Important Fine Art Highlights

  • Fine Art
  • Highlights

Clars Auctions is pleased to announce highlights of its Important Fine Art Auction taking place on February 19th, featuring a dynamic selection of postwar, modern, and contemporary works alongside important American prints.

Conrad Marca-Relli (American, 1913–2000), Untitled #4, circa 1975, oil and fabric collage on canvas, 57″ x 67.5″.Estimate: $15,000–$20,000
Conrad Marca-Relli (American, 1913–2000), Untitled #4, circa 1975, oil and fabric collage on canvas, 57″ x 67.5″.
Estimate: $15,000–$20,000

Highlights include a monumental mixed-media canvas by Abstract Expressionist Conrad Marca- Relli, Untitled (circa 1970s), estimated at $15,000–$20,000; Richard Diebenkorn’s vibrant aquatint with drypoint, Folsom Street Variations III (Primaries) (1986), estimated at $12,000–$18,000; and Richard Pettibone’s incisive Pop Art reinterpretation, Andy Warhol Brillo Box (1964) (1967), also estimated at $12,000–$18,000. Additional highlights include California Impressionist works by Granville Redmond and Charles P. Reiffel, as well as notable works by Ellsworth Kelly, Victor Vasarely, Edward S. Curtis, Anthony Quinn, and John James Audubon. Together, these works underscore the breadth and quality of the auction, offering collectors opportunities across multiple movements, media, and price points.


Richard Diebenkorn (American, 1922–1993), Folsom Street Variations III (Primaries), 1986, aquatint with drypoint, 12″ x 26″. Estimate: $12,000–$18,000 (1 of 2 to be offered)
Richard Diebenkorn (American, 1922–1993), Folsom Street Variations III (Primaries), 1986, aquatint with drypoint, 12″ x 26″.
Estimate: $12,000–$18,000 (1 of 2 to be offered)

Featured in the auction is Richard Pettibone (American, 1938–2024), a pivotal conceptual Pop artist known for re-creating iconic works of his contemporaries in miniature. Drawing from the Dada tradition of Marcel Duchamp, Pettibone appropriated widely recognized images — such as Andy Warhol’s Marilyn screenprints and Roy Lichtenstein’s comic-strip paintings — in works he described as both homage and critique. His Andy Warhol Brillo Box (1964), created in 1967 after Warhol’s famed facsimile boxes, exemplifies Pettibone’s recursive approach to mass-produced imagery, raising enduring questions about authorship, value, and consumer culture in postwar American art.


Richard Pettibone (American, 1938–2024), Andy Warhol Brillo Box (1964), 1967, silkscreen ink on canvas, 7.5″ x 7.25″. Estimate: $12,000–$18,000
Richard Pettibone (American, 1938–2024), Andy Warhol Brillo Box (1964), 1967, silkscreen ink on canvas, 7.5″ x 7.25″.
Estimate: $12,000–$18,000
Granville Redmond (American, 1871–1935), <em>Sunbather, Catalina</em>, oil on board, 12″ x 16″. <br><b>Estimate: $10,000–$15,000</b>
Granville Redmond (American, 1871–1935), Sunbather, Catalina, oil on board, 12″ x 16″.
Estimate: $10,000–$15,000

Another major focus of the auction is an extensive group of paintings by Margaret Keane (American, 1927–2022), spanning the early 1960s. Keane is internationally renowned for her iconic depictions of wide-eyed figures and for her remarkable personal and artistic story. During her marriage, her former husband Walter Keane falsely claimed authorship of her work, a claim later disproven in a landmark courtroom “paint-off” following their divorce. Keane was ultimately recognized as the true creator of the famed “Big Eyes” paintings. Her influence extends across fine art and popular culture, and her life inspired the 2014 film Big Eyes, directed by Tim Burton and starring Amy Adams. Four paintings by Keane are offered in the February auction, with estimates ranging from $6,000–$9,000 to $10,000–$15,000.


