The creation process begins with a prompt that defines the composition, color palette, and style, drawing inspiration from historical traditions and references to vintage artworks. These prompts are then iteratively refined and processed through various AI models, including image-to-image models, which are used to refine details, adjust lighting, color balance, and optimize the overall visual quality.

Founded by former Christie’s specialist Rodania Leong, exhibited.at focuses on art, community and innovation — empowering artists, curators, and galleries with the ability to archive their rich exhibition history while providing guidance on diverse art initiatives. Together with Clars — the exceptional art appraisers and auctioneers who have over fifty years of expertise in hosting Bay Area auctions — this collaboration harnesses the expertise of both exhibited.at and Clars.

Join us in celebrating the featured artists’ innovation and enduring impact! For more information or any questions, please reach out to [email protected] and [email protected].

Two of our modern and contemporary highlights this November come from American artists who draw inspiration from their surroundings in very different ways.

First is Jim Dine (American, b. 1935), an Ohio-born multimedia artist who has been associated over the years with Neo-Dada, Pop Art, and Abstract Expressionism. Dine has often utilized found objects in his work, including sculptures influenced by classical Greece and a well-known collection of Pinocchio statues, and continued to take inspiration from the everyday in his two-dimensional pieces. Dine’s 1962 exhibition at the Pasadena Art Museum, titled New Painting of Common Objects, celebrated the ordinary with depictions of neckties, tools, and hats, displayed not as they so commonly were as background objects, but front and center, the star of the painting.

During this period, Dine landed on bathrobes while searching for a way to reinvent the self-portrait. Dine sought to depict the self without a face, and thus adopted an object most intimate and familiar with which to experiment, using different styles and methods to manipulate the mundane robe. The piece in this month’s auction is titled Kindergarten Robes and dated to 1983. This large-scale woodcut print shows two coarsely rendered robes, tied at the waist with sleeves positioned toward the hips, in large swaths of yellow, blue, red, and green. The absence of a body within the robes is notable, but their well-worn wrinkles imply that it does have a history, and its positioning (which is the most frequently seen in Dine’s robes) imbues the empty articles with their own personality. Kindergarten Robes is being offered with an estimate of $6,000–$9,000.

Brian Alfred is a contemporary artist and musician originally from Pittsburgh, Pennsylvania. After earning a fine arts degrees from Penn State and Yale and attending an artist’s residency at the Skohegan School of Painting and Sculpture, Alfred held successful solo shows at galleries in Tokyo, London, and New York City. Alfred’s interest in blending mediums includes a career in music that overlaps with the visual arts, and many of his animation videos feature soundtracks from sonic collaborators.

Alfred’s paintings often depict stagnant cityscapes, skylines, and landscapes devoid of people. The precise, flat method with which Alfred applies color to canvas creates a surreal atmosphere in which the world around us is reduced to form atmosphere. The acrylic on canvas, titled Overpass, in our November sale depicts a large freeway overpass with gray bridges crisscrossing one another over a pale blue sky. Patches of grass are visible below, and tall signs hover on the right side, advertising gas, food, and lodging to the invisible passers-by. The starkness of the canvas is punctuated by the absence of even one car on the road, hovering in a place between peace and unease. Overpass will be offered with an estimate of $8,000–$12,000.

This November at Clars we are highlighting artwork by two artists active in the Low Countries during the Baroque period, Rembrandt van Rijn and Jacob Ignatius Roore.

Firstly, an etching by Dutch Golden Age master, Rembrandt van Rijn (Dutch, 1606–1669), titled Woman Reading. Most often known solely by his first name, Rembrandt found success during his own lifetime within the Dutch Republic (now the Netherlands) as both a commissioned artist and a teacher of up-and-coming young painters. In the present day, Rembrandt is known as one of the most celebrated painters of the Dutch Golden Age and one of the greatest visual artists of all time. Rembrandt was a standout among his contemporaries in the Dutch Republic at the time because of his eclectic and wide-ranging embrace of varied subject matter and styles.

