Consignments are now invited for our upcoming Modern + Contemporary Fine Art Auction on Thursday, May 15th.

Schedule an appointment today with one of our Fine Art Specialists. The deadline to consign is Friday, April 25th. To schedule your appointment, call (510) 428-0100 x 130 OR email [email protected].

This March 21st at Clars Auctions, we will be featuring a curated assortment of artwork from a wide range of periods and locales.

Starting in our own state of California, we have an oil on canvas by plein air painter Marion Kavanaugh Wachtel (American, 1876–1954). Wachtel was born in Milwaukee, Wisconsin and studied in Chicago before moving to California, where she studied under Scottish American master landscapist William Keith.

Keith’s influence coupled with her new surroundings inspired Wachtel to move away from portraiture and embrace landscape painting, focusing her attention on the mountains, coasts, and foliage of southern California. The painting in this month’s sale is titled Autumn, Trabuco Mountains, California, (estimate: $8,000–$12,000) and depicts the leaves changing color amidst the peak on the border of Orange and Riverside Counties.

Next in our selection of highlights this month is an oil on panel painting by contemporary Canadian artist Ambera Wellmann (Canadian, b. 1982). Wellmann is known for her surreal, collage-like painting techniques that evoke the work of earlier experimental painters like Francis Bacon and Max Ernst, often depicting hybrid bodies and intensely pigmented bacchanal-like scenes. These works regularly bring over $100,000 at auction, and Wellmann is currently represented by major contemporary art gallery Hauser & Wirth. In Wellmann’s early work, her mastery of blending color is apparent, as is her ability to access emotion in unexpected imagery. The piece featured at Clars this month is titled Cloud #7 (estimate: $8,000–$12,000) and dates to 2009. Wellmann presents a mass of gray and white clouds in varied tones moving against a cerulean sky while a hint of peachy, warm sun glows from behind the vapor.

A third feature in our March auction is a large-scale sculpture by German artist Wolfgang Stiller (German, b. 1961) titled Matchsticks (estimate: $5,000–$7,000). Stiller, whose first solo gallery show was in 1986, focuses his practice on objects and installations, often transforming familiar and ordinary items into uncanny and unsettling facsimiles. Among his ouvre are cast wax geodes, a recreation of a scientific laboratory inside a disused train car, and bronze baby heads fashioned into ginseng roots. The human head is a common point of inspiration for Stiller, and this is apparent in Matchsticks, in which three wood matchsticks are topped with hairless, male heads, burnt black and resembling medieval death masks in a kind of postmodern memento mori.

Also among the featured highlights in our March auction are works by Thomas Hill, Maurice Braun, John Frederick Kensett, Tavakol Esmaili and much more.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is Vote McGovern (1972), an iconic screenprint by Andy Warhol, estimated $30,000–$50,000.

This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000.

Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Marc Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art.

Chagall‘s vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.

On February 20th in our Modern + Contemporary Fine Art Auction, we are thrilled to showcase an exceptional array of artwork from masters like Marc Chagall, Wayne Thiebaud, John Alexander, Andy Warhol, and much more. The auction will begin at 10 AM PST. Preview February 19th, 1–5 PM PST.

Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art. His vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.

In addition to Chagall, this auction will feature other exceptional works by renowned modern and contemporary artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000. Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Also featured is Vote McGovern, an iconic screenprint by Andy Warhol, estimated $30,000–$50,000. This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Additionally, Siddhartha’s Contemplation No. 2, an oil painting by Sri Lankan artist Senaka Senanayake, will also be featured with an estimate of $18,000–$24,000. Known for his lush depictions of the rainforest and his signature translucent layering technique, Senanayake’s works often explore Buddhist themes of impermanence and interconnectedness. This particular piece, inspired by the meditation of Siddhartha Gautama (the historical Buddha), reflects Senanayake’s serene, colorful approach to spirituality.

Other notable works in this month’s auction include pieces by Wayne Thiebaud, Roy Lichtenstein, John McCracken, Robert Arneson, and Hunt Slonem — making it a must-attend event for collectors and art enthusiasts alike.

Clars in collaboration with exhibited.at is honored to host the discussion: Craftsmanship in the Realm of Analog and Digital on November 20th, which takes a closer look at the works of contemporary artists featured in our Artists to Watch Auction, Katie McCann and Carolina de Bartolo.

This event will take place on November 20th and run from 1–1:40 PM PST with Q&A to follow. The engaging panel, celebrating the Artists to Watch Auction on November 21st, brings together artists Katie McCann and Carolina de Bartolo, whose artworks featuring botanicals blend both tradition with innovation. Through contrasting approaches — McCann’s intricate, hand-cut collage work and de Bartolo’s AI-assisted compositions — the artists reveal how nature can be interpreted and reimagined within both analog and digital realms. The discussion will delve into the unique process of each artist as they walk us through their art, illuminating the varied landscapes of craftsmanship, creativity, and nature.

The discussion will be moderated by Rodania Leong, founder exhibited.at The Artists to Watch section (lots 2980–2993) will lead the Fine Art Collectors Auction on November 21st, starting at 10 AM PST.

