On May 15th in our Modern + Contemporary Fine Art Auction, we are thrilled to showcase an exceptional array of artwork from masters like Raimonds Staprans, Wayne Thiebaud, Joan Brown, Helen Frankenthaler, Roy Lichtenstein, Andy Warhol, Joan Miro, Pablo Picasso, and much more. The auction will begin at 10 AM PDT. Preview May 14th, 1–5 PM PDT.

This May at Clars we are excited to feature a selection of modern and contemporary artwork that will undoubtably appeal to each and every collector. For fans of the Bay Area Figurative Movement, we are highlighting two works on paper by celebrated multimedia artist Joan Brown (American, 1938–1990).

Brown was born in San Francisco and continued to work in the area for her entire life, creating paintings, sculptures, and works on paper that celebrated the Bay Area as much as her own inner life. During her prolific career, Brown evolved stylistically from abstract expressionism to folk art inspired figurative painting and became involved in the highly influential Bay Area Figurative Movement. Brown was married for a period to a fellow member of the movement, Manuel Neri, who introduced her to the model Mary Julia Klimenko, Brown’s muse for the series that includes the two pieces at Clars this month. These two acrylic and charcoal compositions are titled Mary Julia #32, estimated at $8,000–$12,000, and Mary Julia #33, estimated at $8,000–$12,000, and each depicts the subject in two strikingly different settings.

Mary Julia #32 is shown alone in an austere space, likely a chapel, with two narrow stained-glass windows behind her. Her dark hair is topped with a veil that recalls medieval tastes, and her white gown indicates that it is the day of her wedding. She stares wide-eyed at the viewer, holding a champagne glass. Mary Julia #33 is dressed in a green military uniform with her arms behind her back. Next to her is a headless white sculpture, perhaps depicting herself, and a picture of two blackened figures sitting on an easel. Each work is done in Brown’s instantly recognizable faux-naif style, with her signature splashes of color. The two pair themselves with the use of lavender on the wall and windows.

An outstanding piece in the May auction is an oil on canvas painting by Iraqi artist Dia Al-Azzawi (b. 1939). Al-Azzawi studied art in Baghdad, taking inspiration from ancient Middle Eastern mythology as well as Islam and Arabic culture, and worked in the city throughout the mid-20th century.

Al-Azzawi eventually moved out of Iraq in the 1970s and began working abroad, using painting as an outlet for feelings of despair he felt seeing the destruction of his homeland during the wars that plagued the country during the later 20th century. Now living between London and Dubai, Al-Azzawi maintains his status as one of the foremost globally successful Arab artists, and an influential icon in his home country.

The painting in our May Modern + Contemporary Fine Art Auction is titled Sleeping Bird, estimated at $15,000–$20,000. In its abstraction, the hovering head of a beaked bird appears above an assortment of interpretive shapes below, faithful to distinctive Cubist style and vibrant color palette.

This May 15th, Clars is excited to offer an outstanding oil on canvas painting by Latvian American artist Raimonds Staprans (b. 1926) in our Modern + Contemporary Fine Art Auction.

Upon moving to the San Francisco Bay Area in the 1950s, Staprans was quickly adopted by the art community in his chosen home and remains one of the foremost representatives of post-war California painting nationwide. Staprans is known for his large swaths of bright color, often playing with natural light and the perception of shape and texture, and his understated treatment of subject.

Current trends in the market show that the highly saturated paintings that Staprans perfected in the late 1980s and 1990s are increasingly popular with collectors. Clars has been successful with several of these pieces in the last five years, including a 1987 oil on canvas titled, Still Life with Red Piano Stool, which sold well over its estimate at $147,600 in 2020, and Blue Boats, a 1990 painting that sold for $187,500 in 2022. Still life depictions of food are among the most recognizable of Staprans’ motifs. Staprans’ highest record price was realized in 2023 for a 1995 still life depicting oranges, done in a vibrantly warm palette that is strikingly similar to the piece up for auction at Clars this May.

The scene takes place in a space unmarked by identifying objects, furnished with a stool-like drop-leaf table. The table’s edges and sides are traced with prismatic colors in a manner that leaves the viewer questioning if the color is painted on the posts and boards, or if the unseen sun is playing tricks on our eyes. The top of the table appears to be doused with direct sunlight, bright white and glowing against the orange background. To the viewer’s right, the sides of the table’s legs are cast in a sunset glow the same tangerine shade as the background. Sitting atop the table is a peeled apple, its sides angled and smoothed with a paring knife. The fruit casts a half-moon shadow that points toward the open leaf of the table and is echoed on each stretcher below.

