Published in 1979, Andy Warhol’s bizarre take on the classic traditional subject of fruit still lifes, titled Space Fruit: Still Life Series, underscores his evolving interest in abstract art in the late 1970s.
He placed many pieces of fruit against a white background and cast harsh light upon them to create exaggerated shadows and light-based contrast.
Andy Warhol (American, 1928–1987), Peaches from Space Fruit: Still Life Series, 1979, screenprint, 30″ x 40″. Sold: $17,500
Peaches, a work from the series, gives Warhol space to experiment with colors and compositions, showcasing his interest in vibrant unrealistic colors and exaggerated shadows. Presenting an original view of a peach, this work pushed boundaries between the depiction of nature and consumer products. This series is highly sought after by the collectors and Peaches will be offered on March 18th at Clars Auction Gallery.
Dalí established himself as perhaps the most celebrated of the Surrealist painters, famous for both his instantly recognizable visual style and for his eccentric personality and antics.
Lichtenstein was one of the most prominent figures of the Pop Art movement — most known for his comic strip-inspired paintings, prints, and sculptures.
Douglas is widely known for the murals he was commissioned to paint in several high-profile locations, including several Historically Black Colleges and Universities.
With this inaugural auction, we take great pride in introducing ten esteemed artists who persistently enrich the tapestry of California art.
Auction
Modern + Contemporary
Artist Spotlight: Andy Warhol
Artist Spotlight
Modern + Contemporary
Andy Warhol’s Cowboys and Indians series was one of his last major works before his death in 1987.
Andy Warhol (American, 1928–1987), Cowboys and Indians (the complete set of ten screenprints), 1986, screenprints in colors, 36″ x 36″ each. Left: General Custer. Right: Geronimo. Sold: $503,750
In 1986, Andy Warhol created the Cowboys and Indians series. In this portfolio, Warhol portrays a range of images that represent both the history and constructed lore of the American West, pulled from reality and fiction. Warhol interspersed portraits of world-famous Americans with those of anonymous Native Americans in his ironic commentary on America’s collective mythology of the historic West.
Andy Warhol (American, 1928–1987), Cowboys and Indians (the complete set of ten screenprints), 1986, screenprints in colors, 36″ x 36″ each. Left: Mother and Child. Right: Teddy Roosevelt. Sold: $503,750
Rather than portraying Native Americans within their historical landscape, or cowboys in their veritable forms, Warhol went with a stylized and romanticized version of the American West — already a favored lens in novels, films, and various television series popular during the 20th century.
Andy Warhol (American, 1928–1987), Cowboys and Indians (the complete set of ten screenprints), 1986, screenprints in colors, 36″ x 36″ each. Left: Plains Indian Shield. Right: Northwest Coast Mask. Sold: $503,750
Included in the composition are Native Americans and their authentic emblems — a mask, Kachina dolls, and a shield — alongside John Wayne, Annie Oakley, Teddy Roosevelt and General George Custer, the latter group exemplifying Warhol’s preoccupation with stardom.
Andy Warhol (American, 1928–1987), Cowboys and Indians (the complete set of ten screenprints), 1986, screenprints in colors, 36″ x 36″ each. Left: John Wayne. Right: Annie Oakley. Sold: $503,750
At this point in his life, Warhol was forming bonds with a number of younger artists in the New York art scene including Jean-Michel Basquiat, David Salle, Keith Haring and Julian Schnabel.
Andy Warhol (American, 1928–1987), Cowboys and Indians (the complete set of ten screenprints), 1986, screenprints in colors, 36″ x 36″ each. Left: Indian Head Nickel. Right: Kachina Dolls. Sold: $503,750
Dalí established himself as perhaps the most celebrated of the Surrealist painters, famous for both his instantly recognizable visual style and for his eccentric personality and antics.
Lichtenstein was one of the most prominent figures of the Pop Art movement — most known for his comic strip-inspired paintings, prints, and sculptures.
Douglas is widely known for the murals he was commissioned to paint in several high-profile locations, including several Historically Black Colleges and Universities.