The Important September Fine Art Auction on September 17th, beginning 10 AM PDT at Clars, brings together an exceptional selection of American, European, Latin American, modern, and contemporary art, encompassing paintings, works on paper, prints, photography, and sculpture.

Beginning in California, we have an oil on canvas by Granville Redmond (American, 1871–1935) dating to 1910. Depicting a shepherd guiding his flock through a hilly landscape, the canvas, titled Heading Home, bursts with shades of green lit by the sun and dappled with shadow. The idyllic scene is exemplary of Redmond’s work — depicting the California hills lush with wildflowers. However, the work at Clars this month is notable as one of Redmond’s larger canvases. The vast scene shows the artist’s mastery of texture and light and is not to be missed in this month’s auction. This piece is estimated at $50,000–$70,000.

Another important California scene featured this September is an oil on canvas board by E. Charlton Fortune (American, 1885–1969) titled Unloading the Catch, Monterey. Fortune was a pioneer among female artists, studying with notable painters such as William Merritt Chase and traveling to Europe while developing her unique style. Fortune’s time in Paris influenced her technique as she was exposed to the work of the French Impressionists and Post-Impressionists of the early 20th century.

Upon returning to her family home in Monterey, she used the loose brushwork and bright palettes of her peers in Europe to depict the landscapes and towns of coastal California. Unloading the Catch, Monterey, is a harbor scene in which small fishing boats gather by a dock, bustling with activity while gently floating on the calm, blue waters. Fortune’s harbor scenes are among the most prized in her oeuvre, and fetch some of the highest prices at auction for California Impressionist art. This piece is estimated at $40,000–$60,000.

The auction presents an especially compelling pair of works by renowned Dutch artist M.C. Escher, both with remarkable provenance. Ascending and Descending, 1960, a signed lithograph from an edition of 31/108, is estimated at $30,000–$50,000; while Möbius Strip II (Red Ants), 1963, a signed color woodcut on Japan paper, is estimated at $20,000–$40,000. Both works descended from the collection of Professor Kurt Servos of Menlo Park, California, who purchased the works directly from Escher and was a friend of the artist. The provenance provides a particularly compelling connection between these internationally recognized works and the Bay Area.

Moving south to Mexico, Clars is pleased to offer a masterfully painted acrylic on canvas by Rafael Coronel (1932–2019). Titled La Moneda, Recuerdo de Espana, this portrait of a man in a priestly frock features notable hallmarks of Coronel’s work: smooth application, with sfumato contributing to a surreal atmosphere, and naturalistic precision. The figure holds a gold coin to his chest in a mysterious gesture, staring out at the viewer. Coronel’s work ties into the rich Latin American artistic tradition of magical surrealism, infusing religious imagery with dark whimsy. This painting is estimated at $15,000–$20,000.

Contemporary art is represented by David Wiseman’s Untitled (Branch with Blossoms), estimated at $20,000–$40,000, as well as works by Rafael Coronel, Sergio Hernández, John Hoyland, Paul Jenkins, Paul Wonner, Jennifer Losch Bartlett, and Tom Wesselmann. These works demonstrate the auction’s range across abstraction, figuration, mixed media, and works on paper. The sale also features a strong selection of American and California art, with highlights by artists whose work helped define the visual character of the American West and the Bay Area. Among them are Jessie Arms Botke’s Untitled (Egrets), an oil and gold-leaf work estimated at $15,000–$25,000; Henrietta Berk’s Untitled (View of East Bay), a monumental 72 x 78 inch oil on canvas estimated at $15,000–$20,000; and Thomas Hill’s The Intruder, 1888, estimated at $15,000–$20,000.

Berk is represented by a second work, Racing the Tide, estimated at $7,000–$10,000, while other California-focused highlights include Joseph Kleitsch’s California, Hanson Duvall Puthuff’s The Arroyo, Thomas Bierstadt’s Mt. Starry King, Yosemite, James Harwood’s Waterfall in the Watsatch (Utah), Maynard Dixon’s Arizona, and Helen Thomas Dranga’s Sunlight on the Waves, Hawaii.

The auction also offers works of historical significance and broad international appeal. Edward Bannister’s Bridge Over the Creek, 1886, estimated at $10,000–$15,000, represents the work of one of the most important African American painters of the 19th century. Max Halberstadt’s portrait of Sigmund Freud, a gelatin silver print signed by Freud, is estimated at $10,000–$15,000, providing a fascinating intersection of photography, portraiture, and intellectual history.

Works on paper and prints further enrich the sale, including Paul Cézanne’s The Bathers, small plate (Les Baigneurs, petite planche), 1897, estimated at $7,000–$10,000, as well as works by Tom Wesselmann, John Hoyland, Paul Wonner, and others.