Some of his most famous scenes include The Night Watch, The Anatomy Lesson of Dr. Nicolaes Tulp, and Syndics of the Draper’s Guild, but Rembrandt is perhaps best known for his self-portraits, both paintings and prints. The etching in our November sale is an earlier example of Rembrandt’s printmaking, many of which were printed by the artist’s own hand with his personal printing press. The etching in this month’s auction depicts a woman, wearing a scarf over her hair and pressing one hand to her chest, hunched over an open book. The simple and intimate scene is typical of Rembrandt’s etchings, which are often genre scenes or portraits that convey a sense of warmth and familiarity. Woman Reading is being offered with an estimate of $10,000–$15,000.

Another artist active in the Low Countries, Jacob Ignatius Roore (Flemish/Belgian, 1686–1747), also known as Jacques Ignace de Roore, was born in Antwerp in the midst of the Baroque period in Flanders. Both his mother and father were involved in the arts themselves, and during his teenage years, Roore trained with the internationally respected painter and engraver, Abraham Genoels II. After studying in several other academies and under the tutelage of well-regarded artists, Roore honed his drawing and painting skills. Rather than channeling his own creative imagination, he first found work as a copyist of popular painters at time, including Peter Paul Rubens and David Teniers II. Roore also worked for much of his career as a restorer and a painter of decorative interior works for wealthy patrons in Belgium and the Dutch Republic.

Roore’s own original works often depict scenes from mythology and history, most frequently Christian and Ancient Greek stories. The oil on canvas painting in this month’s auction is titled Bacchanalia and shows a scene filled with satyrs, putti, food, nudity, and revelry within a forested landscape. The subject matter is taken from stories of the Greek god Dionysus, renamed in Roman mythology as Bacchus, who is most well-known today as the god of winemaking and fruit. Roore’s portrayal is distinctly Baroque in form, with clear inspiration from his Flemish Renaissance predecessors in the jewel tones and detailed anatomy of the figures, alongside the classical overtones of the painting’s theme. Bacchanalia will be offered with an estimate of $6,000–$9,000.

This November 21st starting 10 AM PST at our Fine Art Collectors Auction, we are thrilled to showcase an exceptional array of artwork, ranging from American folk art to modern abstract masterpieces.

Among our featured pieces are two paintings by renowned American folk artist, Charles Wysocki (American, 1928–2002). Born in Detroit, Wysocki was drafted into the Army, which led him to Los Angeles, where he met his wife, fellow artist Elizabeth G. Lawrence. Inspired by the rural lifestyles surrounding 1960s Los Angeles and the pastoral beauty of New England, Wysocki’s work reflects influences from prominent folk artists of the region. Notably, viewers will notice striking similarities between Wysocki’s landscapes and those of Anna Mary Robertson Moses, or Grandma Moses, known for her nostalgic depictions of New England. A deeper connection also exists with earlier artist Rufus Porter, whose whimsical yet precise portrayals of 19th-century Massachusetts and Connecticut resonate with Wysocki’s style.

In our November auction, we will feature two oil on canvas works titled Martha’s Vineyard and Quiltmakers. Martha’s Vineyard depicts a Massachusetts lighthouse and surrounding buildings in a late fall landscape, showcasing a palette of brown and red grass contrasted with patches of snow. Quiltmakers illustrates a quaint community quilt sale, featuring three vibrant, meticulously detailed quilts hanging on a clothesline. We estimate Martha’s Vineyard will sell for $10,000–$15,000 and Quiltmakers for $6,000–$9,000.

Another highlight of the auction is an oil on canvas painting by Quebec modernist, Paul-Emile Borduas (Canadian, 1905–1960). An artist from a young age, Borduas trained as a church restorer under self-taught artist, Ozias Leduc, and furthered his studies at the École des Beaux-Arts de Montréal. His time in Paris at the Ateliers d’Art Sacré helped him fuse his influences. Upon returning to Canada, Borduas became a pivotal figure in the Montreal art scene and founded the Automatistes, inspired by Surrealist André Breton’s ideas. His 1946 group exhibition was a landmark event in Canadian art history.

