The September 18th Gallery Auction featured a particularly significant offering: important Dirk van Erp works from the legendary Roger Moss Collection.

Clars Auctions was privileged to represent the collection of Mr. Moss, an early and important collector of Dirk van Erp’s work and a recognized connoisseur and historian of the artist. Deric Torres, Senior Vice President of Clars Auctions, had a longstanding personal relationship with Mr. Moss and had previously represented select works from his Early California art collection.

The Moss family ultimately entrusted Clars with the collection, and the offering generated significant presale interest among collectors nationwide. Among the most closely watched works were three exceptional Dirk van Erp pieces. A Dirk van Erp and Elizabeth D’Arcy Gaw hammered copper warty bowl sold for $37,800, another Dirk van Erp and Elizabeth D’Arcy Gaw warty bowl achieved $26,460, and a Dirk van Erp hammered copper red warty jardinière sold for $25,200.

Robert Kaplan of the Robert Kaplan Collection in Maplewood, New Jersey, was present in the salesroom and acquired the collection’s most important museum-quality pieces. Following the sale, Kaplan described the offering as the largest important single-owner cache to have ever surfaced at auction up to the present time, citing the rarity and quality of the works as exceptional examples of Dirk van Erp’s historic metalwork.

Additional Arts & Crafts highlights included a Teco Pottery vase, which sold for $6,930; a cased presentation box of Nova Gems at $5,040; and a Philip Moulthrop spalted bowl at $3,840.

Clars Auctions’ three-day October auction series opens Thursday, October 15th, 1 PM PDT, with The Fall Watch Auction: Including The Collection of John Seaman.

The diverse selection of contemporary and vintage timepieces ranges from iconic sports and dive watches to independent brands and highly sought-after makers such as Rolex and Patek Philippe examples.

Among the highlights is an Omega Speedmaster Moonwatch Professional stainless steel watch, estimated at $6,000–$8,000, alongside a Blancpain Fifty Fathoms Bathyscaphe, estimated at $6,000–$8,000, and a Heuer Autavia Jochen stainless steel watch, estimated at $4,000–$8,000. Other notable offerings include a Bremont Automatic Chronometer, estimated at $1,000–$2,000; a Breitling Superocean II Automatic 46, estimated at $2,000–$4,000; a JS Watch Co. Frisland 1941, estimated at $2,000–$3,000; and a Bremont Bamford Supermarine, number 191 of 500, estimated at $3,000–$6,000.

The auction also features a range of distinctive independent and specialty watches, including models by Frederique Constant, Oceaneva, Nomadic, MeisterSinger, Oris, Ball, IWC, Baume & Mercier, Ernst Benz, and Christopher Ward. Highlights include an Oris Big Crown ProPilot GMT, estimated at $1,800–$2,200, and an Ernst Benz Chronoscope, estimated at $2,000–$4,000. A Frederique Constant for Healy Drivers Club watch and stopwatch gift set, estimated at $2,000–$3,000, adds an interesting motorsport-related offering to the sale.

The upper end of the auction features an exceptional group of Rolex and Patek Philippe timepieces. Highlights include a 1979 Rolex Oyster Perpetual Datejust in 18k gold and stainless steel, estimated at $7,000–$10,000; a Rolex GMT-Master II “Coke” dial, estimated at $10,000–$15,000; a 1974 Rolex Oyster Perpetual Datejust Tiffany & Co., estimated at $8,000–$12,000; a Rolex Presidential Day-Date 18k gold watch, estimated at $18,000–$25,000; and a 1978 Rolex Submariner with Maxi dial II, estimated at $10,000–$15,000.

The sale also includes a Patek Philippe for Tiffany & Co. 18k gold pocket watch, estimated at $4,000–$6,000, and a Patek Philippe 18k gold pocket watch, estimated at $3,000–$5,000.

With its combination of iconic Swiss sports watches, independent makers, vintage Rolex, and important Patek Philippe examples, The Fall Watch Auction offers a broad selection for both seasoned horology collectors and those looking to add distinctive timepieces to their collections.

For over 60 years, John P. Seaman was an astute student of the science and concepts of time. Throughout his 82-year lifetime, he amassed a distinguished collection of pocket watches and wristwatches acquired from reputable dealers around the world.

He and his wife traveled extensively, acquiring precious timepieces at many of their destinations. His avid interest in the measurement of time extended well beyond watches to include numerous clocks, sundials, and other instruments created to mark the passage of time. John was a refined and studious collector, and his lifelong passion is represented by a significant selection of timepieces from his estate to be offered in Clars’ Fall Watch Auction on October 15th. These works form a substantial part of the sale and are presented alongside fine timepieces from several other notable private collections.

1001 Vallejo Street, an iconic “Gold Coast” home at the top of Russian Hill, was designed by Houghton Sawyer following the 1906 earthquake for Robert Hanson.