The auction’s contemporary and modern offerings are complemented by sculpture, including a bronze male torso by Igor Mitoraj, estimated at $7,000–$10,000, and the distinctive work of contemporary artist David Wiseman. The breadth of mediums and artistic approaches underscores the diversity of Clars’ Fine Art auctions, where historic works are presented alongside modern and contemporary pieces.

Fine Art has always been at the heart of Clars, and this September auction reflects the remarkable range of material that our collectors have come to expect from the department, said Rick Unruh, CEO and President. We are particularly excited about the strength of the California material, the exceptional provenance of the two Escher works, and the dialogue created by bringing together American, European, Latin American, modern, and contemporary works in a single sale.

The objects an artist chooses to keep often tell a story that formal histories cannot. Gathered over decades, the works in Viola Frey’s personal collection trace a network of friendships, mentorships, artistic affinities, and shared histories.

The Artists’ Legacy Foundation and Clars are pleased to present a benefit auction offering access to this deeply personal constellation of objects and the vibrant creative community from which it emerged on June 18th, beginning 10 AM PDT.

Together, these works illuminate a remarkable chapter in Bay Area art history. They reflect the creative community that surrounded Frey and the artistic currents that shaped the region from the 1970s through the 1990s — from functional ceramics and experimental sculpture to the vibrant culture of California College of Arts and Crafts.

Viola Frey collected with care. Every work in the auction was made by an artist who was part of her extended community. During her tenure at California College of Arts and Crafts from 1963–1999, Frey taught and mentored generations of artists. Beginning as a part-time teaching assistant and “resident potter,” she became a tenured professor and helped guide the design and construction of the Noni Eccles Treadwell Ceramics Art Center, known as “the Pot Shop,” in 1973.

The expansive collection to be offered at Clars includes works by Frey’s colleagues and students at California College of the Arts as well as pieces by popular ceramicists and fine artists including Richard Blake Shaw, Arthur E. Nelson, Marguerite Wildenhain, and more. From functional pieces like whimsical tea sets and elegant vases to finely rendered sculptural work, there is something for every collector to admire in this treasure trove.

Frey’s life in the Bay Area intersected with many of the defining artistic and social movements of the late twentieth century: abstraction and figuration, Funk art, Hippie counter-culture, LGBTQ+ activism, and the AIDS crisis. The works in this auction bear witness to those histories and to the community of artists with whom Frey lived, worked, and taught.

While best known for her ceramic monumental sculptures, Frey’s artmaking spanned more than 40 years and encompassed paintings, drawings, and bronze and glass sculptures. Frey was obsessively devoted to her practice and produced thousands of artworks during her lifetime.

Her work explores social constructs, marks of civilization, and gender dynamics, and features a thoughtfully built iconography including suited men, hands, and cast figurines. Her work in clay was ahead of its time, bridging the gap between craft and fine art, while pushing the boundaries of ceramic sculpture.

The Artists’ Legacy Foundation stewards Frey’s legacy and advances the preservation of artists’ estates. Proceeds from this auction support our ongoing work to expand scholarship on Frey, care for her archive, and provide educational resources for artists planning their own legacies. We hope these works find homes who value not only their individual histories, but also their connection to Frey and this extraordinary moment in Bay Area art.

Clars Auctions is proud to present its May 15th Gallery Auction, distinguished by a commanding Important Fine Art section that will lead the sale.

This premier opening segment brings together an exceptional and thoughtfully curated group of works spanning American, European, and contemporary art, now further enriched by the inclusion of works by Raimonds Staprans, one of the foremost representatives of post-war California painting nationwide, and Fernando C. Amorsolo, one of the most celebrated figures in Philippine art, underscoring Clars’ continued strength in presenting high-caliber, globally significant fine art to the market.

A major highlight of the sale is La Lavandera (1937) by Fernando Amorsolo (Filipino, 1892–1972), an exceptional oil on board measuring 13 x 17 inches, estimated at $80,000–$120,000. Exemplifying Amorsolo’s masterful handling of light and his iconic depictions of rural Philippine life, this work stands as a rare and significant offering within the auction’s international fine art selection.

Further reinforcing the strength of the Important Fine Art section are standout works such as An Old Street in Taos by Joseph Henry Sharp, estimated at $40,000–$60,000; and a rare four panel Monterey Cypress mural by Chiura Obata, estimated at $15,000–$25,000.

Collectors will also find notable examples by Julian Alden Weir, Leon Dabo, and Eustace Paul Ziegler, alongside important modern and contemporary voices including Christopher Brown, Bruce Nauman, and Gregory Crewdson.

The depth of the fine art offering continues with works connected to Pablo Picasso, including an etching from La Suite Vollard and a tapestry after Jacqueline.