Later in his career, Borduas’ work took on a political dimension, as he advocated for the separation of church and state in Quebec, a stance that led to his dismissal from l’École du Meuble. Although he faced challenges during his lifetime, his influence became evident during the Quiet Revolution, culminating in the posthumous success of his painting Figures Schématiques, which sold for $3.6 million CAD in 2018. The untitled painting in our November auction exemplifies Borduas’ style, featuring textured impasto, stark black-and-white contrasts, and abstract forms that invite interpretation of his political and personal themes. This piece is estimated at $25,000–$35,000.

Other highlights this month include a painting by San Francisco Bay Area modernist Ruth Armer (American, 1896–1977), an oil by Texas landscape painter William Slaughter (American, 1923–2003), ceramics by Pablo Picasso (Spanish, 1881–1973), a selection of vintage French advertising posters, and much more.

We are also pleased to present two hyperrealist sculptures by Danish artist, Kurt Trampedach (Danish, 1943–2013). Known for his dark, evocative paintings influenced by Rembrandt and late 19th-century Symbolists, Trampedach often explored his mental states through figurative art. His sculptures, while less abundant, retain the emotional intensity of his paintings. The two pieces in our auction, Annette and Jonas, depict Trampedach’s wife and son, created in the early 1970s from plaster on steel frames. These lifelike figures convey a sense of solemn contemplation. Annette is estimated at $8,000–$12,000, while Jonas is estimated at $4,000–$6,000.

Highlights from our October 18th Auction include contemporary design pieces, a collection of Japanese and Western art from the esteemed Mitsui family, wristwatches from renowned manufacturers, and works from the private collection of architecture and design firm Skidmore, Owings & Merrill (SOM).

Furniture & Decorative Arts

The gallery sale on Friday will present a diverse assortment of sterling silver, porcelain, glass, furniture, Indigenous art, and carpets. Notable items include antique accessories from Palais Royal and Vizagapatam, as well as an Antoine Bourdelle bronze Medusa door knocker. Contemporary works from acclaimed artists such as Preston Singletary, Chihuly, Beatrice Wood, Gambone, Adrian Persal, Harry Bertoia, and Niamh Barry will also be featured, ensuring a wide range of styles and artistic expressions.

Fine Jewelry & Watches

Clars is excited to announce its October Fine Watches and Jewelry Auction, set to take place on Friday, October 18th, starting at 9:30 AM PDT. This event will feature an exceptional collection of over ninety wristwatches from renowned German, Swiss, Japanese, and French manufacturers, including prestigious brands like Maurice Lacroix, Grand Seiko, Longines, Nomos, Farer, Certina, Omega, and Junghans. With a diverse array of styles and finishes, this selection caters to both seasoned collectors and enthusiastic newcomers alike.

In addition to the timepieces, the auction will showcase a stunning array of fine jewelry designed to enhance any collection. Highlights include classic pearls, exquisite gold pieces, and dazzling diamond creations, alongside rare gemstones such as vibrant sapphires and rich emeralds. This comprehensive offering makes the auction a must-attend event for jewelry aficionados and watch enthusiasts.

Fine Art

Clars’ Fine Art department is pleased to announce a selection of works from the private collection of the renowned architecture and design firm Skidmore, Owings & Merrill (SOM) in our upcoming auction. Among the highlights is a captivating 1962 oil on canvas titled Windswept by Carl Morris (American, 1911–1993), with an estimated value of $6,000– $9,000. This piece, along with others by Morris, has seen increased interest in recent years due to the artist’s significant contributions to mid-century art.

Another standout work from the SOM collection is Pyramid by Alan J. Shields (American, 1944–2005). This piece is a whimsical painted and beaded canvas showcasing Shield’s playful style, estimated at $5,000–$7,000. Additional works by notable artists such as Margo Hoff, Gideon Jacques Denny, and Mark Adams will also be included in the auction.