Later owners include Gabrielle Guittard Cavalsky, tied to the Guittard chocolate legacy, Paul Verdier of the City of Paris department store, and Nobel laureate Myron Scholes. Long known as “The House of the Grand Passion,” the home’s interiors were styled by its current owners to reflect that dramatic history through an avant-garde collection and design — select pieces from which will be offered in the upcoming September Gallery Auction at Clars.

Among the Furniture & Decorative Arts highlights at Clars Auctions’ July 17th Gallery Auction are three extraordinary lots that tell a fascinating story of California’s early political, financial, and cultural history.

Together, they trace the intersecting legacies of Governor Milton Slocum Latham and railroad magnate Mark Hopkins — two figures whose lives helped shape the Golden State during the nineteenth century.

At the center of this narrative is a rare set of Herter Brothers armchairs, commissioned circa 1872 for the billiard room of Governor Milton Slocum Latham’s Menlo Park estate, Thurlow Lodge. Celebrated as America’s premier cabinetmakers during the Gilded Age, Herter Brothers furnished many of the country’s most prestigious residences, and these chairs stand as exceptional examples of their craftsmanship. Following Latham’s financial collapse and death in 1882, Thurlow Lodge and its contents were purchased by Mary K. Hopkins, widow of railroad executive Mark Hopkins, weaving the furnishings of one prominent California family into the legacy of another. The armchairs remained within the Hopkins family until they were sold as part of the estate in 1942.

Further strengthening this remarkable connection is an 1878 carved marble bust of Mark Hopkins by Italian sculptor Pietro Mezzara. Executed during the same year as Hopkins’ death, the portrait captures one of the famed “Big Four” railroad pioneers whose vision transformed transportation and commerce throughout the American West. Offered alongside the Herter Brothers armchairs, the bust provides collectors with an exceptional opportunity to acquire objects connected through one of California’s most distinguished historical estates.

Completing the grouping is a beautiful Baccarat opaline glass vase dated 1867, produced during the same year the renowned French glassmaker exhibited at the Paris Exposition Universelle. Unlike the furnishings from Thurlow Lodge, the vase descends directly through the family of Governor Latham, offering an unbroken lineage to one of California’s earliest political leaders.

Together, these exceptional works represent far more than fine examples of decorative arts. They embody the intertwined histories of two influential California families, preserving a tangible connection to the personalities, homes, and ambitions that shaped the state’s Gilded Age. Opportunities to acquire objects with such well-documented provenance and historical continuity are increasingly rare, making this grouping a standout feature of Clars’ July 17th Gallery Auction

Continuing the offering from the celebrated Emmy and Dolph Andrews Estate this past February, Clars is pleased to present in the July 17th Gallery Auction another selection from one of San Francisco’s most distinguished private collections.

Emily Taylor Andrews and Adolphus “Dolph” Andrews Jr. were descendants of California pioneers and longtime figures in the city’s cultural and philanthropic circles. Their legacy of connoisseurship, refined taste, and commitment to preserving the decorative arts was reflected throughout the elegant interiors of their San Francisco residence, designed by renowned interior designers Michael Taylor and Anthony Hail.

The July offering presents another opportunity to acquire works that once furnished these storied interiors. Leading the collection is a remarkable pair of Attilio Codognato semi-precious stone-mounted silver-gilt Venetian figures, estimated at $6,000–$8,000. Created by the celebrated Venetian jeweler and designer, the sculptures exemplify Codognato’s signature blend of Renaissance inspiration, exquisite craftsmanship, and luxurious materials.

Additional highlights from the Andrews Collection include a pair of French faience or Delft blue and white orangerie urns, estimated at $600–$800, an elegant S.T. Dupont leather and Lacque de Chine lacquer dressing case, estimated at $500–$700, a dramatic pair of Italian polychrome figural pedestals, and a distinguished pair of 19th-century Russian Nicholas I mahogany brass-mounted armchairs, estimated at $1,000–$2,000. Together, these pieces reflect the Andrews’ appreciation for exceptional European craftsmanship and timeless design — qualities that defined their remarkable collection.

As another chapter in the offering of the Andrews Estate, these works invite collectors to own objects distinguished not only by their beauty and craftsmanship, but also by a provenance rooted in one of San Francisco’s most admired collecting traditions.

The objects an artist chooses to keep often tell a story that formal histories cannot. Gathered over decades, the works in Viola Frey’s personal collection trace a network of friendships, mentorships, artistic affinities, and shared histories.

The Artists’ Legacy Foundation and Clars are pleased to present a benefit auction offering access to this deeply personal constellation of objects and the vibrant creative community from which it emerged on June 18th, beginning 10 AM PDT.

