One of our featured artists this April is German-born American sculptor, Adolph Alexander Weinman. Weinman’s work embraces both the storied past of his influences and predecessors as well as the developing aesthetic of the modern era.

Weinman immigrated to the United States at age 14 and studied art at Cooper Union and the Art Students League of New York — where he was influenced by the work of Augustus Saint-Gaudens. Weinman later assisted several notable sculptors in their studios, including Daniel Chester French, the sculptor of the Lincoln Memorial monument in Washington, D.C. French’s impact on Weinman’s style is apparent in many of his public works, including his own statue of Lincoln at the Kentucky State Capitol, and in Neo-Classical decorative sculptures like Fountain of the Centaurs, located at the Missouri State Capitol.

Weinman is also known for his architectural sculptures, some of which grace the facades of the most prominent buildings in Washington, D.C. Weinman designed and sculpted the pediment scenes on both the National Archives Building and the Jefferson Memorial, with the latter featuring an iconic portrayal of the signing of the Declaration of Independence.

Weinman is remembered as a celebrated medalist as well. His designs on the Mercury dime and Walking Liberty half dollar circulated in the early 20th century and were later used on commemorative coins. Weinman’s skill in metallurgy can be seen in the bronze sculpture in the April sale, a nude female figure dancing with a hoop. The hoop motif was popular for bronze statuettes during the Art Deco period, but Weinman added his own Neo-Classical touch by making the figure nude — with great concentration on anatomy — as opposed to the flapper-like depictions of the era.

This January at Clars we are pleased to offer two paintings by American Impressionist, Paul Sawyier.

Sawyier was born in Ohio in 1865 and raised in Frankfort, Kentucky. He traveled first to The McMicken School of Design (now the Art Academy of Cincinnati) to study under Frank Duveneck, and later to New York to study under William Merritt Chase at the Arts Students League of New York.

Early in his career, Sawyier excelled in portraiture, painting the likenesses of well-known figures in his community. Although he sometimes included figures in his subsequent paintings, they mostly focused on rural landscapes. Known primarily for his watercolor depictions of scenery in Kentucky and New York, Sawyier gained enough recognition in art circles to exhibit work at the Chicago World’s Fair in 1893.

After his professional painting career ended, Sawyier retired to a houseboat in the New York Catskills. He was known to paint in the area en plein air, both in oils and watercolor. Sawyier is notable not only for being one of the only painters from Kentucky working in the Impressionist style during the turn of the century, but also for his ability to capture the atmosphere and tranquility of his surroundings. Although distinctly impressionistic, Sawyier’s work does retain aspects of Realism and Romanticism, perhaps preserved from his years studying in arts academies. Sawyier remains one of Kentucky’s most celebrated artists, and his work is collected in several large museums nationwide.

Exploring Intimacy and Connection: Henrietta Berk’s Oil on Canvas Portrait of Phyllis Diebenkorn

In the illustrious realm of the Bay Area Figurative Movement, where artists sought to rekindle a connection with the human form, Henrietta Berk’s artistic prowess stood out as she delved into the intricacies of human emotion and intimacy. One of her most enigmatic works was an oil on canvas portrait of Phyllis Diebenkorn, the wife and muse of acclaimed artist Richard Diebenkorn. This captivating portrait not only immortalizes Phyllis but also offers a glimpse into the personal connections within the artistic community of the mid-20th century Bay Area.

In the 1950’s, the Bay Area Figurative Movement emerged as a reaction against the prevailing abstract expressionism. The movement emphasized figurative and representational art, and it sought to reconnect with the human form, exploring a more tangible and recognizable approach to artistic expression. Fueled by the desire to break away from abstract expressionism, artists like David Park, Wayne Thiebaud, Raimonds Staprans, James Weeks, and Richard Diebenkorn sought to reintroduce representational art — infusing it with an emotive and personal touch.