Margaret Keane (American, 1927–2022), Madonna and Child, 1964, oil on canvas, 40″ x 30″. Estimate: $10,000–$15,000  (1 of 4 to be offered)
Margaret Keane (American, 1927–2022), Madonna and Child, 1964, oil on canvas, 40″ x 30″.
Estimate: $10,000–$15,000 (1 of 4 to be offered)
Margaret Keane (American, 1927–2022), The Reply, oil on canvas, 30″ x 24″. Estimate: $8,000–$12,000 (1 of 4 to be offered)
Margaret Keane (American, 1927–2022), The Reply, oil on canvas, 30″ x 24″.
Estimate: $8,000–$12,000 (1 of 4 to be offered)
Margaret Keane (American, 1927–2022), Girl with Clown Mask, 1962, oil on canvas, 24″ x 18″. Estimate: $8,000–$12,000 (1 of 4 to be offered)
Margaret Keane (American, 1927–2022), Girl with Clown Mask, 1962, oil on canvas, 24″ x 18″.
Estimate: $8,000–$12,000 (1 of 4 to be offered)
Irving Penn (American, 1917–2009), Self-portrait, 1947, gelatin silver print 8.5″ x 8″. Estimate: $8,000–$12,000
Irving Penn (American, 1917–2009), Self-portrait, 1947, gelatin silver print 8.5″ x 8″.
Estimate: $8,000–$12,000
Helmut Newton (Australian/German, 1920–2004), In my Studio III, 1978, gelatin silver print, 19.63″ x 15.75″. Estimate: $7,000–$10,000
Helmut Newton (Australian/German, 1920–2004), In my Studio III, 1978, gelatin silver print, 19.63″ x 15.75″.
Estimate: $7,000–$10,000
Margaret Keane (American, 1927–2022), <em>Dancer with Bird</em>, oil on canvas, 30.25″ x 14.25″. <br><b>Estimate: $6,000–$9,000 (1 of 4 to be offered)</b>
Margaret Keane (American, 1927–2022), Dancer with Bird, oil on canvas, 30.25″ x 14.25″.
Estimate: $6,000–$9,000 (1 of 4 to be offered)
Charles P. Reiffel (American, 1862–1942), <em>Untitled (Autumn Landscape)</em>, oil on board, <nobr>22.5″ x 25.5″.</nobr> <br><b>Estimate: $6,000–$9,000</b>
Charles P. Reiffel (American, 1862–1942), Untitled (Autumn Landscape), oil on board, 22.5″ x 25.5″.
Estimate: $6,000–$9,000
Joseph Morris Raphael (American, 1869–1950), <em>Untitled (Pond Reflections)</em>, oil on board, 9.75″ x 13.75″. <br><b>Estimate: $5,000–$7,000</b>
Joseph Morris Raphael (American, 1869–1950), Untitled (Pond Reflections), oil on board, 9.75″ x 13.75″.
Estimate: $5,000–$7,000
Victor Vasarely (Hungarian/French, 1906–1997), Kettes, 1984, painted wood sculpture, 27″ x 16″ x 2″ (front and back shown). Estimate: $4,000–$6,000
Victor Vasarely (Hungarian/French, 1906–1997), Kettes, 1984, painted wood sculpture, 27″ x 16″ x 2″ (front and back shown).
Estimate: $4,000–$6,000
Ellsworth Kelly (American, 1923–2015), Untitled (Blue, Yellow, Red), 1970–73, screenprint in colors, 26″ x 26″. Estimate: $4,000–$6,000
Ellsworth Kelly (American, 1923–2015), Untitled (Blue, Yellow, Red), 1970–73, screenprint in colors, 26″ x 26″.
Estimate: $4,000–$6,000
Martha Walter (American, 1875–1976), <em>Untitled (Figures at the Beach)</em>, oil on board, 8.5″ x 10.5″. <br><b>Estimate: $4,000–$6,000</b>
Martha Walter (American, 1875–1976), Untitled (Figures at the Beach), oil on board, 8.5″ x 10.5″.
