Clars Auctions’ Senior Vice President, Deric Torres, was honored to participate in a truly special celebration hosted by The Menlo Park Historical Association and The Museum of American Heritage — the 125th Wedding Anniversary of Helen Hopkins & Augustus Taylor on Saturday September 13th.

Held in the historic mansion where their grand 1900 society wedding originally took place. Helen Hopkins — grandniece of railroad magnate Mark Hopkins — was part of a legacy that helped shape California’s Gilded Age.

Guests enjoyed Antiques Roadshow-style valuation sessions with Deric Torres, who brought his decades of expertise in furniture and decorative arts to this elegant and educational afternoon. History, heritage, and heirlooms — all under one roof.

In the Furniture & Decorative Arts section of our July 18th auction, Clars will offer a strong lineup of fine traditional pieces and feature esteemed makers like William Moorcroft and Augustin Heyne.

Antique Persian Bidjar Carpet

Bidjar rugs, woven in northwest Iran, are famed for their dense structure and durability, often referred to as the “iron carpets of Persia.” This antique example displays a rich, jewel-toned palette and classical geometric motifs, balancing tribal tradition with refined technique. Such carpets were long favored in European interiors for their resilience and grandeur.

William Moorcroft

British potter William Moorcroft (1872–1945) earned international acclaim for his hand-decorated art pottery, characterized by deep glazes and naturalistic themes. His flambé pieces, like this undersea-themed vase, utilize complex kiln chemistry to achieve glowing, unpredictable surface effects — no two glazes are alike. Moorcroft’s work was embraced by collectors and royalty alike, and he remains one of the most collected ceramicists of the early 20th century.

Augustin Heyne

A rare and exquisitely preserved tankard by Augustin Heyne, a master silversmith from Breslau (now Wrocław, Poland), this work exemplifies the lavish artistry of early Baroque German metalwork. Parcel-gilt detailing, figural repoussé, and historic inscriptions reflect the ceremonial function of such vessels. It is a remarkable artifact from a time when silver was both status symbol and heirloom.

Florentine Cassone

The cassone, or marriage chest, was one of the most important furnishings in the Italian Renaissance home. Commissioned by wealthy families, they were often adorned with allegorical scenes, coats of arms, and lavish ornamentation. This example, dating to the late Gothic period in Florence, is notable for its early painted decoration and architectural form, marking it as both utilitarian and symbolic. Very few cassoni from this early period survive outside major museum collections, making this piece a rare and culturally significant offering.

Big moment on Pawn Stars! Our very own appraiser, Deric Torres from Clars Auctions, helped a customer who thought she had a rare Oscar Bach Hall telephone table worth a fortune. After closely inspecting the piece, Deric revealed it wasn’t authentic — here’s why:

…because the casting was not well done, not marked, and not executed in the same manner one would expect on a well-documented authentic example. Below is information about the history of the firm, and Bach’s bitter break up with business partner Bertram Segar — who is infamous for making poor reproductions of designs created by Bach.

Oscar Bach was a technically adept, stylistically diverse, and commercially successful master metalsmith. Born in Germany, he studied at both the Royal Academy and Imperial Academy of Art in Berlin before becoming the artistic director of a metallic arts firm in Hamburg. In 1911, Bach won the Grand Prix at the World’s Exposition in Turin for a bed he designed for Kaiser Wilhelm II. That same year, he moved to the United State to establish a business with his brother Max in New York City.

The brothers quickly opened a metal design studio and flourished throughout the 1920s and 30s, with Oscar creating beautiful objects for wealthy New York clientele and custom architectural elements for country estates. He designed a multitude of domestic objects and grand commissions, including the lobby panel for the Empire State Building and monumental plaques for Radio City Music Hall — created in collaboration with Hildreth Meiere. Bach was awarded the prestigious Medal of Honor in 1926 from the Architectural League of New York for a set of bronze doors he designed for their club room. Not just a talented designer, but a savvy marketer and self-promoter, Bach enjoyed a long and successful career. His work can be found in the permanent collections of The Metropolitan Museum of Art, The Minneapolis Museum of Art, The Wolfsonian, and Reynolda House.