Asian Art

The Asian Art segment will feature a remarkable group of nine stoneware pieces by Morino Taimei (born 1934), hailing from a private collection. Taimei’s work is represented in esteemed institutions, including The Metropolitan Museum of Art and The Museum of Fine Arts, Houston. Additionally, a rare 18th century Tibetan thangka depicting the Buddha will be offered, providing a glimpse into the rich history and artistry of the region.

The Warehouse Auction: October 19th

The Warehouse Auction features an eclectic mix of art, prints, and photographs, with each month bringing a diverse selection of paintings, prints, and sculptures from around the globe, all with accessible estimates. The Asian Art Department will present a carefully curated assortment, including Japanese woodblock prints, ceramics, folding screens, and various decorative pieces. In the Jewelry Department, we are excited to offer a range of affordable items, from diamonds to silver and gold necklaces. The Warehouse boasts an accessible priced collection that encompasses modern and antique furniture and décor, silver, porcelain, glass, fashion, collectible toys, books, and indigenous arts. Collections include opaline glass, Tartanware, Russian lacquer boxes and Bjørn Wiinblad porcelain.

If you have ever thought about selling at auction, NOW is the time. Incredible prices are being achieved on fine paintings, prints and sculpture.

Clars’ Fine Art Specialists will be in the following areas to offer private and confidential in home appointments: San Francisco | Carmel | Palo Alto | San Rafael | Healdsburg

To schedule your appointment, call (510) 428-0100 x 123 OR email [email protected]

Clars Auctions is delighted to present a collection of Japanese and Western art from the esteemed Mitsui (Koishikawa) family, a prominent business dynasty with roots dating back to the Edo period, in our October 18th Auction.

The Mitsui family’s legacy began in 1673 as a kimono shop and evolved into the influential Mitsui Group, a zaibatsu (conglomerate) that has played a pivotal role in Japan’s economic development from the Edo period to present day.

Their impact on commerce and culture is well-documented, notably in the book Mitsui: Three Centuries of Japanese Business. A remarkable 1930 article in Fortune magazine noted, “There is no business enterprise anywhere which is at once so diverse as the house of Mitsui in Japan.” This diversity is beautifully reflected in the collection we are proud to offer.

Spanning the 20th century, the collection showcases a blend of traditional craftsmanship and contemporary innovation, allowing art enthusiasts to immerse themselves in the rich narrative of Japanese culture. Among its highlights are exquisite gifts exchanged during the marriage of Princess Hiroko (1897–1983), of the Shimazu Clan, and Mr. Takanaga Mitsui (1892– 1962), of the Mitsui Koishikawa clan, symbolizing the family’s appreciation for art and culture.

The collection features a diverse range of early 20th-century Western decorative arts, including Tiffany Studios glass and a bronze sculpture acquired directly from the renowned artist, Antoine Bourdelle, in Paris, reflecting the Mitsui family’s global perspective to fine art. Additionally, the collection proudly highlights works by contemporary Japanese artists Morino Taimei and Kyohei Fujita, showcasing their mastery of ceramics and glass.

Clars is thrilled to present our Important Fall Fine Art Auction on Thursday, September 19th, at 1 PM PDT. This exciting event will feature a diverse selection of remarkable pieces from William Merritt Chase, Pablo Picasso, Yayoi Kusama, and much more.

One of the most exciting pieces up for auction is an exceptional oil on panel painting by renowned American Impressionist, William Merritt Chase (American, 1849–1916). Titled A Mother’s Joy and created in 1889, this piece measures 17″ x 17″ (43.2 x 43.2 cm) and is signed by the artist. It carries an estimated value of $600,000–$900,000 USD. The painting’s provenance includes its acquisition by New Jersey Governor Franklin Murphy from Fifth Avenue Art Galleries in 1891, and it has been exhibited in notable venues such as the Society of American Artists and the Chicago Interstate Industrial Exposition. Accompanied by a letter of authenticity from D. Frederick Baker and Ronald G. Pisano, Inc., this painting is a significant highlight of the auction.