Henrietta Berk was an American painter known for her significant contributions to the Bay Area Figurative Movement. She was born in the San Francisco Bay Area and pursued her passion for art from an early age. Berk’s artistic journey was deeply intertwined with the movement and the artists who shaped it. She studied under the tutelage of Richard Diebenkorn at the California College of the Arts. She was a part of the “Bridge Generation” of the Bay Area Figurative movement, which included the artists: Nathan Oliveira, Theophilus Brown, Paul Wonner, and Frank Lobdell.

Phyllis Diebenkorn played an essential role in Richard’s life and work. As a muse and a pillar of support, she provided invaluable insight into Richard’s creative process. A frequent model in Richard’s work, she appears in many of his paintings and drawings. Through Berk’s lens, we get a glimpse of Phyllis as more than just a subject — her portrait reveals a woman of depth, grace, and secretive allure.

In Berk’s oil on canvas portrait of Phyllis, she captures an intimate and tender moment. The deft brushstrokes emphasize Phyllis’ ethereal presence. The interplay of light and shadow add a sense of mystery, inviting the viewer to delve deeper into the subject’s thoughts and emotions.

Berk’s portrait of Phyllis Diebenkorn not only serves as a testament to her artistic skill but also as a window into the lives of influential figures within the Bay Area Figurative Movement. The painting stands as a poignant reminder of the connection between art and personal relationships. Through this portrait, we are invited to explore the intimacy and emotions that underpin the relationships between artists and their muses, weaving a captivating tale of people who defined the Bay Area Figurative Movement.

Percy Gray was an American artist known for his landscape and still life paintings. Born 1869 in San Francisco, California, Gray became a prominent figure in the California plein air movement. He studied at the California School of Design and later taught there as well.

Gray’s artwork often depicted the natural beauty of California, particularly its coastal and mountainous landscapes. He had a keen eye for capturing the interplay of light and shadow in his paintings, showcasing a strong sense of atmosphere and mood. Gray’s brushwork was characterized by loose, impressionistic strokes that conveyed a sense of spontaneity and vitality.

Path to the Foothills captures the serene beauty of nature with its delicate brushstrokes and vibrant hues. The way Gray skillfully portrays the winding path leading through the foothills is simply mesmerizing. Gray’s mastery of watercolor shines through in this piece, as he effortlessly captures the essence of the Californian landscape with lush foliage and distant mountains.

Throughout his career, Gray exhibited his works extensively — both locally and nationally. He was a member of various art societies, including the Bohemian Club and the California Art Club. Today, Percy Gray’s paintings can be found in private collections and museums, contributing to the legacy of California Impressionism.

Born in Germany, William Wendt started his artistic practice making furniture in his home country. Upon emigrating to the United States, he turned his focus to painting.

Wendt was among the landscapists who comprised the Eucalyptus School of painters, named for the trees commonly seen in California. These artists applied the looseness of French Impressionism to renderings of the unique geography of California. Wendt was also associated with the Arts and Crafts movement in the state, which espoused a belief in making art in harmony with nature. Among his peers, Wendt was known as the “Dean of Southern California landscape painters,” and his commitment to celebrating the natural beauty of his surroundings continues to inspire generations of West Coast painters.

An exciting addition to our July 14th sale is an oil on canvas painting by California artist William Wendt. Largely self-taught, Wendt often employed a plein-air method while painting his naturalistic landscapes. For the piece in our sale, Wendt traveled north of his Laguna Beach studio to capture an overcast day at the beach in Monterey. The image includes his trademark painterly brushstrokes and prominent use of green tones. Along with his wife, sculptor Julia Bracken Wendt, and a host of other prominent artists, Wendt founded the California Art Club in 1909, which remains an active fine arts organization in the state.

William Keith was born in Scotland and emigrated to the United States as a child, eventually settling in San Francisco. After studying watercolor techniques, he began painting with oils, and by 1870, he was working as a full-time fine artist.

Keith is known for his dramatic California landscapes, particularly his depictions of Yosemite National Park and other locations in the Sierra Nevada mountains. His work combines realism with romanticism, capturing the detailed topography of California intimately and monumentally.