In April of 1923, upon an acrimonious split with a third business partner named Bertram Segar, the Bach brothers moved to a new studio at 511 West 42nd Street and renamed their firm Oscar B. Bach and Associated Craftsmen. Bertram Segar remained in the West 17th Street studio, renaming it The Segar Studios. There, Bertram Segar continued to reproduce many of Bach’s original designs and variations on Bach’s designs, either selling them in an unmarked state or stamping them with his SEGAR STUDIOS mark.

Desperate to set the record straight, Bach put full page advertisements in multiple issues of Arts & Decorations stating that, “All products designed and executed in my studios bear my facsimile signature, and no other articles are genuine.” And, “It is distressing to find other things — ugly things that I could not create, put before the public with the insinuation that they are my work. It is not only distressing but a fraud on the public.”

This is why the conclusion of it not being authentic was determined. Watch the full story unfold and how Deric gently let the buyer down easy (we hope). Catch the episode and let us know what you think!

The Furniture & Decorative Arts segment will feature a number of standout pieces in our March 21st auction.

One such piece is a rare Northern Baroque carved altar table with tabernacle, dating to the late 17th century, estimated at $8,000–$12,000. Fully carved with biblical reserves, this exquisite table highlights the exceptional craftsmanship of the period.

In our upcoming March 21st Auction, we will be offering a Chamberlains Worcester armorial porcelain part dinner service made for the Scott Family of Great Barr Hall, early 19th century.

Sir Joseph Scott of Great Barr Hall, Worcester’s parliamentary representative, was granted a baronetcy in 1806. This armorial service, created for him, was appropriately crafted by the Chamberlains Worcester factory, highlighting the connection between the patron and the local craftsmanship.

Designer French steamer trunks have been collected by both aficionados and novice collectors alike for decades, but what makes them so collectible?

In order to get a better understanding of steamer trunks and their popularity, it is necessary to learn more about their historical context. Following the Industrial Revolution, the invention of steam locomotives and ocean liners from the early to mid-19th century opened the door for intercontinental travel. This resulted in increased use of large trunks to transport traveler’s belongings.

Originally, steamer trunks had a domed top that would protect fine clothing from the elements. However, with increased travel on large ocean liners and trains, how could locomotives and liners successfully store so many pieces of luggage? In response, Louis Vuitton established his company in 1854, fashioning high end steamer trunks with an innovative rectangular form.

Surprisingly, the first Louis Vuitton trunks did not use the well-known monogram canvas. Early steamer trunks were made in grey canvas. Beginning in 1872, this changed to red and beige striped canvas, and in 1888, moved to a Damier checkerboard canvas. It was not until after Louis Vuitton’s death that the company began to produce trunks with the signature Louis Vuitton monogrammed pattern.

How can you find the date of your Louis Vuitton steamer trunk?

The first clue lies with the label found on the interior. Generally, you should pay close attention to the store locations. The newer the trunk, the more store locations included on the label. Here are several images of labels on a variety of trunks offered at Clars.

Additionally, you will want to find a stamped or printed serial number. It is also important to take a look at the engravings on the hardware, as well as embroidery and stitching on the interior. Signatures will also appear on other elements, right down to the hangers. As antique Louis Vuitton trunks were not mechanically massed produced, there are many details to look for.

What should I look for when purchasing a Louis Vuitton trunk?

There are several important factors to ask when buying a Louis Vuitton trunk, but it is most important to purchase your trunk from a reputable source. It is imperative is to request additional photographs, and ask the seller questions about the trunk. When in doubt, it is important to send photographs of your trunk and label to a reputable gallery.

Steamer trunks are only one of many forms of luggage produced by Louis Vuitton. Clars has sold a variety of forms, including a train case, a cabin trunk, a wardrobe, as well as hardcase luggage. A form that is rarer can be more collectible, for example this exceptional vertical Louis Vuitton steamer trunk with basket insert that hammered for $13,000. For further reading, Louis Vuitton has produced a guide titled Louis Vuitton: 100 Legendary Trunks, which includes over eight hundred photographs of Louis Vuitton trunks and luggage.

Are there other early 20th century French designers who manufactured steamer trunks?