Together, these works illuminate a remarkable chapter in Bay Area art history. They reflect the creative community that surrounded Frey and the artistic currents that shaped the region from the 1970s through the 1990s — from functional ceramics and experimental sculpture to the vibrant culture of California College of Arts and Crafts.

Viola Frey collected with care. Every work in the auction was made by an artist who was part of her extended community. During her tenure at California College of Arts and Crafts from 1963–1999, Frey taught and mentored generations of artists. Beginning as a part-time teaching assistant and “resident potter,” she became a tenured professor and helped guide the design and construction of the Noni Eccles Treadwell Ceramics Art Center, known as “the Pot Shop,” in 1973.

The expansive collection to be offered at Clars includes works by Frey’s colleagues and students at California College of the Arts as well as pieces by popular ceramicists and fine artists including Richard Blake Shaw, Arthur E. Nelson, Marguerite Wildenhain, and more. From functional pieces like whimsical tea sets and elegant vases to finely rendered sculptural work, there is something for every collector to admire in this treasure trove.

Frey’s life in the Bay Area intersected with many of the defining artistic and social movements of the late twentieth century: abstraction and figuration, Funk art, Hippie counter-culture, LGBTQ+ activism, and the AIDS crisis. The works in this auction bear witness to those histories and to the community of artists with whom Frey lived, worked, and taught.

While best known for her ceramic monumental sculptures, Frey’s artmaking spanned more than 40 years and encompassed paintings, drawings, and bronze and glass sculptures. Frey was obsessively devoted to her practice and produced thousands of artworks during her lifetime.

Her work explores social constructs, marks of civilization, and gender dynamics, and features a thoughtfully built iconography including suited men, hands, and cast figurines. Her work in clay was ahead of its time, bridging the gap between craft and fine art, while pushing the boundaries of ceramic sculpture.

The Artists’ Legacy Foundation stewards Frey’s legacy and advances the preservation of artists’ estates. Proceeds from this auction support our ongoing work to expand scholarship on Frey, care for her archive, and provide educational resources for artists planning their own legacies. We hope these works find homes who value not only their individual histories, but also their connection to Frey and this extraordinary moment in Bay Area art.

A Lifetime of Collecting Elegance and Sentiment: The Irene Deitsch Collection of Victorian & French Posy Holders will be offered through Clars Auctions as the closing presentation of the June 18th Summer Antique Jewelry Salon Auction. The event presents a rare opportunity to acquire pieces from a deeply personal collection — each lot carrying forward a fragment of a story defined by elegance, craftsmanship, and enduring taste.

Irene Deitsch was born in Akron, Ohio, and graduated from Ohio State University with a degree in art education. She married Marshall Deitsch and moved to Los Angeles, where she taught art at the junior high school level before leaving the classroom to raise their two sons. When the family relocated to Palo Alto, California, she joined the art library at Stanford University, deepening the scholarly sensibility that would later define her life as a collector.

After a brief venture into catering, Irene pursued gemology and jewelry design, eventually opening Vanguard Gems, her own store, which she ran with great success for many years. With her sons grown and her grandchildren “up and out,” she turned her full attention to worldwide travel and antique collecting.

Her passion for antique tussie-mussies took hold in the late 1990s after visiting an exhibition at the Smithsonian Institution in Washington, D.C. From that moment, she began assembling what would become a sizable and highly refined collection of posy holders, many of which are depicted in her book Tussie-Mussies: A Collector’s Guide to Victorian Posy Holders (published in 2016 by Marene Press). She also collects antique scent bottles, while her husband Marshall has long been devoted to paperweights.

Now appearing at auction for the first time, The Irene Deitsch Collection of English Victorian and French Posy Holders comprises approximately 130 examples, known variously as porte-bouquets, bouquetiers, or tussie-mussie holders. At the height of fashion between the 1830s and 1880s, these exquisite objects were designed to carry fragrant nosegays, often suspended from chains or fitted with finger rings — uniting artistry, sentiment, and elegance in a single luxurious form.

The collection stands among the most significant private holdings of its kind to appear at auction, rivaling institutional collections in quality and scope. The Frances Jones Poetker Collection at the Smithsonian Gardens, by comparison, comprises approximately 250 examples — underscoring just how remarkable this private assemblage is. Ranging from gold and silver to enamel, jeweled, and filigree work sourced from across Europe and beyond, the collection reflects decades of passionate pursuit and an eye of refinement.