This work, titled The Mid Summer Drop-Leaf Table (estimated at $60,000–$90,000), showcases Staprans’ skill in using color to portray light, perspective, and a specific atmosphere. The tones chosen in this composition evoke the warmth of the summer months, and the slant of the dazzling sunshine on the table and fruit leave us wondering if this is the end of a late-evening garden party, where a table full of fresh fruit has dwindled to a lone apple and the leaves are dropped one by one. This outstanding example of Staprans’ later work is a celebration of color and light, an ode to atmosphere, and will be a significant addition to any collection.

Consignments are now invited for our upcoming Modern + Contemporary Fine Art Auction on Thursday, May 15th.

Schedule an appointment today with one of our Fine Art Specialists. The deadline to consign is Friday, April 25th. To schedule your appointment, call (510) 428-0100 x 130 OR email [email protected].

On February 20th in our Modern + Contemporary Fine Art Auction, we are thrilled to showcase an exceptional array of artwork from masters like Marc Chagall, Wayne Thiebaud, John Alexander, Andy Warhol, and much more. The auction will begin at 10 AM PST. Preview February 19th, 1–5 PM PST.

Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art. His vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.

In addition to Chagall, this auction will feature other exceptional works by renowned modern and contemporary artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000. Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Also featured is Vote McGovern, an iconic screenprint by Andy Warhol, estimated $30,000–$50,000. This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Additionally, Siddhartha’s Contemplation No. 2, an oil painting by Sri Lankan artist Senaka Senanayake, will also be featured with an estimate of $18,000–$24,000. Known for his lush depictions of the rainforest and his signature translucent layering technique, Senanayake’s works often explore Buddhist themes of impermanence and interconnectedness. This particular piece, inspired by the meditation of Siddhartha Gautama (the historical Buddha), reflects Senanayake’s serene, colorful approach to spirituality.

Other notable works in this month’s auction include pieces by Wayne Thiebaud, Roy Lichtenstein, John McCracken, Robert Arneson, and Hunt Slonem — making it a must-attend event for collectors and art enthusiasts alike.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is Vote McGovern (1972), an iconic screenprint by Andy Warhol, estimated $30,000–$50,000.

This politically charged work from 1972 reinterprets a photograph of Richard Nixon, using a vivid color palette that references First Lady Pat Nixon’s dress. The unsettling portrait, created to support George McGovern’s presidential campaign, is a striking example of Warhol’s ability to blend art with political activism.

Our Modern + Contemporary Fine Art Auction on February 20th will feature many exceptional works by renowned artists. One of the standout pieces is The Summit Conference (1986), an oil painting by John Alexander estimated at $30,000–$50,000.

Known for his atmospheric depictions of the Gulf Coast’s bayou landscapes, Alexander infuses his paintings with surrealist elements, such as skeletons in formal wear and masked figures. The work on offer features two baboons facing off against one another, with intense, expressive brushstrokes suggesting a deeper political commentary during the tense era of the Reykjavik Summit talks between Ronald Reagan and Mikhail Gorbachev.

Marc Chagall, revered worldwide for his ability to blend diverse artistic techniques into a distinct, dreamlike style, is particularly known for integrating his Jewish heritage into his art.

Chagall‘s vivid, often surreal compositions are alive with color, and his use of blue — which has been interpreted as symbolizing spirituality and divinity — is particularly notable. Drawing from his personal experiences and Jewish folk traditions, Chagall’s works come alive with a sense of movement and emotion, making them both fantastical and deeply personal.

Among the highlights of the auction are two rare works on paper by Chagall, L’hiver: Procession de Noël (Les quatre saisons) (1974) and Le Dimanche (circa 1939), each carrying an estimate of $300,000–$500,000.

In L’hiver, Chagall presents an enchanting scene filled with angelic figures in the sky, joyful dancers, a fantastical half-human, half-hen figure with her young, and a procession of Christmas revelers. This eclectic composition echoes Chagall’s 1974 mosaic Four Seasons in Chicago’s Chase Tower, where he similarly fused vibrant, animated figures with animals and abstract forms. This work exemplifies Chagall’s later style, where his compositions often feel spontaneous and unrestrained.

Le Dimanche, created around 1939, depicts a tranquil rural scene with a couple strolling past a goat and a chicken. The horned goat, a recurring symbol in Chagall’s work, is often linked to his childhood in the shtetl and is sometimes interpreted as an allegory for the artist himself. The piece also reflects Chagall’s connection to the innocent life he left behind, likely providing him with solace during the uncertain period of World War II. Both of these works, created with gouache, pastel, and mixed media, are rich in color and texture, showcasing Chagall’s masterful use of materials.