The Furniture & Decorative Arts segment will feature a number of standout pieces in our March 21st auction.

One such piece is a rare Northern Baroque carved altar table with tabernacle, dating to the late 17th century, estimated at $8,000–$12,000. Fully carved with biblical reserves, this exquisite table highlights the exceptional craftsmanship of the period.

This November at Clars we are highlighting artwork by two artists active in the Low Countries during the Baroque period, Rembrandt van Rijn and Jacob Ignatius Roore.

Firstly, an etching by Dutch Golden Age master, Rembrandt van Rijn (Dutch, 1606–1669), titled Woman Reading. Most often known solely by his first name, Rembrandt found success during his own lifetime within the Dutch Republic (now the Netherlands) as both a commissioned artist and a teacher of up-and-coming young painters. In the present day, Rembrandt is known as one of the most celebrated painters of the Dutch Golden Age and one of the greatest visual artists of all time. Rembrandt was a standout among his contemporaries in the Dutch Republic at the time because of his eclectic and wide-ranging embrace of varied subject matter and styles.

Some of his most famous scenes include The Night Watch, The Anatomy Lesson of Dr. Nicolaes Tulp, and Syndics of the Draper’s Guild, but Rembrandt is perhaps best known for his self-portraits, both paintings and prints. The etching in our November sale is an earlier example of Rembrandt’s printmaking, many of which were printed by the artist’s own hand with his personal printing press. The etching in this month’s auction depicts a woman, wearing a scarf over her hair and pressing one hand to her chest, hunched over an open book. The simple and intimate scene is typical of Rembrandt’s etchings, which are often genre scenes or portraits that convey a sense of warmth and familiarity. Woman Reading is being offered with an estimate of $10,000–$15,000.

Another artist active in the Low Countries, Jacob Ignatius Roore (Flemish/Belgian, 1686–1747), also known as Jacques Ignace de Roore, was born in Antwerp in the midst of the Baroque period in Flanders. Both his mother and father were involved in the arts themselves, and during his teenage years, Roore trained with the internationally respected painter and engraver, Abraham Genoels II. After studying in several other academies and under the tutelage of well-regarded artists, Roore honed his drawing and painting skills. Rather than channeling his own creative imagination, he first found work as a copyist of popular painters at time, including Peter Paul Rubens and David Teniers II. Roore also worked for much of his career as a restorer and a painter of decorative interior works for wealthy patrons in Belgium and the Dutch Republic.

Roore’s own original works often depict scenes from mythology and history, most frequently Christian and Ancient Greek stories. The oil on canvas painting in this month’s auction is titled Bacchanalia and shows a scene filled with satyrs, putti, food, nudity, and revelry within a forested landscape. The subject matter is taken from stories of the Greek god Dionysus, renamed in Roman mythology as Bacchus, who is most well-known today as the god of winemaking and fruit. Roore’s portrayal is distinctly Baroque in form, with clear inspiration from his Flemish Renaissance predecessors in the jewel tones and detailed anatomy of the figures, alongside the classical overtones of the painting’s theme. Bacchanalia will be offered with an estimate of $6,000–$9,000.