Significant California and American artists are well represented, with works by Granville Redmond, Maynard Dixon, Edward Potthast, and Wayne Thiebaud. Additional highlights include a bronze relief by Ruth Asawa, a sculptural work by Anne and Patrick Poirier, and contemporary pieces by Ben Quinn and Marcel Dzama — further demonstrating the breadth and quality of this leading section.

Property of the Fine Arts Museums of San Francisco to Benefit the Acquisition Fund of the Achenbach Foundation for Graphic Arts will be offered at Clars Auctions on March 19th, 10 AM PDT. This exceptional offering includes more than 170 works on paper spanning the 1860s through the 1980s.

Clars Auctions is honored to have been selected by the Fine Arts Museums of San Francisco to present this distinguished group of works at auction. The relationship between Clars and the Museums is rooted in a shared commitment to connoisseurship, stewardship, and public trust. As one of the West Coast’s leading full-service auction houses, Clars brings decades of expertise in handling significant institutional property and in connecting important works of art with discerning collectors.

Being entrusted with property that benefits the Acquisition Fund of the Achenbach Foundation for Graphic Arts underscores Clars’ reputation for scholarship, market leadership, and integrity. Proceeds from the March 19th auction will directly support future acquisitions, strengthening the Foundation’s ability to expand and preserve its renowned collection of works on paper for generations to come.

“This sale represents a meaningful collaboration between our institution and one of the country’s most respected museums,” said Rick Unruh, CEO and President of Clars Auctions.

“We are proud to play a role in furthering the Achenbach Foundation’s mission while offering collectors an extraordinary opportunity to own works that embody the rich artistic legacy of California.”

Providing a compelling glimpse into San Francisco’s cultural and civic history, the collection features rare 19th-century portraiture depicting prominent politicians, influential businessmen, and notable figures of the Old California era. Historically significant Northern California landscapes, seascapes, and early San Francisco street scenes will also be presented.

Collectors of modern and contemporary art will find works by important late 20th-century West Coast artists, including Ed Ruscha, Nathan Oliveira, William T. Wiley, Robert Bechtle, and Beth Van Hoesen.

The auction will take place live on Thursday, March 19th, with bidding available in person, by phone, absentee, and online.

Clars Auctions is pleased to announce highlights of its Important Fine Art Auction taking place on February 19th, featuring a dynamic selection of postwar, modern, and contemporary works alongside important American prints.

Highlights include a monumental mixed-media canvas by Abstract Expressionist Conrad Marca- Relli, Untitled (circa 1970s), estimated at $15,000–$20,000; Richard Diebenkorn’s vibrant aquatint with drypoint, Folsom Street Variations III (Primaries) (1986), estimated at $12,000–$18,000; and Richard Pettibone’s incisive Pop Art reinterpretation, Andy Warhol Brillo Box (1964) (1967), also estimated at $12,000–$18,000. Additional highlights include California Impressionist works by Granville Redmond and Charles P. Reiffel, as well as notable works by Ellsworth Kelly, Victor Vasarely, Edward S. Curtis, Anthony Quinn, and John James Audubon. Together, these works underscore the breadth and quality of the auction, offering collectors opportunities across multiple movements, media, and price points.

Featured in the auction is Richard Pettibone (American, 1938–2024), a pivotal conceptual Pop artist known for re-creating iconic works of his contemporaries in miniature. Drawing from the Dada tradition of Marcel Duchamp, Pettibone appropriated widely recognized images — such as Andy Warhol’s Marilyn screenprints and Roy Lichtenstein’s comic-strip paintings — in works he described as both homage and critique. His Andy Warhol Brillo Box (1964), created in 1967 after Warhol’s famed facsimile boxes, exemplifies Pettibone’s recursive approach to mass-produced imagery, raising enduring questions about authorship, value, and consumer culture in postwar American art.

Another major focus of the auction is an extensive group of paintings by Margaret Keane (American, 1927–2022), spanning the early 1960s. Keane is internationally renowned for her iconic depictions of wide-eyed figures and for her remarkable personal and artistic story. During her marriage, her former husband Walter Keane falsely claimed authorship of her work, a claim later disproven in a landmark courtroom “paint-off” following their divorce. Keane was ultimately recognized as the true creator of the famed “Big Eyes” paintings. Her influence extends across fine art and popular culture, and her life inspired the 2014 film Big Eyes, directed by Tim Burton and starring Amy Adams. Four paintings by Keane are offered in the February auction, with estimates ranging from $6,000–$9,000 to $10,000–$15,000.

Clars’ Important Holiday Fine Art Auction on December 18th presents an exceptional selection of artworks by celebrated artists working across a wide range of periods and styles.

