Clars is pleased to offer an assorted collection of paintings and prints by renowned Mexican artists, including Alejandro Santiago, Rufino Tamayo, and Maximino Javier, amongst many more at our July 18th auction.

The collection is comprised of works by numerous Oaxacan artists, all demonstrating vibrant colors and many in the expressionist style. Five works by the late Oaxacan artist Alejandro Santiago (Mexican, 1964–2013) are included in the sale. Santiago was a student of Rufino Tamayo and gained notoriety for his works in the early 1990s.

One of Santiago’s paintings, Untitled (Oaxaca Bomb) will be offered with an estimate of $5,000 –$7,000. Six prints by Rufino Tamayo (Mexican, 1899–1991) will also be offered in the July 18th auction. Tamayo was one of the founders of the mixografia medium, a technique that incorporated hand-made paper and wet pulp to create dimensionality and texture to the print. One of his most famous mixografia prints, Sandias con Manzana, will be offered at $3,000–$5,000.

This July 18th at Clars we are highlighting works by a variety of artists working in different periods, styles, and mediums, including Edmund Henry Osthaus, Albert Bierstadt, Diane Arbus.

Firstly, we have an oil on canvas by German American artist Edmund Osthaus (1858–1928) that depicts three setters eagerly scouting the autumn countryside for game. Osthaus immigrated to the United States in 1883, settling in northern Ohio and becoming the director of the Toledo Academy of Fine Arts. In the Midwest, Osthaus immersed himself in the raising and showing of gundogs, specifically setters and pointers, the likes of which became his most well-known subject. Osthaus’ true-to-life portrayals of these elegant hunting dogs garnered much demand in the late nineteenth century, attracting patrons in high-profile families including the Morgans and Vanderbilts. The piece in our July auction is exemplary of Osthaus’ work, showing the expert rendering of the dogs’ coats and faces against and idyllic but somewhat foreboding landscape. This painting by Edmund Osthaus is estimated at $20,000-–$40,000.

A second German American painter who made his mark in the United States is Albert Bierstadt (1830–1902), who is known for his dramatic landscapes showing the American West. Bierstadt’s depictions of Yosemite Valley, the Rocky Mountains, and the Pacific Northwest coast are the result of his travels with land surveyor Frederick W. Lander and memoirist Fitz Hugh Ludlow, who each brought Bierstadt from his home in the Hudson River Valley of New York through the rugged terrain of the less-explored West. As a member of the Hudson River School, the influence of Romanticism in Bierstadt’s work is apparent, and his style is often described as Luminism, as it gave a great deal of focus to natural light in his scenes. The oil on canvas in our July auction depicts an unknown landscape of rolling hills with a lake in the foreground under clouds dissipating into a peach-colored sunset. This piece is estimated at $10,000–$15,000.

Jumping forward to the mid-twentieth century, we are featuring a gelatin silver print by groundbreaking American photographer Diane Arbus (1923–1971). Arbus is known for her unvarnished approach to portraiture, often choosing subjects who were considered unusual or out of the mainstream and presenting them in a straightforward yet surreal way. Arbus’ work is now celebrated as helping to expand representation of marginalized people in art as well as being an undeniable influence on photographers who succeeded her. The photograph in our sale this month is titled Russian Midget Friends in a Living Room on 100th St. New York City, 1963, and depicts two women and a man seated in a room dimly lit by natural light, surrounded by their furnishings, with varied expressions on each of their faces. Each of the subjects touches one another in a comforting way, implying familial closeness, and a sense of pride at being photographed is reflected. This piece is estimated at $8,000–$12,000.

Alongside these highlights we are also featuring paintings by John Marshall Gamble, Franz Bischoff, Edward Mitchell Bannister and Peter Max, prints by Sam Francis and Mel Ramos, and much more.

The Fine Art department at Clars will present a strong selection of works by acclaimed California and American artists like Maynard Dixon, Percy Gray, Thomas Hill, Karl Schmidt and much more on June 20th.

Among the highlights in California and American Impressionism is Arizona Landscape, a 1944 oil on board by Western master Maynard Dixon (American, 1875–1946), estimated at $15,000–$20,000. Another featured piece is Eucalyptus Trees with Field of Irises, a graceful watercolor by Percy Gray (American, 1869–1952), estimated at $6,000–$9,000. This piece is one of two works by Gray in the sale, including Oaks in a Field, a 1920 watercolor estimated at $4,000–$6,000.

