Big moment on Pawn Stars! Our very own appraiser, Deric Torres from Clars Auctions, helped a customer who thought she had a rare Oscar Bach Hall telephone table worth a fortune. After closely inspecting the piece, Deric revealed it wasn’t authentic — here’s why:

…because the casting was not well done, not marked, and not executed in the same manner one would expect on a well-documented authentic example. Below is information about the history of the firm, and Bach’s bitter break up with business partner Bertram Segar — who is infamous for making poor reproductions of designs created by Bach.

Oscar Bach was a technically adept, stylistically diverse, and commercially successful master metalsmith. Born in Germany, he studied at both the Royal Academy and Imperial Academy of Art in Berlin before becoming the artistic director of a metallic arts firm in Hamburg. In 1911, Bach won the Grand Prix at the World’s Exposition in Turin for a bed he designed for Kaiser Wilhelm II. That same year, he moved to the United State to establish a business with his brother Max in New York City.

The brothers quickly opened a metal design studio and flourished throughout the 1920s and 30s, with Oscar creating beautiful objects for wealthy New York clientele and custom architectural elements for country estates. He designed a multitude of domestic objects and grand commissions, including the lobby panel for the Empire State Building and monumental plaques for Radio City Music Hall — created in collaboration with Hildreth Meiere. Bach was awarded the prestigious Medal of Honor in 1926 from the Architectural League of New York for a set of bronze doors he designed for their club room. Not just a talented designer, but a savvy marketer and self-promoter, Bach enjoyed a long and successful career. His work can be found in the permanent collections of The Metropolitan Museum of Art, The Minneapolis Museum of Art, The Wolfsonian, and Reynolda House.

In April of 1923, upon an acrimonious split with a third business partner named Bertram Segar, the Bach brothers moved to a new studio at 511 West 42nd Street and renamed their firm Oscar B. Bach and Associated Craftsmen. Bertram Segar remained in the West 17th Street studio, renaming it The Segar Studios. There, Bertram Segar continued to reproduce many of Bach’s original designs and variations on Bach’s designs, either selling them in an unmarked state or stamping them with his SEGAR STUDIOS mark.

Desperate to set the record straight, Bach put full page advertisements in multiple issues of Arts & Decorations stating that, “All products designed and executed in my studios bear my facsimile signature, and no other articles are genuine.” And, “It is distressing to find other things — ugly things that I could not create, put before the public with the insinuation that they are my work. It is not only distressing but a fraud on the public.”

This is why the conclusion of it not being authentic was determined. Watch the full story unfold and how Deric gently let the buyer down easy (we hope). Catch the episode and let us know what you think!