Another standout in the auction is a ceramic pitcher by the legendary artist, Pablo Picasso (Spanish, 1881–1973). Best known for his revolutionary Cubist paintings, Picasso also made significant contributions to ceramic art. This particular pitcher, titled Piquet Gothique aux Oiseaux with estimate of $8,000–$12,000, showcases Picasso’s distinctive style with its simplified painting technique and depiction of three black birds. The pitcher, crafted in 1953, is a testament to Picasso’s prolific work in ceramics, a medium he explored extensively after his initial visit to the Madoura pottery studio in Vallauris, France.

The Important Fall Fine Art Auction will also feature a striking photograph by photographer, Helmut Newton (Australian/German, 1920–2004). Known for his dramatic black-and-white compositions and collaborations with major fashion designers, Newton’s work has been influential in the world of fashion photography. The gelatin silver print offered in this sale, titled Vogue, France, Yves St. Laurent, Paris, captures Yves Saint Laurent’s collection inspired by film noir aesthetics, and exemplifies Newton’s iconic style of high drama and eroticism. This photograph will be offered at $10,000–$15,000.

Several collectable and notable prints will also be offered in the September auction. Among them are two woodblock prints by artist, Gustave Baumann (American/German, 1881–1971), who is celebrated for his revival of the woodblock technique in the U.S. The two available prints, Spring Freshet valued at $5,000–$7,000 and The Sycamore at $6,000–$9,000, both highlight Baumann’s mastery in depicting southwestern U.S. landscapes.

An amazing print by the ever-popular Pop Art icon, Yayoi Kusama (Japanese, b. 1929), will also be up for auction. The screenprint, A Pumpkin BB-C, which reflects her famous pumpkin in vibrant blue, is priced to sell at $20,000–$30,000. This is a must have for any Kusama fan and a perfect piece just in time for fall.

The sale will continue with even more memorable prints including a 1978/79 Untitled etching by Minimalist, Donald Judd (American, 1928–1994), priced at $5,000–$7,000 and two spectacular prints by pop artist, Roy Lichtenstein (American, 1923–1997). Lichtenstein’s famous Crak offset lithograph from 1964 will be on the block at $10,000– $15,000 along with his small edition pencil signed print created for Guild Hall East Hampton at $5,000–$7,000.

From the Pacific Rim and estimated at $15,000–$20,000, Clars will be offering an elegant, yet colorful painting from 1963 by artist, Cheong Soo Pieng (Singaporean, 1917–1983). Heading north, a magnificent, oil on canvas by Contemporary artist, Liao Zhenwu (Chinese, b. 1964), titled The Story of Meditation, will be offered for $5,000–$7,000. Always a favorite among collectors is South Asian artist, Jamini Roy (Indian, 1887–1972). Known for capturing the essence of simplicity in the life of the Indian people, a classic gouache on paper, Untitled (Seated Figure), is another of the many highlights at Clars Auctions on September 19th and will be available for $7,000–$10,000.

The Important Fall Fine Art Auction will have many other notable artists represented. One such artist is S.C. Yuan (Chinese/American, 1911–1974), who is known as one of the foremost painters of the Monterey Peninsula. The two untitled paintings in this month’s sale depict a conversation between two figures, estimated at $3,000–$5,000, and a barn, estimated at $6,000–$9,000. Both showcase the restrained palette preferred by the artist.

Another more contemporary California work on paper by Funk Art pioneer, Roy De Forest (American, 1930–2007), with an auction estimate of $6,000–$9,000, will be offered. De Forest was a major figure in Bay Area modern art during the 1960s, 70s, and 80s, and he was also a key member of the faculty at U.C. Davis. De Forest taught alongside fellow California icons, including Wayne Thiebaud, William T. Wiley, and Robert Arneson. Alongside this piece we will also be offering a striking work by another California artist, Sam Francis, estimated at $8,000–$12,000.