Another important landscape is Hetch Hetchy (California) by Thomas Hill (American, 1829–1908), an oil on board also estimated at $6,000–$9,000. Additional highlights include View from Salmon Creek, an oil on canvas by Emmy Lou Packard (American, 1914–1998), estimated at $5,000–$7,000, and Near the Mouth, an evocative coastal scene by Theodore Wores (American, 1859–1939), estimated at $4,000–$6,000.

The sale also features a strong group of early 20th-century California works, including Cliff and Sunset, both circa 1920 by Karl Schmidt (American, 1890–1962). These vertical oil on linen paintings, each measuring 28 x 13 inches, are estimated at $2,000–$4,000. Additional offerings include Untitled (Landscape with Lake) by Carl Jonnevold (American, 1856–1955), estimated at $600–$900; Untitled (Cows on a Hillside) by Alexis Matthew Podchernikoff (American/Russian, 1886–1933), estimated at $800–$1,200; Desert Landscape by Carl Sammons (American, 1883–1968), estimated at $600–$900; and Untitled (Native Americans by a River) by A.D.M. Cooper (American, 1856–1924), painted in 1916 and estimated at $700–$1,000.

This March 21st at Clars Auctions, we will be featuring a curated assortment of artwork from a wide range of periods and locales.

Starting in our own state of California, we have an oil on canvas by plein air painter Marion Kavanaugh Wachtel (American, 1876–1954). Wachtel was born in Milwaukee, Wisconsin and studied in Chicago before moving to California, where she studied under Scottish American master landscapist William Keith.

Keith’s influence coupled with her new surroundings inspired Wachtel to move away from portraiture and embrace landscape painting, focusing her attention on the mountains, coasts, and foliage of southern California. The painting in this month’s sale is titled Autumn, Trabuco Mountains, California, (estimate: $8,000–$12,000) and depicts the leaves changing color amidst the peak on the border of Orange and Riverside Counties.

Next in our selection of highlights this month is an oil on panel painting by contemporary Canadian artist Ambera Wellmann (Canadian, b. 1982). Wellmann is known for her surreal, collage-like painting techniques that evoke the work of earlier experimental painters like Francis Bacon and Max Ernst, often depicting hybrid bodies and intensely pigmented bacchanal-like scenes. These works regularly bring over $100,000 at auction, and Wellmann is currently represented by major contemporary art gallery Hauser & Wirth. In Wellmann’s early work, her mastery of blending color is apparent, as is her ability to access emotion in unexpected imagery. The piece featured at Clars this month is titled Cloud #7 (estimate: $8,000–$12,000) and dates to 2009. Wellmann presents a mass of gray and white clouds in varied tones moving against a cerulean sky while a hint of peachy, warm sun glows from behind the vapor.

A third feature in our March auction is a large-scale sculpture by German artist Wolfgang Stiller (German, b. 1961) titled Matchsticks (estimate: $5,000–$7,000). Stiller, whose first solo gallery show was in 1986, focuses his practice on objects and installations, often transforming familiar and ordinary items into uncanny and unsettling facsimiles. Among his ouvre are cast wax geodes, a recreation of a scientific laboratory inside a disused train car, and bronze baby heads fashioned into ginseng roots. The human head is a common point of inspiration for Stiller, and this is apparent in Matchsticks, in which three wood matchsticks are topped with hairless, male heads, burnt black and resembling medieval death masks in a kind of postmodern memento mori.

Also among the featured highlights in our March auction are works by Thomas Hill, Maurice Braun, John Frederick Kensett, Tavakol Esmaili and much more.

This March 21st at Clars Auctions, we will be featuring a curated assortment of artwork from a wide range of periods and locales.

From our own state of California, we have an oil on canvas by plein air painter Marion Kavanaugh Wachtel (American, 1876–1954). Wachtel was born in Milwaukee, Wisconsin and studied in Chicago before moving to California, where she studied under Scottish American master landscapist William Keith.