Katie McCann is an English artist currently living in Berkeley, California who works primarily in collage and mixed media. Her work has been exhibited and sold across the USA, Europe and Asia and she has illustrated book and album covers. McCann’s artwork is also a part of the 60 Box Public Art Project in the City of Berkeley and she recently designed two labels for La Cidrerie du Condroz. McCann is one of 50 female collage artists to appear in the book Collage by Women: 50 Essential Contemporary Artists (Promopress Editions, 2019).

McCann creates intricate, hand cut collages which reflect her Victorian obsession with faeries, flora and fauna. From her extensive collection of books, prints and pages that are antique, forgotten and foxed with age, she cuts out images, categorizes them and then eventually pieces them together like a complex paper jigsaw puzzle. McCann’s collages are places where beauty is strange, creatures are curious and a sense of wonder prevails. At times they can be like tiny cabinets of curiosity reflecting the variety of the natural world and its peculiar beauty or they can become a wallpaper pattern, lush and dense, with hidden meanings and metaphors.

McCann shares, “Frost Flowers are a rare winter phenomenon where frozen air causes ice formations to bloom from plant stems, each unique and fleeting. Inspired by their delicate beauty and Giuseppe Arcimboldo’s floral portraits, I created a collage reflecting nature’s secrets.” The portrait is made of hundreds of hand-cut pieces of paper, featuring a headpiece of pearls, jewels, and flowers in shades of grey and white. Her face is crafted from tiny flowers, her dress from paper beads, and she wears a botanical sash, evoking a regal figure from an icy, magical realm. This piece celebrates the connection between humanity and the extraordinary occurrences in nature.

For California-based visual artist Carolina de Bartolo, generative AI is both a tool and an object of investigation. In her artistic practice, de Bartolo fuses old media and styles with new technologies to ask whether image-generating software is merely an extension of the collective memory, or can it truly create novel art? Central to her work are notions of remix and iteration influenced by her decades of experience in the fields of graphic design and typography. With the belief that images with universality better encourage spectator imagination and participation, de Bartolo seeks to create artworks that evoke familiarity over uncanniness as she explores intersections of human and machine creativity by considering the aesthetics of the past through contemporary contexts. In addition to her sought after expertise on AI art, Carolina de Bartolo is the author of the acclaimed book, Explorations in Typography and she was formerly the Creative Director at Art Blocks and taught at Academy of Art for over 20 years.

The piece in our November auction highlights a recurring motif in de Bartolo’s artwork—dandelions! These delicate flowers, often disdained as mere weeds, symbolize resilience, transformation, and the ephemeral nature of life. A gaggle of dandelions, bathed in the warm glow of a fiery vermillion sunrise, are presented in a style that blurs the lines between drawing and photography. Exhibited at the Sausalito Public Library in early 2024, this piece is presented as a hanging scroll, printed on archival paper and hung with wooden rods top and bottom. Both the central image of the dandelions and the surrounding “fabric” pattern are AI-generated, reflecting the artist’s ongoing exploration of the fusion between traditional artistic practices and cutting-edge technology.

The creation process begins with a prompt that defines the composition, color palette, and style, drawing inspiration from historical traditions and references to vintage artworks. These prompts are then iteratively refined and processed through various AI models, including image-to-image models, which are used to refine details, adjust lighting, color balance, and optimize the overall visual quality.

Founded by former Christie’s specialist Rodania Leong, exhibited.at focuses on art, community and innovation — empowering artists, curators, and galleries with the ability to archive their rich exhibition history while providing guidance on diverse art initiatives. Together with Clars — the exceptional art appraisers and auctioneers who have over fifty years of expertise in hosting Bay Area auctions — this collaboration harnesses the expertise of both exhibited.at and Clars.

Join us in celebrating the featured artists’ innovation and enduring impact! For more information or any questions, please reach out to [email protected] and [email protected].

Two of our modern and contemporary highlights this November come from American artists who draw inspiration from their surroundings in very different ways.

First is Jim Dine (American, b. 1935), an Ohio-born multimedia artist who has been associated over the years with Neo-Dada, Pop Art, and Abstract Expressionism. Dine has often utilized found objects in his work, including sculptures influenced by classical Greece and a well-known collection of Pinocchio statues, and continued to take inspiration from the everyday in his two-dimensional pieces. Dine’s 1962 exhibition at the Pasadena Art Museum, titled New Painting of Common Objects, celebrated the ordinary with depictions of neckties, tools, and hats, displayed not as they so commonly were as background objects, but front and center, the star of the painting.

During this period, Dine landed on bathrobes while searching for a way to reinvent the self-portrait. Dine sought to depict the self without a face, and thus adopted an object most intimate and familiar with which to experiment, using different styles and methods to manipulate the mundane robe. The piece in this month’s auction is titled Kindergarten Robes and dated to 1983. This large-scale woodcut print shows two coarsely rendered robes, tied at the waist with sleeves positioned toward the hips, in large swaths of yellow, blue, red, and green. The absence of a body within the robes is notable, but their well-worn wrinkles imply that it does have a history, and its positioning (which is the most frequently seen in Dine’s robes) imbues the empty articles with their own personality. Kindergarten Robes is being offered with an estimate of $6,000–$9,000.