Keith’s artistic prowess shines through in his captivating depiction of the Yosemite Valley, featuring majestic horses that add an extra touch of dynamism and wonder to the scene. With meticulous brushstrokes and a keen eye for detail, Keith transports us into the heart of Yosemite’s natural splendor.

Through his artwork, Keith not only immortalizes the raw beauty of Yosemite but also invites us to appreciate the symbiotic relationship between nature and the human spirit. Keith’s paintings played a significant role in shaping public perception of the Sierra Nevada mountains and the serene beauty of Yosemite. Along with those of other artists, his paintings helped inspire the conservation movement and ultimately contributed to the establishment of Yosemite as a national park in 1890.

Two Croatian paintings sold rather well at Clars’ Fine Interiors & Design Auction on April 14th, 2023.

Vladimir Varlaj’s piece, Mountain of Klek, topped the sale, bringing in $50,400. A close second was Vladimir Becic’s work, Landscape Bosnia, II, which realized $47,250. With these sales, a new world record was set for Varlaj, while the Becic sale was the second highest auction total to date for the artist.

The paintings were both from the same seller and provenance: Mr. and Mrs. Milton D. Redford, the Carl Hamilton Collection and the Collection of the Anglo & London Paris National Bank in San Francisco. International internet bidders were the majority on both but a telephone bidder from Croatia came in last — and best — on both as the winning bidder.

2022 saw wonderful auction results at Clars, with outstanding Fine Art sales doing 42% of total sales for the fiscal year that wrapped in August.

Spring Highlights

Clars set a US auction record for the artist Loie Hollowell (American, b. 1983) with the sale of her 2017 painting, Point of Entry (Blood-Orange Moon Over Orange Sac), that soared above estimates of $400,000–$600,000 to sell for $1,050,000 on March 25 (all prices noted here include buyer’s premium).

Pieces by iconic artists such as Robert Longo (American, b. 1953), Roy Lichtenstein, David Hockney, Wayne Thiebaud, Salvador Dali, Sol Lewitt and Richard Diebenkorn brought strong results for the sale as well. Especially noteworthy was Robert Longo’s lithograph, Gretchen, from 1984, which realized $59,375.

The second highest selling lot of the sale was a rare drawing by Pablo Picasso (Spanish, 1881–1973) titled, Etudes VII (d’apres Manet). Many international bidders vied for the lot but in the end it sold to a buyer in San Francisco for $150,000.

Summer Highlights

Clars was pleased to establish the new, world auction record for Raimonds Staprans (American/Latvian, b. 1926) with the painting, Blue Boats, selling for $187,500. This beat the previous record held by Clars from September 2020 of $147,600.

Also of note was a rare collection of four works by Leonor Fini (French/Argentine, 1908–1996) that were offered at Clars Modern + Contemporary sale on June 17th. This combined collection sold for an astounding $250,625 with one particular painting, Zorniga, selling for $187,500.

Fall Highlights

Clars’ Fall Modern + Contemporary Art + Design sale on September 16th started off the season with impressive results having 230 lots achieve a little over $1.3 million in sales. Fine Art led the way with $1.1 million in sales with the highlight being Andy Warhol’s complete set of ten screenprints, Cowboys and Indians, selling for $503,750. Rick Unruh, Clars CEO, remarked, “Clars is definitely ‘moving up the ladder’ in being recognized internationally as one of the premier auction houses for Modern and Contemporary works. This past auction was our 3rd complete set of Warhols to be offered in the last 2 years — all with outstanding results.”

Another stellar performance in the sale is represented by several Pumpkin screenprints by Yayoi Kusama (Japanese, b. 1929) selling for a combined price of $108,750.

Winter Highlights

Clars’ Fine Collectors Auction rounded out the 2022 year with the sale of an iconic work from Tom Wesselmann’s series, Great American Nude, titled The Great American Nude #13 for $162,500. The work is an early example of the series, which he completed in 1973 with number #100. The work demonstrates the artist’s use of bold color and military imagery, along with his famous female nude form — the recurring subject throughout his career.