Keith’s influence coupled with her new surroundings inspired Wachtel to move away from portraiture and embrace landscape painting, focusing her attention on the mountains, coasts, and foliage of southern California. The painting in this month’s sale is titled Autumn, Trabuco Mountains, California, (estimate: $8,000–$12,000) and depicts the leaves changing color amidst the peak on the border of Orange and Riverside Counties.

This January at Clars we are excited to offer unique works by the fascinating artist, Cady Wells, whose style was inspired by Southwestern desert landscapes and topography.

Wells was born in Massachusetts in 1904 and was raised in a household that valued arts education, taking music, literature, and fine arts classes in his youth. Despite his interest in cultural education, Wells did not fare well in the boarding schools he attended, and after dropping out of several New England academies, he was sent to Arizona in 1992 where he fell in love with the desert landscape. By 1932, Wells had decided on painting as his artistic path forward and was invited to stay at the artist’s colony in Santa Fe, New Mexico, which was also home to Georgia O’Keeffe, Andrew Dasburg, and a host of poets and writers at the time.

Wells began exhibiting alongside artists including Mark Tobey, Morris Graves, and Jackson Pollack while living between Taos and Santa Fe, and during this time the painter came to terms with his sexuality, entering a committed relationship with author and poet Myron Brinig. Wells’ relationship and career were interrupted by his service in World War II. While serving in Germany during the last nine months of the war, Wells worked with topographic maps, the influence of which is apparent in his subsequent work. Upon returning to New Mexico in 1945, Wells remained deeply affected by what he had seen in Europe, and by his own home’s proximity to the nuclear testing site at Los Alamos. He spent his final years traveling the world while remaining anchored in New Mexico, and finally finding national recognition with exhibitions in New York City, Chicago, and San Francisco, before his premature death from heart failure in 1953 at the age of 49.

Wells stands out among his peers for being a truly original artist whose abstract compositions emulate only the curves and colors of the Southwestern landscape and avoid recalling the techniques and styles of any other painter. His work remains a hidden gem among the swaths of artists who have flocked to Taos and Santa Fe over the years, never quite gaining the same reputation as his local contemporaries who favored traditional landscapes and figural painting over emotive and avant garde abstraction. The works in this month’s auction show a range of Wells’ stylistic variety, with examples displaying his interest in topographic maps as well as his prowess in color, form, and movement.

This November 21st starting 10 AM PST at our Fine Art Collectors Auction, we are thrilled to showcase an exceptional array of artwork, ranging from American folk art to modern abstract masterpieces.

Among our featured pieces are two paintings by renowned American folk artist, Charles Wysocki (American, 1928–2002). Born in Detroit, Wysocki was drafted into the Army, which led him to Los Angeles, where he met his wife, fellow artist Elizabeth G. Lawrence. Inspired by the rural lifestyles surrounding 1960s Los Angeles and the pastoral beauty of New England, Wysocki’s work reflects influences from prominent folk artists of the region. Notably, viewers will notice striking similarities between Wysocki’s landscapes and those of Anna Mary Robertson Moses, or Grandma Moses, known for her nostalgic depictions of New England. A deeper connection also exists with earlier artist Rufus Porter, whose whimsical yet precise portrayals of 19th-century Massachusetts and Connecticut resonate with Wysocki’s style.

In our November auction, we will feature two oil on canvas works titled Martha’s Vineyard and Quiltmakers. Martha’s Vineyard depicts a Massachusetts lighthouse and surrounding buildings in a late fall landscape, showcasing a palette of brown and red grass contrasted with patches of snow. Quiltmakers illustrates a quaint community quilt sale, featuring three vibrant, meticulously detailed quilts hanging on a clothesline. We estimate Martha’s Vineyard will sell for $10,000–$15,000 and Quiltmakers for $6,000–$9,000.

Another highlight of the auction is an oil on canvas painting by Quebec modernist, Paul-Emile Borduas (Canadian, 1905–1960). An artist from a young age, Borduas trained as a church restorer under self-taught artist, Ozias Leduc, and furthered his studies at the École des Beaux-Arts de Montréal. His time in Paris at the Ateliers d’Art Sacré helped him fuse his influences. Upon returning to Canada, Borduas became a pivotal figure in the Montreal art scene and founded the Automatistes, inspired by Surrealist André Breton’s ideas. His 1946 group exhibition was a landmark event in Canadian art history.