Clars is also pleased to offer several contemporary works of sculpture which round out our diverse collection this month. Included is a work by Vivian Wang (Chinese, b. 1945) featuring a glass figure of a seated child with a red and black painted hat and outfit with an auction estimate of $3,000–$5,000. Wang began her career as a fashion designer before transitioning to fine art. She is known for glass figural sculptures that pay homage to her Chinese heritage. Another striking piece in this group is a mixed media sculpture by American artist Peter Anton (American, b. 1963) depicting an ice cream bar, valued at $4,000–$6,000. Anton is known for his hyperrealist sculptures of dessert foods. Also included in the sculpture section is an anemone-like glass cube by Wilfried Grootens (German, b. 1954) with an estimate of $3,000–$5,000 as well as a glass mime figure by Martin Janecky (Czech, b. 1980) with an estimate of $4,000–$6,000.

This September 19th, in our Important Fall Fine Art Auction, Clars is thrilled to offer a rare and captivating work by William Merritt Chase — whose interiors are widely celebrated as some of the finest achievements of American Impressionism.

Collector Duncan Philips noted their evocative nature, stating, “Whether it is the sumptuous splendor of a Venetian palace, shades from the summer sun, or just perspective of rooms, in which one would like to live, the charm of a Chase interior is immediate. It is more than a trick of cool light on reflecting surfaces, mahogany tabletops and hardwood floors. It is a hint of once familiar moments, long forgotten, a sentiment of the quiet dignity of a patrician home” (quoted in R. Pisano, William Merritt Chase, New York 1982, p. 64). Works such as A Mother’s Joy, which feature the artist’s family, not only highlight Chase’s remarkable craftsmanship but also his ability to transform familiar domestic scenes into masterpieces of Impressionistic texture, color, and compositional balance.

Chase’s cosmopolitan taste and sophisticated aesthetic drew him to a diverse array of decorative arts and objects, many of which he incorporated into his paintings. D. Frederick Baker, a Chase expert, observes, “The decorative tasseled drapery hanging from the fireplace mantel is similar to that found in photographs of the dining room fireplace mantel in their Greenwich Village home. And what appears to be a small Japanese doll, wearing a red outfit of some sort, on the mantel is similar to those in several Chase still life paintings” (unpublished letter, October 2, 2023). In A Mother’s Joy, Chase skillfully integrates the pink of Alice’s skirt into the mantel, harmonizes tans and taupes throughout the curtain, blouse, and fireplace, and uses signature red accents that he considered crucial for the success of his compositions.

Many scholars have highlighted Chase’s notably warm and engaging personality. A devoted family man, he was often surrounded by his wife, Alice, and their eight children, who appear throughout his oeuvre. Many of Chase’s masterpieces depict family members, friends, students, or models in relaxed, elegant settings, as exemplified by A Mother’s Joy. This recently rediscovered gem captures a tender moment between Chase’s wife and their second daughter, Koto Robertine Chase, born January 5, 1889, likely in the dining room of their West 4th Street home in Greenwich Village. Formerly owned by New Jersey Governor Franklin Murphy, A Mother’s Joy is a rare and exceptional interior scene that celebrates both the Victorian decor of Chase’s home and the intimacy of a cherished family moment.

According to the catalogue raisonné, A Mother’s Joy is part of a series depicting mother-and-child themes, including Mother and Child (The First Portrait) circa 1887, housed at the Museum of Fine Arts, Houston, and Mother and Child (Mother’s Love) circa 1892, located at the Sheldon Museum of Art in Lincoln, Nebraska. Critics have lauded these works for their engaging subject matter, composition, technique, and color, establishing the mother-and-child motif as one of Chase’s most celebrated themes. A reviewer described Mother and Child (Mother’s Love) as “Intimate and charming is the portrait of the artist’s wife and little daughter. The mother is seated and the child’s arms clasped around her neck. In the woman’s eyes beams the true love light of motherhood” (Chicago Herald Tribune, November 28, 1897). Similarly, A Mother’s Joy captures a profound sense of maternal affection, as Alice gently leans toward Koto, their eyes meeting in a loving gaze. The composition’s circular motif, created by their outstretched arms, symbolizes the infinite and unconditional love between mother and child.

