Clars is delighted to be offering the Collection of Vanna and N. Lee Lacy on Friday, July 14th in our Tribal Arts, Interiors, Art & Jewelry Auction.

In the 1960s, the wunderkind Hollywood producer, N. Lee Lacy, fell in love with the African, Oceanic, Pre-Columbian, and other Tribal Arts that he was seeing in galleries and auction houses in Paris, Brussels, and London (he had a home in London as a base). His uncommon creativity, writing for and producing TV series and iconic TV ads (winning Best Of The Film Festival awards in Cannes, Venice, London, and NYC), led to him have international offices with 40 writers working for his production company, which he headquartered in Hollywood.

Lacy always collected tribal art, with Hollywood presenting buying opportunities in Pre-Columbian works in the 1960s and African works in the late 1960s and early 1970s. In the 1960s and 1970s, Lacy also bought from auctions in London, NY, and Paris and at galleries in those cities and Brussels, San Francisco, and Los Angeles.

Lee married Vanna Warmack Lacy 35 years ago. Together they fell in love with Oceanic Art, spurred by several voyages to the South Seas accompanying their friend, Caroline Yacoe. Yacoe is an Oceanic scholar, lecturer, author, art collector/dealer, and documentary filmmaker specializing in recording traditional ceremonies and cultures on remote Pacific Islands. This was also a prime period for acquiring authentic, old Indonesian pieces being brought to California by prescient dealers.

Lastly, while producing and creating films in Hollywood and investing in property and living in Beverly Hills, the Lacy’s opened a gallery on the famed Melrose Place (which became the name of a hugely popular TV series) showing paintings and sculptures of modern and contemporary artists. Vanna was the Lacy Gallery’s Director. After a successful run of more than a decade, the Lacy’s retired their gallery. The paintings and sculptures they had most loved personally, plus their mostly decades-old tribal collections, resided with them in their Beverly Hills and then their Palm Springs home until June when it was time to move themselves and their art collections along.

Philip and Kelvin LaVerne were a father son furniture making team who worked out of New York. They made works in pewter and bronze and opened their showroom in the 1960s on East 57th street.

Their earlier works focused on mythology and antiquities from across the globe, and the pair experimented with chemical reactions to create a patinated effect reminiscent of antiquities.

The LaVerne’s furniture pieces, including the “Marriage Whirl” table, have become highly sought after by collectors and enthusiasts of mid-century modern design. The intricate Eastern motif in the “Marriage Whirl” table depicts an ancient ceremony of great happiness. It was designed in patinated bronze and pewter with hand-painted polychrome enamels.

The LaVerne’s works were influential during the mid-20th century and continue to be admired and collected today for their artistic expression and innovative approach to furniture design.