Later in his career, Borduas’ work took on a political dimension, as he advocated for the separation of church and state in Quebec, a stance that led to his dismissal from l’École du Meuble. Although he faced challenges during his lifetime, his influence became evident during the Quiet Revolution, culminating in the posthumous success of his painting Figures Schématiques, which sold for $3.6 million CAD in 2018. The untitled painting in our November auction exemplifies Borduas’ style, featuring textured impasto, stark black-and-white contrasts, and abstract forms that invite interpretation of his political and personal themes. This piece is estimated at $25,000–$35,000.

Other highlights this month include a painting by San Francisco Bay Area modernist Ruth Armer (American, 1896–1977), an oil by Texas landscape painter William Slaughter (American, 1923–2003), ceramics by Pablo Picasso (Spanish, 1881–1973), a selection of vintage French advertising posters, and much more.

We are also pleased to present two hyperrealist sculptures by Danish artist, Kurt Trampedach (Danish, 1943–2013). Known for his dark, evocative paintings influenced by Rembrandt and late 19th-century Symbolists, Trampedach often explored his mental states through figurative art. His sculptures, while less abundant, retain the emotional intensity of his paintings. The two pieces in our auction, Annette and Jonas, depict Trampedach’s wife and son, created in the early 1970s from plaster on steel frames. These lifelike figures convey a sense of solemn contemplation. Annette is estimated at $8,000–$12,000, while Jonas is estimated at $4,000–$6,000.

This November at Clars we are highlighting artwork by two artists active in the Low Countries during the Baroque period, Rembrandt van Rijn and Jacob Ignatius Roore.

Firstly, an etching by Dutch Golden Age master, Rembrandt van Rijn (Dutch, 1606–1669), titled Woman Reading. Most often known solely by his first name, Rembrandt found success during his own lifetime within the Dutch Republic (now the Netherlands) as both a commissioned artist and a teacher of up-and-coming young painters. In the present day, Rembrandt is known as one of the most celebrated painters of the Dutch Golden Age and one of the greatest visual artists of all time. Rembrandt was a standout among his contemporaries in the Dutch Republic at the time because of his eclectic and wide-ranging embrace of varied subject matter and styles.

Some of his most famous scenes include The Night Watch, The Anatomy Lesson of Dr. Nicolaes Tulp, and Syndics of the Draper’s Guild, but Rembrandt is perhaps best known for his self-portraits, both paintings and prints. The etching in our November sale is an earlier example of Rembrandt’s printmaking, many of which were printed by the artist’s own hand with his personal printing press. The etching in this month’s auction depicts a woman, wearing a scarf over her hair and pressing one hand to her chest, hunched over an open book. The simple and intimate scene is typical of Rembrandt’s etchings, which are often genre scenes or portraits that convey a sense of warmth and familiarity. Woman Reading is being offered with an estimate of $10,000–$15,000.

Another artist active in the Low Countries, Jacob Ignatius Roore (Flemish/Belgian, 1686–1747), also known as Jacques Ignace de Roore, was born in Antwerp in the midst of the Baroque period in Flanders. Both his mother and father were involved in the arts themselves, and during his teenage years, Roore trained with the internationally respected painter and engraver, Abraham Genoels II. After studying in several other academies and under the tutelage of well-regarded artists, Roore honed his drawing and painting skills. Rather than channeling his own creative imagination, he first found work as a copyist of popular painters at time, including Peter Paul Rubens and David Teniers II. Roore also worked for much of his career as a restorer and a painter of decorative interior works for wealthy patrons in Belgium and the Dutch Republic.

Roore’s own original works often depict scenes from mythology and history, most frequently Christian and Ancient Greek stories. The oil on canvas painting in this month’s auction is titled Bacchanalia and shows a scene filled with satyrs, putti, food, nudity, and revelry within a forested landscape. The subject matter is taken from stories of the Greek god Dionysus, renamed in Roman mythology as Bacchus, who is most well-known today as the god of winemaking and fruit. Roore’s portrayal is distinctly Baroque in form, with clear inspiration from his Flemish Renaissance predecessors in the jewel tones and detailed anatomy of the figures, alongside the classical overtones of the painting’s theme. Bacchanalia will be offered with an estimate of $6,000–$9,000.