Highlights include a very rare Chinese high carat gold posy holder with presentation case, circa 1890, estimated at $8,000–$12,000, with an intricate wire basket and filigree handle, attached floral pin and finger ring, and a fitted presentation box carved with figural panels and its original key. Also featured is an English 14k gold and enamel posy holder, Liverpool, circa 1880, estimated at $2,000–$3,000, in a satin and velvet-lined octagonal case; a rare English enamel-decorated silver-gilt and glass combination posy holder, perfume bottle, and vinaigrette, circa 1870, estimated at $400–$600; and two European posy holders, circa 1870, estimated at $400–$600, one a possibly Russian example set with a hand-painted miniature portrait encircled by diamonds, the other gilt-metal inset with portrait miniatures and paste jewels on a mother-of-pearl handle.

The Irene Deitsch Collection presents a portrait of a life shaped by discernment, curiosity, and a deep appreciation for artistry across cultures and eras. A consistent thread of sophistication runs throughout — objects chosen not simply for beauty, but for meaning, craftsmanship, and presence — suggesting a home where each piece was genuinely lived with and admired.

Clars Auctions is privileged to present Property from the Estate of Senator Dianne Feinstein and Richard C. Blum on May 14th beginning at 2 PM PDT, offering a rare opportunity to acquire distinguished works from their celebrated Sea Drift and Pacific Heights residences.

This exceptional collection reflects the refined taste and legacy of one of the most influential figures in modern American political history — the longest-serving female United States Senator, former Mayor of San Francisco, and past Chair of the Senate Intelligence Committee — and her husband, the noted financier and philanthropist. The auction comprises an elegant, curated selection of luxury decorative arts, Asian works of art, and personal memorabilia from their shared homes.

Highlights from the sale include a striking Chinoiserie red-painted floor lamp; two framed landscapes, including a view of Diamond Head by Dianne Feinstein, estimated at $100–$150; a plaster portrait of Feinstein as Mayor of San Francisco by Romany Downie, dated 1982, estimated at $200–$300; and a group of seven Chinese porcelain table articles, estimated at $1,000–$1,500.

Additional offerings include a Mottahedeh porcelain dinner service in the Tobacco Leaf pattern, estimated at $1,800–$2,500; a pair of Chamberlain’s Worcester lozenge-shaped dishes, estimated at $200–$300; three Tibetan Buddhist silver ritual objects, estimated at $200–$300; and two color serigraph artist’s proofs by Melanie Taylor Kent: Return of the Cable Cars and Golden Gate Bridge, estimated at $400–$600.

San Francisco’s Old Guard Elegance Continues at Clars Auctions on February 20th.

Our February 20th Auction will present an exceptional selection from the Emmy & Dolph Andrews Estate, following the high-profile Christie’s New York sale that first brought national attention to this storied San Francisco collection. Together, these offerings represent one of the most significant private estates to come to market in recent years — an authentic reflection of the Old Guard elegance that defined San Francisco society for generations.

Emily Taylor Andrews and Adolphus “Dolph” Andrews Jr. were pillars of the city’s cultural and social life. Descendants of California pioneers and members of a prominent local family, the Andrewses embodied a tradition of stewardship, philanthropy, and connoisseurship; notably, the family’s legacy includes service as trustees of the Fine Arts Museums of San Francisco (FAMSF).

For decades, the Andrewses lived and entertained in their private San Francisco residence — interiors shaped by legendary designers Michael Taylor and Anthony Hail, whose work reinforced the couple’s passion for European classicism and layered historic interiors. Every object chosen resulted in a collection that feels both deeply personal and museum-worthy.

The upcoming Clars offering continues this narrative, presenting works drawn directly from these storied interiors. Highlights include a Continental hand-colored print diorama; a set of eight 18th-century Staffordshire pottery stirrup cups; and an English silver-mounted coconut cup from the 19th century.

Also featured is an Asprey & Co. 18k gold-mounted bloodstone bowl, offered as part of a group, exemplifying luxury and impeccable craftsmanship. Another highlight is a refined French vermeil and banded agate handled desk set, 19th century, showcasing the Andrewses’ appreciation for elegant objects of daily use. Anchoring the selection is a powerful 18th-century Russian icon depicting the Resurrection of Christ and the Descent into Hell, reflecting the couple’s interest in sacred art and spiritual traditions.

Beyond the highlights, the broader Andrews Estate offered at Clars reflects the remarkable scope of the couple’s connoisseurship. The collection encompasses 17th through 19th century textiles, finely crafted English and French objects of vertu, and an array of Continental and English furniture reflecting classical European forms. Complementing these are luxury travel pieces, including Louis Vuitton monogram luggage sets and custom trunks, examples of the Andrewses’ cosmopolitan lifestyle and decades of international travel.

This offering presents collectors with a rare opportunity to acquire pieces from a private San Francisco collection shaped by institutional-level taste, historic interiors, and a lineage deeply woven into California’s cultural history. As the next chapter following the Christie’s New York sale, Clars’ offering on February 20th affirms the lasting significance of the Emmy & Dolph Andrews Estate — where legacy, design, and connoisseurship converge.