Among the premier highlights is an oil on canvas by Bay Area favorite, Raimonds Staprans (American/Latvian, b. 1926), an artist with whom Clars has consistently achieved strong results. Staprans is renowned for his vivid palette and distinctive use of line — qualities that are fully evident in Still Life with the Ugly Hockney Vase #2. The off-white vase rests on a similarly colored surface set against a striking red ground, while delicate lines in orange, violet, and sky blue trace the object’s edges and heighten its dimensionality. Selected for the cover of the 2006 exhibition catalog for Staprans’ retrospective at the Latvian National Museum, the painting exemplifies the artist’s ability to reinvigorate traditional still-life subjects through bold color and decisive brushwork. This work is estimated at $150,000–$200,000.

Another major feature of the December sale is a mixed-media work on canvas by Los Angeles based artist Mark Bradford (American, b. 1961). Bradford’s practice is deeply informed by his upbringing in South Los Angeles and by his explorations of race, gender, and identity — as well as the influence of his mother’s hair salon — where he worked after high school. Many of his materials originate in that environment, including hair dye and the end papers used in perm treatments. The December offering, painted in soft green hues, is layered with sheets of end paper in various states of translucency, some singed to a deep brown. The staggered layers create surprising depth and texture across the surface. Bradford’s work is widely admired and held in prominent collections, and he has received national recognition, including his inclusion in Time Magazine’s 2021 list of the most influential people and the National Medal of Arts in 2023. This untitled piece carries an estimate of $20,000–$30,000.

A further highlight is a ceramic plate by Spanish modernist Pablo Picasso (1881–1973), titled Visage de Femme and dating to 1953 during his collaboration with the Madoura Pottery studio in Vallauris, France. Picasso’s ceramics remain highly desirable as accessible, yet significant examples of his contributions to twentieth-century art. This piece features the Cubist depiction of a woman’s face, rendered in white, cyan, and blue on a black ground, with a bold white line forming the nose above a slight smile and a beaded necklace. The plate is estimated at $15,000–$20,000.

These marquee offerings are joined by additional works from artists such as Granville Redmond, Wayne Thiebaud, Jules Tavernier, Maynard Dixon, Thomas Hart Benton, and many more.

On September 18th, Clars is pleased to present a special selection of outstanding fine art that will appeal to each and every collector in our Important Fine Art Auction.

First in our series of highlights is a ceramic and polystyrene sculptural vase by French modernist, Niki de Saint Phalle (1930–2002). Saint Phalle is best known for her large-scale Nana series of sculptures, which depicts voluptuous and colorfully painted women in a variety of poses. Her color-block painting technique is displayed in Serpent Vase (1986), which is formed by a coiled snake around a bowl. The piece is from an edition of seven and is estimated at $20,000–$25,000.

Also featured in the auction are two oils on canvas by Sri Lankan artist, Senaka Senanayake (b. 1951) — Untitled, estimated at $15,000–$25,000, and The Devotees, estimated at $10,000–$15,000. Both paintings date to the late 1960s and are exemplary of his work during this period, depicting figural groups in an Abstract Expressionist manner with emotive smears of rich color and thick, black linework.

The auction will also include two significant works on paper by the iconic modernist Marc Chagall (Belarusian/French, 1887–1985), celebrated for his dreamlike imagery and poetic use of color. Known for bridging Cubism, Symbolism, and Fauvism with a deeply personal visual language, Chagall’s work continues to resonate with collectors worldwide. Featured is Plate 1, from Four Tales from the Arabian Nights (1948), a vivid color lithograph that exemplifies Chagall’s fascination with folklore and fantasy. Signed and annotated “Pl. 1” in pencil, the work is numbered 65/90 and was published by Pantheon Books, New York. It carries an estimate of $15,000–$20,000. Also on offer is Daphnis and Chloe (1961), a lyrical lithograph in colors on Arches paper. Signed in pencil and numbered 26/60, this work (Mourlot 311) stems from Chagall’s celebrated suite inspired by the ancient Greek love story. With its fluid composition and romantic palette, it is similarly estimated at $15,000–$20,000.

Another highlight in the September Important Fine Art Auction is a large, mixed media piece by Italian-American modernist, Enrico Donati (1909–2008). Donati began his artistic career in the early 1940s after meeting with André Breton and other European Surrealists who were active in New York City during the period. Estimated at $8,000–$12,000 and one of four works to be offered, Donati’s Coptic Wall II (1978) is one such work that epitomizes his use of textured canvases.

In addition to the above highlighted works, we are offering paintings by Ira Yeager and Bibi Zogbe, prints by Wayne Thiebaud and Franz Marc, and a wealth of other exceptional pieces.