Estimate: $4,000–$6,000
Cole Morgan (American, b. 1950), Centerweight, 2003, mixed media on canvas, 63″ x 75″. Estimate: $4,000–$6,000  (1 of 3 to be offered)
Cole Morgan (American, b. 1950), Centerweight, 2003, mixed media on canvas, 63″ x 75″.
Estimate: $4,000–$6,000 (1 of 3 to be offered)
Cole Morgan (American, b. 1950), <em>Once Upon a Time</em>, mixed media on canvas, 63″ x 75″. <br><b>Estimate: $4,000–$6,000 (1 of 3 to be offered)</b>
Cole Morgan (American, b. 1950), Once Upon a Time, mixed media on canvas, 63″ x 75″.
Estimate: $4,000–$6,000 (1 of 3 to be offered)
Katherine Barieau (American, 1917–2010), Double-Flowering Ballet, 1996, acrylic on canvas, 56″ x 46″. Estimate: $4,000–$6,000  (1 of 2 to be offered)
Katherine Barieau (American, 1917–2010), Double-Flowering Ballet, 1996, acrylic on canvas, 56″ x 46″.
Estimate: $4,000–$6,000 (1 of 2 to be offered)
Edward S. Curtis (American, 1868–1952), <em>Homeward</em>, 1898, orotone, 10.5″ x 13.5″. <br><b>Estimate: $4,000–$6,000</b>
Edward S. Curtis (American, 1868–1952), Homeward, 1898, orotone, 10.5″ x 13.5″.
Estimate: $4,000–$6,000
Willard Dixon (American, b. 1942), <em>Black Bearded Durham</em>, 1996, oil on canvas, 48″. x 48″. <br><b>Estimate: $3,000–$5,000</b>
Willard Dixon (American, b. 1942), Black Bearded Durham, 1996, oil on canvas, 48″. x 48″.
Estimate: $3,000–$5,000
Jean Lucebert (Dutch, 1924–1994), <em>Happy Gardener</em>, 1961, gouache and watercolor on paper, 25″ x 39″. <br><b>Provenance: Christie's London (June 29, 1989, lot 543). Estimate: $3,000–$5,000</b>
Jean Lucebert (Dutch, 1924–1994), Happy Gardener, 1961, gouache and watercolor on paper, 25″ x 39″.
Provenance: Christie’s London (June 29, 1989, lot 543). Estimate: $3,000–$5,000
Henri Julien-Seigle (French, 1911–1995), <em>Reclining Nude</em>, oil on canvas, 59″ x 68″. <br><b>Estimate: $3,000–$5,000</b>
Henri Julien-Seigle (French, 1911–1995), Reclining Nude, oil on canvas, 59″ x 68″.
Estimate: $3,000–$5,000
Anthony Quinn (American, 1915–2001), <em>Song of Zorba</em>, 1984, bronze sculpture, 23.5″ x 20″ x 9″. <br><b>Estimate: $3,000–$5,000</b>
Anthony Quinn (American, 1915–2001), Song of Zorba, 1984, bronze sculpture, 23.5″ x 20″ x 9″.
Estimate: $3,000–$5,000
Gerard Fitermann (French, b. 1945), Visage No. 1, 1977, watercolor on paper, 47″ x 32″. Estimate: $3,000–$5,000
Gerard Fitermann (French, b. 1945), Visage No. 1, 1977, watercolor on paper, 47″ x 32″.
Estimate: $3,000–$5,000
John James Audubon (American, 1785–1851), <em>Black American Wolf (Plate #67)</em>, 1845, aquatint engraving with hand-coloring, 22″ x 28″. <br><b>Estimate: $3,000–$5,000 (1 of 4 to be offered)</b>
John James Audubon (American, 1785–1851), Black American Wolf (Plate #67), 1845, aquatint engraving with hand-coloring, 22″ x 28″.
Estimate: $3,000–$5,000 (1 of 4 to be offered)

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