Brian Alfred is a contemporary artist and musician originally from Pittsburgh, Pennsylvania. After earning a fine arts degrees from Penn State and Yale and attending an artist’s residency at the Skohegan School of Painting and Sculpture, Alfred held successful solo shows at galleries in Tokyo, London, and New York City. Alfred’s interest in blending mediums includes a career in music that overlaps with the visual arts, and many of his animation videos feature soundtracks from sonic collaborators.

Alfred’s paintings often depict stagnant cityscapes, skylines, and landscapes devoid of people. The precise, flat method with which Alfred applies color to canvas creates a surreal atmosphere in which the world around us is reduced to form atmosphere. The acrylic on canvas, titled Overpass, in our November sale depicts a large freeway overpass with gray bridges crisscrossing one another over a pale blue sky. Patches of grass are visible below, and tall signs hover on the right side, advertising gas, food, and lodging to the invisible passers-by. The starkness of the canvas is punctuated by the absence of even one car on the road, hovering in a place between peace and unease. Overpass will be offered with an estimate of $8,000–$12,000.

This November 21st starting 10 AM PST at our Fine Art Collectors Auction, we are thrilled to showcase an exceptional array of artwork, ranging from American folk art to modern abstract masterpieces.

Among our featured pieces are two paintings by renowned American folk artist, Charles Wysocki (American, 1928–2002). Born in Detroit, Wysocki was drafted into the Army, which led him to Los Angeles, where he met his wife, fellow artist Elizabeth G. Lawrence. Inspired by the rural lifestyles surrounding 1960s Los Angeles and the pastoral beauty of New England, Wysocki’s work reflects influences from prominent folk artists of the region. Notably, viewers will notice striking similarities between Wysocki’s landscapes and those of Anna Mary Robertson Moses, or Grandma Moses, known for her nostalgic depictions of New England. A deeper connection also exists with earlier artist Rufus Porter, whose whimsical yet precise portrayals of 19th-century Massachusetts and Connecticut resonate with Wysocki’s style.

In our November auction, we will feature two oil on canvas works titled Martha’s Vineyard and Quiltmakers. Martha’s Vineyard depicts a Massachusetts lighthouse and surrounding buildings in a late fall landscape, showcasing a palette of brown and red grass contrasted with patches of snow. Quiltmakers illustrates a quaint community quilt sale, featuring three vibrant, meticulously detailed quilts hanging on a clothesline. We estimate Martha’s Vineyard will sell for $10,000–$15,000 and Quiltmakers for $6,000–$9,000.

Another highlight of the auction is an oil on canvas painting by Quebec modernist, Paul-Emile Borduas (Canadian, 1905–1960). An artist from a young age, Borduas trained as a church restorer under self-taught artist, Ozias Leduc, and furthered his studies at the École des Beaux-Arts de Montréal. His time in Paris at the Ateliers d’Art Sacré helped him fuse his influences. Upon returning to Canada, Borduas became a pivotal figure in the Montreal art scene and founded the Automatistes, inspired by Surrealist André Breton’s ideas. His 1946 group exhibition was a landmark event in Canadian art history.

Later in his career, Borduas’ work took on a political dimension, as he advocated for the separation of church and state in Quebec, a stance that led to his dismissal from l’École du Meuble. Although he faced challenges during his lifetime, his influence became evident during the Quiet Revolution, culminating in the posthumous success of his painting Figures Schématiques, which sold for $3.6 million CAD in 2018. The untitled painting in our November auction exemplifies Borduas’ style, featuring textured impasto, stark black-and-white contrasts, and abstract forms that invite interpretation of his political and personal themes. This piece is estimated at $25,000–$35,000.

Other highlights this month include a painting by San Francisco Bay Area modernist Ruth Armer (American, 1896–1977), an oil by Texas landscape painter William Slaughter (American, 1923–2003), ceramics by Pablo Picasso (Spanish, 1881–1973), a selection of vintage French advertising posters, and much more.

We are also pleased to present two hyperrealist sculptures by Danish artist, Kurt Trampedach (Danish, 1943–2013). Known for his dark, evocative paintings influenced by Rembrandt and late 19th-century Symbolists, Trampedach often explored his mental states through figurative art. His sculptures, while less abundant, retain the emotional intensity of his paintings. The two pieces in our auction, Annette and Jonas, depict Trampedach’s wife and son, created in the early 1970s from plaster on steel frames. These lifelike figures convey a sense of solemn contemplation. Annette is estimated at $8,000–$12,000, while Jonas is estimated at $4,000–$6,000.

If you have ever thought about selling at auction, NOW is the time. Incredible prices are being achieved on fine paintings, prints and sculpture.

Clars’ Fine Art Specialists will be in the following areas to offer private and confidential in home appointments: San Francisco | Carmel | Palo Alto | San Rafael | Healdsburg

To schedule your appointment, call (510) 428-0100 x 123 OR email [email protected]