The provenance of A Mother’s Joy includes its acquisition directly from the artist by Franklin Murphy, Governor of New Jersey (1902–1905), at Fifth Avenue Art Galleries, New York, on March 6, 1891, where it was sold by the artist as lot 64. It later entered a private collection in Kentucky. The painting was prominently exhibited at the Annual Exhibition of the Society of American Artists in New York in May 1889, the 17th Annual Chicago Interstate Industrial Exposition in September 1889, and at American Art Galleries, New York, in 1890.

The work is documented in Ronald G. Pisano’s William Merritt Chase: Portraits in Oil, Vol. II (New Haven, Connecticut, 2007, p. 84, no. OP.164). It is accompanied by a letter of authenticity from D. Frederick Baker/Ronald G. Pisano, Inc., dated October 2, 2023.

This August at Clars we are excited to offer a collection of fine souvenirs, ephemera and art from the 1915 Panama-Pacific International Exposition (PPIE) in San Francisco.

Decorative Arts – August 17th

The Warehouse Auction is offering an extensive and fine private collection of items from the 1915 Panama-Pacific International Exposition (PPIE) in San Francisco. The collection includes original glass Novagems, sterling trophies, exhibit items, enamel pins, and watch fobs, as well as Panama Canal memorabilia. Felt pennants, photographs, and presentation articles related to exposition president Charles C Moore, San Francisco mayor James Rolph, Jr., and United States President William Howard Taft are also available. Complementing the historical collection, this monthly sale also boasts a wide array of contemporary and antique furniture, decorative arts, and rugs.

Fine Art – August 16th

On August 16th at Clars Auctions we are excited to feature a collection of unique and stunning illustrations created for stage scenery set designs. These designs are a rare and remarkable find and are in excellent condition over 100 years after their construction. The collection includes dozens of gouache set designs for stage productions — hand painted on paper with velvet and wood accents — as well as printed mock-ups and original Charles F. Thompson lightboxes used for display.

The company responsible for these models, the Charles F. Thompson Scenic Company, was based in Hollywood, California and was a respected producer of fine set design. The highly detailed illustrations include architectural elements from Greco-Roman columns to fanciful Art Deco configurations reminiscent of the Emerald City in the 1939 film The Wizard of Oz. Other selections from this group include adjustable greenery and curtains, surreal figural scenes, and modern cityscapes showing streets lined with early 20th century high-rises, department stores, and colorful advertisements for ice cream shops and radios.

A charming aspect of several of these models is their semi-transparent construction which can be enjoyed using a lightbox. When placed in front of a backlighting device, the buildings’ windows, streetlights, and neon signs glow with a naturalistic luminosity that imbues the once-lifeless designs with a romantic sense of nostalgia.

Another standout among the collection is a beautiful three-panel rendering of the Tower of Jewels, a grand structure that was built specially for the Panama-Pacific International Exposition and was demolished shortly after its end. The Tower was built using staff — a mixture of plaster and burlap — with jewel-toned glass panels that were illuminated from the inside and cast a colorful radiance over the courtyard. In this illustration, the Tower is depicted in meticulous detail with applied glitter detail highlighting the tiered pinnacle. A palatial fountain decorates the courtyard, and visitors marvel at their surroundings. The ephemeral nature of the Tower of Jewels makes depictions like this one, painted during its metaphorical lifetime, a precious and historic artefact. Each of these renderings is an exquisite fragment of early 20th century American artistry and a memento of a treasured moment in the history of San Francisco.