Louis Vuitton was not the only French designer manufacturing steamer trunks at the turn of the 20th century. Another well-known and collectible French designer is Goyard. Goyard was established in 1853, just one year before Louis Vuitton opened his doors. While the company began under the leadership of Francois Goyard, many rectangular steamer trunks, circa 1900, were created under the authority of Edmond Goyard (1860–1937). Goyard is known for its signature chevron canvas. Similar to Louis Vuitton, it is important to take a look at the hardware and interior stitching. As Goyard was also a high end producer, the hardware should be engraved or embossed, and the interior should have the original stitched Goyard strapwork.

Again, if you are unsure if your trunk is an authentic Louis Vuitton or Goyard example, it is advisable to send photographs to a knowledgeable gallery. It is also imperative that you purchase trunks from trustworthy galleries, and ask for additional photographs. A reliable gallery will be happy to address and questions or concerns you may have about a piece.

This August at Clars we are excited to offer a collection of fine souvenirs, ephemera and art from the 1915 Panama-Pacific International Exposition (PPIE) in San Francisco.

Decorative Arts – August 17th

The Warehouse Auction is offering an extensive and fine private collection of items from the 1915 Panama-Pacific International Exposition (PPIE) in San Francisco. The collection includes original glass Novagems, sterling trophies, exhibit items, enamel pins, and watch fobs, as well as Panama Canal memorabilia. Felt pennants, photographs, and presentation articles related to exposition president Charles C Moore, San Francisco mayor James Rolph, Jr., and United States President William Howard Taft are also available. Complementing the historical collection, this monthly sale also boasts a wide array of contemporary and antique furniture, decorative arts, and rugs.

Fine Art – August 16th

On August 16th at Clars Auctions we are excited to feature a collection of unique and stunning illustrations created for stage scenery set designs. These designs are a rare and remarkable find and are in excellent condition over 100 years after their construction. The collection includes dozens of gouache set designs for stage productions — hand painted on paper with velvet and wood accents — as well as printed mock-ups and original Charles F. Thompson lightboxes used for display.

The company responsible for these models, the Charles F. Thompson Scenic Company, was based in Hollywood, California and was a respected producer of fine set design. The highly detailed illustrations include architectural elements from Greco-Roman columns to fanciful Art Deco configurations reminiscent of the Emerald City in the 1939 film The Wizard of Oz. Other selections from this group include adjustable greenery and curtains, surreal figural scenes, and modern cityscapes showing streets lined with early 20th century high-rises, department stores, and colorful advertisements for ice cream shops and radios.

A charming aspect of several of these models is their semi-transparent construction which can be enjoyed using a lightbox. When placed in front of a backlighting device, the buildings’ windows, streetlights, and neon signs glow with a naturalistic luminosity that imbues the once-lifeless designs with a romantic sense of nostalgia.

Another standout among the collection is a beautiful three-panel rendering of the Tower of Jewels, a grand structure that was built specially for the Panama-Pacific International Exposition and was demolished shortly after its end. The Tower was built using staff — a mixture of plaster and burlap — with jewel-toned glass panels that were illuminated from the inside and cast a colorful radiance over the courtyard. In this illustration, the Tower is depicted in meticulous detail with applied glitter detail highlighting the tiered pinnacle. A palatial fountain decorates the courtyard, and visitors marvel at their surroundings. The ephemeral nature of the Tower of Jewels makes depictions like this one, painted during its metaphorical lifetime, a precious and historic artefact. Each of these renderings is an exquisite fragment of early 20th century American artistry and a memento of a treasured moment in the history of San Francisco.

Mr. Stephen Schwartz and Stephen’s Antiques are recognized antiques dealers and advanced collectors known nationwide.

Originally based in Tiburon, CA, they sold investment grade European Decorative Art and select Furniture from coast to coast. Their largest public sale is a rare 18th century porcelain mounted salon table that sold for a staggering $2.4M in 1998. Mr. Schwartz helped numerous clients build very well curated collections that are still highly regarded.

Clars Auctions is please to present a selection from their exclusive collection, featuring formal French furniture, 19th-century bronze sculptures, ormolu-mounted marble clocks, and KPM porcelain plaques in our January 18th auction. Each piece is a testament to the discerning taste of the Schwartz family, showcasing their distinctive blend of European sophistication.